DWA TV Production – Prop Designer

DWA TV Production – Prop Designer

About Us
From the award-winning storytellers, artist and innovators at DreamWorks Animation and DreamWorks Animation Television come the beloved characters and stories that come alive on the big and small screens. From films like Shrek, How to Train Your Dragon and Trolls to original TV series including Trollhunters, Voltron and Home: Adventures with Tip & Oh, DreamWorks Animation continues to bring home the laughter, fun and courage to dream.

Visit www.dreamworksanimation.com to see our latest animated film and television productions.

DreamWorks is a division of NBCUniversal, one of the world’s leading media and entertainment companies in the development, production, and marketing of entertainment, news, and information to a global audience. NBCUniversal owns and operates a valuable portfolio of news and entertainment television networks, a premier motion picture company, significant television production operations, a leading television stations group, and world-renowned theme parks. NBCUniversal’s policy is to provide equal employment opportunities to all applicants and employees without regard to race, color, religion, creed, gender, gender identity or expression, age, national origin or ancestry, citizenship, disability, sexual orientation, marital status, pregnancy, veteran status, membership in the uniformed services, genetic information, or any other basis protected by applicable law.

Generates prop designs, turnarounds, special poses and any other prop-related art that the production may require, ensuring style and quality of show is met.  Responsibilities may include but are not limited to:

• Review script/animatic/breakdown list for props needed at handout of show.

• Complete all rough, revised and final designs necessary within assigned deadlines.

• Resolve design problems with creative supervisors.

• Ensure all deadlines are met.

• Communicate progress of work to appropriate production staff.

• Ensure all artwork is properly backed up and stored appropriately.

• Ensure all shipping materials are prepared and ready on time.

• Be available for questions until department’s shipment is complete.

• Assist with special projects.

• If applicable, make special shadow and color indications

Qualifications/Requirements

• Must demonstrate proficiency in style of show.

• Strong prop design and construction/mechanical skills.

• Knowledge of or willingness to learn applicable design software and hardware.

• Strong time-management skills.

• Work well under pressure.

• Ability to multitask a plus.

Desired Characteristics

• Relevant drawing experience necessary

• BA in Fine Arts or equivalent work experience highly desired

Anime from 1917

Check out this anime from all the way back in 1917 before everything they did looked the same. Before all the eyes got huge and before even the men looked like women.

… Long before it became known as anime, early Japanese animators honed their craft, producing cartoons that were both fascinating and fun. And you can watch them for yourself, reports the BBC, thanks to a new website celebrating 100 years of Japanese animation.

The site is the brainchild of Japan’s National Film Center, which celebrates the country’s long and rich film history as part of Japan’s National Museum of Modern Art, Tokyo. And it contains plenty of eye candy, even for those who mistakenly believe that Japanese animation begins and ends with “Sailor Moon,” Astro Boy or Spirited Away.

BBH London Team On Frances’ Music Video To Combat Domestic Violence Via Refuge Charity

 

Get your tissues out for this one… A beautifully animated piece about domestic violence and a charity that helps those affected.

On any given day, Refuge supports nearly 5,000 women and children across the UK with its specialist services. Visit the website to learn more about the organization’s services, how to identify abuse, or find out how to support Refuge’s work.

 

Frances’ “Grow” / “Melanie’s Story” was directed by Ralph Karam (Le Cube), who also served as art director; with Sergio Slepczuk as animation director, Pablo Kondratas as stop-motion animation director; character design by Franco Vecchi, Martin Vinograd and Matheus Muniz; background design by Vecchi, Juan Barabani, Martin Lara and Vanina Saez. Executive produced by Dan O’Rourke, Gustavo Karam and Juan Manuel Freire; produced by Francesca Di Muro, Mechi Serrano and Fernanda Soma. Sarah Finnigan-Walsh was creative consultant producer for BBH.

Shootonline has an article about the making of this video…