CHARACTER DESIGNER (TEENAGE MUTANT NINJA TURTLES REBOOT)

CHARACTER DESIGNER (TEENAGE MUTANT NINJA TURTLES REBOOT)

Job Locations
US-CA-Burbank

Apply HERE

Overview and Responsibilities

SUMMARY:

  • Nickelodeon Animation Studio is beginning production on a 2D REBOOT of the classic franchise Teenage Mutant Ninja Turtles! We are looking for Character Designers who can create original concepts, take direction well from the creative lead, and execute clean-up as well as turnarounds.

RESPONSIBILITIES:

  • Receive & understand Character Design assignment from Art Director/Design Supervisor.
  • Ask appropriate questions to understand & complete the task.
  • Review Storyboard to ensure continuity of character designs.
  • Complete all character designs.
  • Make any changes or revisions and re-submit to Art Director/Design Supervisor for approval.
  • Communicate with Design Supervisor & Production Manager regarding status of work and any problems that arise.
  • Ensure quality & style of show is achieved.
  • Complete work on schedule.

Basic Qualifications

BASIC QUALIFICATIONS:

  • Must demonstrate proficiency in style of show
  • Strong character design and construction/mechanical skills
  • Knowledge of or willingness to learn applicable design software and hardware.
  • Strong time-management skills
  • Work well under pressure
  • Ability to multitask a plus

EDUCATION/EXPERIENCE:

  • Relevant drawing experience necessary
  • BA in Fine Arts or equivalent work experience highly desired

Apply HERE

Isaac Marzioli

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What is your name and your current occupation? 
My name is Isaac Marzioli and I’m a digital design clean-up artist on Tuff Puppy at Nickelodeon.

What are some of the crazier jobs you had before getting into animation?
I’ve had a few.  Two of the craziest were when I was just shy of 20 and still trying to figure out what I wanted to do as a career.  I answered an ad in the paper (before newspapers went extinct) and ended up in an interview where I agreed to sell knives door to door.  That didn’t last long because the idea of walking into a stranger’s house and pulling out sharp knives sounded sketchy…so I went one worse and started selling perfume in parking lots.  There’s nothing like approaching a random stranger, pulling a bottle out of your bag and asking if you could squirt them with it.  It was this job that taught me that school was very important.  I came home after a long day of chasing weirdos around an ATM parking lot and enrolled into Cal State Fullerton – more specifically, into the illustration program.  And then to get myself through school (and after I graduated, but before I was able to land a job in the industry) I sold ladies’ shoes.  The Al Bundy jokes weren’t the worst of it – I couldn’t believe what people would tell me about their feet.  Or show me.  This one lady had a fuzzy green square on the bottom of her foot that she wanted me to touch.  Then the smells.  There’s nothing like a hot summer day for people to come in and take their shoes off…So I’m really glad to be working in animation.

 

What are some of your favorite projects you’re proud to have been a part of?
It’s been great to be a part of the Butch Hartman cartoons.  It’s a little pandering, but it’s hard to stay employed in the animation business.  Shows don’t last forever, and cancellation usually comes as a surprise.  Being on Fairly Odd Parents, Danny Phantom and now Tuff Puppy – I’ve been employed steadily for the last 10 and a half years.

 

Where are you from and how did you get into the animation business?
I’m originally from Northern California – and I came down here to go to school at CSUF.  I hung out with a lot of animation students.  In our junior year they set up a meeting with a storyboard revisionist on Angry Beavers and I Continue…

David Knott

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What is your name?
David Knott

What would you say has been your primary job in animation?
Supervising Director.  Although I’ve spent the better part of my career in Animation as a Storyboard Artist.

