Posts Tagged ‘Cal Arts’

Chris Oatley

 

What is your name and your current occupation?

Chris Oatley.

I was a Visual Development Artist and Character Designer at DisneyToon Studios (most recently designing characters for Disney’s ‘Planes’ franchise) before I left to start The Oatley Academy Of Concept Art & Illustration.

At The Oatley Academy, I teach Composition, Color Theory and Digital Painting.

I also have a Character Design Workshop coming up soon.

 

What are some of the crazier jobs you had before getting into animation?

At age sixteen I submitted my illustration portfolio along with a standard application for employment at my neighborhood Kroger and was immediately hired as a cake decorator. They also wanted me to do the in-store illustrations – china markers on the windows and what have you.

I think I started out at $12 an hour. It was way more than any of my friends were making at Bob Evans or Dippin’ Dots or wherever. It was my first job and I was already getting paid (well) to draw.

…until the US Department Of Labor called two days later and shut me down.

An industrial meat slicer was located within a certain proximity of the cake decorating station and thus there existed the possibility of accidental lacerations. The liability waiver I had signed didn’t count, legally, because I was a minor.

I was immediately demoted to bag boy. I liked bagging groceries because I could chit chat (more…)

Mucci Fassett


What is your name and your current occupation?
Mucci Fassett, that is to say, I am Mucci Fassett, and I’m currently Directing ZHU ZHU PETS, a low-budgeCGI ANIMATED dvd movie for Moonscoop Productions.
What are some of the crazier jobs you had before getting into animation?
Well, when i was 16 years old, I was a busboy at The Old Spaghetti Factory in downtown San Diego. I had a secret-affair with the head waitress. The boss found out, he had the hots for her too, so he fired me.
What are some of your favorite projects you’re proud to have been a part of?
As far as the one thing that I’mproud of?  I suppose I am proud of a little DVD movie I made for MGA calledDesert Jewel. It was a ”Bratz” movie, and yes everyone vomits when they hear the word Bratz! that’s because they immediately think of those bawdy little dolls in their hoochie-coochie hot-pink skirts, and I really can’t blame them, I feel the same way too, but the films I did for the Bratz Brand aren’t of that content at all, and this little ”Bratz Desert Jewel” film is mighty for what it is: we had 9 months to make it (and that’s from script-premise all the way to the final Mix) so we really had to haul ass, as that’s a tight little hustle for a 3-act 72 minute film. But we did, we pulled it off, me and my superb crew of Joe Scott, Vill Cruz, Javier Secaduras, Clay Christman and my editor at the time Michael Bradley who made some real great contributions. The design-look of the characters was not my thing at all, I couldn’t do anything about elevating that, (as that is the brand of the dolls, etc.) but the Storytelling is very cinematic, the editing, the mood, the score, even the (more…)

Bruno Chekerdimian Barreto

What is your name and your current occupation?
My name is Bruno Chekerdimian Barreto, I’m working at Mariana Caltabiano Criações .

What are some of the crazier jobs you had before getting into animation?
During the high school I used to help my father on his work carrying furniture and other little services. He is a woodworker.  I don’t know why he asked me to help him if I was, and still I am, so thin and weak.

 

What are some of your favorite projects you’re proud to have been a part of?
I’m very proud to have worked on the first season of “As aventuras de Gui e Estopa” (in english “The adventures of Gui and Estopa”). I had a great opportunity to do a lot of things on it. I wrote some episodes, did some storyboards, helped to develop the digital clean up, worked composing the scenes and other many things. On the second season I added to my “to do list” the digital paintings for that scenes where shows something very detailed or should use a different visual language. But my big challenge happened during the production of our first animated feature. I did all the 3D stereoscopic composition of all animated scenes and I did all the digital paintings of “Brasil Animado”, the first Brazillian movie in 3D (stereoscopic).

 

How did you become interested in animation?
My mom is a fine artist, she always inspired me to (more…)

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