Chris Duncan

This slideshow requires JavaScript.

 What is your name?
Chris Duncan

What would you say has been your primary job in animation?
Background painter, but because I was a digital artist before that was mainstream I was lucky enough to do a little of everything like some 3D, promotional stuff, design and editing.

What are some of the crazier jobs you had before getting into animation?
Right out of High School I was a technical illustrator at General Dynamics working on build and repair manuals for cruise missiles and they’re launchers while working with a bunch of old grumpy ex-Navy guys. When I first moved to LA I worked on a drill crew Continue…

Temris Ridge

This slideshow requires JavaScript.

What is your name and your current occupation?
Temris Ridge, independent animator.

What are some of the crazier jobs you had before getting into animation?
Not many. I went from high school to university to animation school with a little burger flipping and file sorting in between.

What are some of your favorite projects you’re proud to have been a part of?
One of my earliest, coolest projects was working on Sam Niemann’s project called “Ruby Rocket.” One of my favorite commercial jobs of my career has to be animating Pop Tarts commercials for TV, which includes GPS, Stuck, and Tour Bus. I was also very excited to get to do some animation for the end credits for the Laika feature film, The Boxtrolls.

Where are you from and how did you get into the animation business?
I’m from Washington State, born and raised Pacific Northwesterner. I studied art, film, and writing in college and then Continue…

Tom Riffel

 

This slideshow requires JavaScript.

What is your name and your current occupation?
My name is Tom Riffel, and currently I am working freelance, in addition to being a co-founder / content creator of the Toonocracy collective.

What are some of the crazier jobs you had before getting into animation? 
Most of my non-animation experience was either slinging coffee or slinging data. Well, entering data. Neither one super crazy, but I did have one data entry job where I was inputting the personal information of women prisoners into what was supposed to be a prison pen-pal website. Needless to say, some of this information was, ah… Highly inappropriate, despite their surveys specifically saying not to include anything R-rated. Also, at the coffee shop, people liked using the walls as toilet paper. Not really sure how that works.

What are some of your favorite projects you’re proud to have been a part of? 
I’m very fortunate to say that I have been pretty consistently happy with most of the projects I have been on, but my absolute favorite job was working on The Problem Solverz at Cartoon Network. Cartoon Network is my goal, and being able to work on a series produced entirely in-house and with really great people was a dream come true.  A close second would be the last non-freelance job I had, which was at Hot House Productions, working on a pilot. Like The Problem Solverz, it was all done in-house with a small crew of great people.

Where are you from and how did you get into the animation business?
I grew up in South Florida, but didn’t do anything animation-related until I moved to Chicago. Initially I wanted to be a director, so I went to Florida Atlantic University for film studies and ended up with a useless BA in communication. After an aimless year, I went back to school for animation. Post graduation (Part 2), I was able to get a job doing animation for an internet startup company, and then moved on to doing some digital animation and traditional clean up for Calabash Animation. A few years later, I took the plunge and moved to Los Angeles.

What’s a typical day like for you with regards to your job?
Currently, I wake up, make the long trek from the bedroom to my office, and get crackin’ on work in silence. When I’m working at a studio, Continue…

JOBS: Onsite Freelance Motion Designer

Freelance Motion Designer

Apply here.

Please Note: Applications without a link to reel or portfolio will not be considered.

  • Expertise in all things Adobe Creative Suite. Especially After Effects, Illustrator and Photoshop.
  • You must be able to work in-house in our Los Angeles studio (equipment is provided)
  • Your reel should demonstrate an eye for design, comprehension of motion design principals and clear communication.
  • Immediately availability is a plus!

Examples of ATTN:’s animated content:

1) We’ve been betraying Native Americans long before Standing Rock: https://www.facebook.com/attn/videos/1198610423507748/

2) When you spoil your kids, you end up with Donald Trump.: https://www.facebook.com/attn/videos/1159748947393896/

3) Politicians shouldn’t be able to choose their own voters: https://www.facebook.com/attn/videos/1081106318591493/

4) Drug corporations are ripping you off: https://www.facebook.com/attn/videos/1229382870430503/

Andy Sykes

This slideshow requires JavaScript.