What are some of your favorite projects you’re proud to have been a part of? 
Kim Possible was a watershed show for me.  I grew exponentially as a board artist on that show, gaining valuable experience in boarding action sequences, which, up until then, I had not done much of.  This was also due in no small part to the series’ Director, Steve Loter, whom I consider to be one of my mentors.  He challenged me to get into the head of the characters and to make that inform whatever gags or actions I had them do.  I’m also indebted to him for turning me onto ʺCowboy Bebop.ʺThe other project that has stood out for me is the one I’ve been on for the last 3+ years, The Penguins of Madagascar.  Not only is it a challenging CG show involving cinematic action sequences, slapstick pantomime gags, and even heartfelt Continue…

Jeff Victor

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What is your name and your current occupation?
My name is Jeff Victor and I work as an illustrator/designer for Nickelodeon Games. I work as an art lead on a online game called PetPet Park, designing characters, backgrounds, props, and more.

 

What are some of the crazier jobs you had before getting into animation?
I’ve worked many mundane jobs in my life, but one that is really pretty special to me is when I first moved to Los Angeles, I got work as a background performer, or “extra”. As I was unsuccessfully submitting my portfolio to studios, I made my living as a student/doctor/terrified pedestrian/casual onlooker, etc. I appeared in hundreds of TV shows and movies. As a huge film buff, it was incredible being on set watching some of my favorite directors work. You only earn a tiny paycheck, but being on set with Steven Spielberg or Martin Scorsese was a priceless experience. My other craziest job was working a few years at Universal Studios Hollywood. I was a show tech, which basically meant I had to set the stage explosives, hook the actors to their flying rigs, move set pieces around on stage, and in the case of Fear Factor Live, handle giant scorpions. All in a day’s work.

 

What are some of your favorite projects you’re proud to have been a part of?
I am extremely proud of the work I’ve been doing for Nickelodeon. I enjoy that people all over the world have seen my work. I also really enjoyed some of the stints I had as a character designer at Warner Bros animation, and at East/West DVD, where I got to draw DVD covers for classic cartoons. It was my first real job in animation, and I am really proud of the work, even though it looks incredibly dated to my eyes today. (Of course, things I drew 3 weeks ago look dated to me, but that’s another story…)

 

Where are you from and how did you get into the animation business?
I’m from the Chicago suburbs, and after receiving the “Art of Star Wars” book as a youngster, I knew I wanted to be an artist. I was obsessed with comic books and cartoons as a kid, especially Batman the Animated Series. I filled my grade school notebooks with Continue…

Keiko Murayama

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What is your name and your current occupation? 
My name is Keiko Murayama, my current occupation is a BG painter at Nickelodeon Animation Studios.

What are some of the crazier jobs you had before getting into animation? 
I used to work at a Motion Studio as a vis dev artist for TV commercials. One fun project I had there was for a sugar company where I had to design a set and props made only of sweet stuff, and then they actually had to build that.

What are some of your favorite projects you’re proud to have been a part of? 
I got to work on a couple pages for the Big Golden Book for Wreck-It-Ralph. A lot of my friends from school also worked on it I’d never seen my work as a published book form, so when I saw the actual product, I was very proud.

How did you become interested in animation? 
I grew up watching anime stuff, which I love, but it’s not my passion. Then, I came to the U.S after high school and saw Continue…

Trevor Hardy

 

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What is your name and your current occupation?
I run a stopmotion animation on the south coast of England called, FoolHardy Films.
What are some of the crazier jobs you had before getting into animation?
Tons and tons of Jobs, in fact most of your time is spent working in jobs other than animation…if you want to do a job you love. I have been a tyre fitter, care worker, picture framer, bingo caller, post man…I could go on.

 

What are some of your favorite projects you’re proud to have been a part of?
I am very proud of my short film Pushkin, it won many awards. And I would have to say the work I do for Nickelodeon’s Nick Jr channel I’m very proud of. I write animate and direct a series of one minute funnies for Nick Jr entitled, Watermill Farm. They get a great response from people who see them and that is very rewarding for me.

 

Where are you from and how did you get into the animation business?

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