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Animation Insider’s goal is to focus on the blue collared worker of animation; the back bone of the industry. We want to focus on the people in the trenches who make the award winning stuff we love.  Basically if your job is or ever was associated in some way with animated movement, we want to interview you! Even if you’re a big famous hotshot you weren’t always and I’m sure you’ve got great stories to tell! We think everybody has stories to tell from the trenches of animation!

If you’ve ever been in the Animation, Feature film or video game industry, please feel free to send us an email and we will send you the questionnaire!

News: The future of digital drawing?

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Yesterday, Sony unveiled their new 13.3 inch Digital Paper prototype which supports flexible displays and is quite possibly a peak into the future of the 21st century artist. While initially for books and print as of this writing you can write and draw on it.

From the Engadget site:

At 13.3 inches, the panel is larger than your typical e-reader’s, but it weighs just 60 grams. That light footprint comes courtesy of E Ink’s TFT tech, which allows for larger, more rugged devices without the extra weight. The Digital Paper’s form factor matches the size of a sheet of A4 paper, and the on-board digitizer lets users scrawl notes on the electromagnetic induction touchscreen.

Catch that? Scrawl notes! I’m sure right now it’s nothing more than black or white without pressure sensitivity but I’m wondering if they’ll change that. It seems to make sense.

So is this the “Cintiq Killer”? Perhaps, in the future,  it might be for a number of reasons… First off they will be significantly cheaper which studios and artists will drool over. Second, you’ll only need one connected to a sever via wifi to generate the same amount of work from a much smaller, lighter and possibly even portable piece of tech. Thirdly, while it is only a display showing one page, it’s logical to assume that they might one day add a hard drive and an operating system on it as well. Android? Windows Mobile? iOS? It seems the most likely would be Windows Mobile if only because they’re the ones who need to reinvent themselves. IF THAT happens, it’s likely to assume it could become mainstream.

Another interesting aspect of this is the possibility of doing the same thing to cloth. Imagine your art or portfolio on a slideshow as you walk the Comic Con? Quite a calling card wouldn’t you say? Add to that the fact that E-Ink has a ridiculously long battery life and it’s a pretty exciting possibility.

Now granted, all that said… E-Ink is strictly black and white so you wouldn’t be putting full color on it and all, at least not for now, but who knows what the future will hold since color E-Ink DOES already exist.

Is this the next wave of what a digital artist will draw on? Sound off!

Engadget

Michael Hitchcox

 

What is your name and your current occupation?
Michael Hitchcox / 2D Background Instructor Sheridan College, Oakville, Ontario and freelance 2D background artist.(Photoshop either colour keys or production backgrounds)

 

What are some of the crazier jobs you had before getting into animation?
Worked as a highways ticket guy for construction crews. Worked as a landscaper for a dutch owner (nice guy, just a very hard worker)

 

What are some of your favorite projects you’re proud to have been a part of?
Magic School Bus, Beetlejuice (the animated series),Gargoyles, Gift Eater promo, various productions for Atomic Cartoons.

 

Where are you from and how did you get into the animation business?
Oakville, Ontario, Canada. I went through for fine arts, never thought of animation or anything commercial…but

Jean-Dominique Fievet

What is your name and your current occupation?
Jean-Dominique Fievet – Head of Animation at MPC Los Angeles.

 

What are some of the crazier jobs you had before getting into animation?
Never had another job, unfortunately

 

What are some of your favorite projects you’re proud to have been a part of?
A Gentlemen’s duel, Hotel Transylvania, The Golden Compass

 

Where are you from and how did you get into the animation business?
From France. I did a (generalist) computer graphics school, then

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