What is your name and your current occupation?
My name is Andy Sykes. I go by the name ‘Hexjibber’ onlline. I work as a part time lecturer at The University of Leeds, where I teach Animation and Digital Storytelling. I also work as a freelance commercial illustrator and animator.
What are some of the crazier jobs you had before getting into animation?
I’ve worked as a visiting artist in schools. Working with kids is rewarding, but very frenetic and tiring. I’m lucky that most of my jobs have been related to art in one way or another.

What are some of your favorite projects you’re proud to have been a part of?
I created 3 animated films with funding from Screen Yorkshire, called ‘Special Glue and Other Stories’. One of the films, ‘Stupid Table’ won the award for Best Short at Bradford Animation Festival in 2009. You can see it here: https://www.youtube.com/watch?v=tbkLwF8O7Jw, I have self-published 3 illustrated books. The first ‘The Hexjibber Colouring and Activity Book’, is a subversive activity book for adults. I created some bizarre adverts for it here: http://www.hexjibber.com/colouring-book/.’The Hexjibber Anti Revision Book’ is a creative procrastination book. ‘Hexjibber Hobbies Vol.1’, is a compilation of the first year of my illustrated blog http://hexjibberhobbies.blogspot.co.uk. I am currently working on Vol.2, which is a complete story, centring around my recent battle with insomnia. I enjoyed creating large scale interactive art projects for Light Night in Leeds. It is an art festival that takes place on the first Friday of October, involving installations, performance and projections. It is great get so many people involved in creating illustration and animation. You can see some video of it here: https://www.youtube.com/watch?v=eL2xAmTbg34, I created the ident for the Bradford Animation Festival in 2010, with illustrations from Tom Wooley. It is Jekyll and Hyde meets 90s anime. You can see it here: https://www.youtube.com/watch?v=_wd0NIOuvbc

Where are you from and how did you get into the animation business?
I am from Leeds, which is in the north of England, in the UK. Think Winterfell in Game of Thrones. It’s a bit like that:) I studied Interactive Arts in Manchester (which is also in England), where I worked mainly in animation. I taught myself Flash and started creating short animated films. It took me a long time after graduating before I started to make a living from it. I did some work for free for experience anywhere that I could find it. I created a lot of visuals for nightclubs and gradually started getting bits of paid work. Shortly after graduating, circa 2004, I applied for some production funding from NESTA (National Endowment for Science, Technology and the Arts) to make some ‘Pocket Shorts’. These were short films designed for mobile phones. These films started to get shown at festivals, which helped raise my profile a bit. Then I got some production funding from Screen Yorkshire to make ‘Special Glue and Other Stories’ in 2008. This did quite well at festivals and won an award. It has been a long drawn out process.

Continue…

Chris Burns

 

This slideshow requires JavaScript.


What is your name and your current occupation?
Chris Burns, Owner and Lead Animator of EXIT 73 STUDIOS (exit73studios.com)

What are some of the crazier jobs you had before getting into animation?
The craziest job I ever had, had to be a carpenter/roofer. I worked with a bunch of super manly, blue collar dudes, who’s life mission was to win concert tickets on the radio, and win pick 4 lotto. The money was good, and you couldn’t beat the hours, but I knew pretty early on, that I wanted to pursue a career in art.

 

What are some of your favorite projects you’re proud to have been a part of?
In 2007, when I was lead animator at AUGENBLICK STUDIOS, there was a stint of 3 projects that completely blew my mind. It started with the web series called GOLDEN AGE, which was a documentary style narrative of obscure cartoon characters from different time periods. From there we went on to animate a 4 minute cartoon for the feature film THE TEN, in a segment called THE LYING RHINO. Right after that we started animating the first episode of SUPERJAIL! It was really lightning in a bottle for the whole studio, we had a super tight team of very talented artist, pumping on all cylinders… It actually paved the way for the studio to go all the way to the SUNDANCE FILM FESTIVAL. THE TEN, and all the webisodes of GOLDEN AGE where proudly featured there. It was very surreal, as an animator, going into theaters and seeing your work so big with an audience.

 

Where are you from and how did you get into the animation business?
I’m originally from eastern Long Island, which made my choice to go to SVA very easy, being it was so close. I interned at a bunch of Animation studios, B3, NOODLE SOUP, WORLD LEADERS, and 4KIDS ENTERTAINMENT. NOODLE SOUP, provided me with Continue…