Proofs of Concept from Exit 73 Studios

Cool little bit of animation from my friends over at Exit 73 Studios

The First one is called #BLUD:
It follows the adventures of Becky Belmont, who has to balance the perils of middle school by day and fighting the undead at night.  All of which serves as an allegory for what it’s like growing up as kid in this modern world.

The last one is called Duke and Darryl:
Darryl and his imaginary friend duke find ways to make mountains out of molehills in this Cartoony adventure!

Dagan Moriarty

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What is your name and your current occupation? 
My name is Dagan Moriarty, and I am currently an Asst. Art Director at ‘Sesame Workshop’ in NYC.

What are some of the crazier jobs you had before getting into animation?
I worked a few different jobs back in the day, before I graduated from HS and shipped off to Art School. My favorite was working in a skateshop, but that’s a gimme. There were definitely a few interesting and offbeat gigs peppered in there as well… I worked in a Bagel Store for 2 weeks for a really mean and cranky boss.  I accidentally burned an entire batch of bagels one morning, and I thought she was going to take my life right in front of the cream cheese case. She was so mad! That’s probably when I decided that a life in bagels wasn’t for me…Though I still find them delicious.  Back in High School, I had a friend who’s father was a Real Estate Agent. He sold a lot of foreclosed properties.  Often times he would need to completely gut the homes and clean them up before he could put them on the market… So he would pay us 100 dollars a piece to go into a house with a baseball bat or a table leg and just demolish the whole interior… It was amazing!  Cabinets, furniture, literally everything except for load-bearing walls. I still remember the roaches scattering as we wreaked havoc on everything in our path. Best summer job in history!  It was a great way to work out our teen angst while making some loot!

What are some of your favorite projects you’re proud to have been a part of? 
The two things that jump right to the top of my head are ‘The Mr. Men Show’ for my friends at Renegade Animation and the ‘Skunk-Fu’ animated series that we worked on for the mighty Cartoon Saloon over in Ireland. (Worked with the team over at Fat-Kat
Animation Studios on that one.) Both of those shows were a cut above in terms of quality and craftsmanship, and they were a lot of fun to be a part of. We’re also working on some really cool stuff right now over at Sesame that I am excited about… but I’ll keep those cards close to my chest for now.  🙂

How did you become interested in animation? 
First, through my grandfather. He was a wonderful artist who really loved to draw, and he imparted that passion to me very early on. I have a vivid memory of sitting with him when Continue…

Edward Ernest

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What is your name and your current occupation?
My name is Edward Ernest. I’m an associate flash designer at Sony Pictures Interactive.

 

What are some of the crazier jobs you had before getting into animation?
I was working at Home Depot doing early morning shifts as a freight package handler. There’s nothing like getting up at 3am to unpack and stock products and being unappreciated for your work…(sarcasm).

 

What are some of your favorite projects you’re proud to have been a part of?
I’ve worked on a social game called “Island paradise” and Sony Picture’s first facebook game “Hotel Transylvania Social Game”.

 

Where are you from and how did you get into the animation business?
I was born in New York, I’ve lived in Philadelphia, but I’ve spent most of my life living in Atlanta, GA. I loved watching cartoon as a kid (I still do ). I wanted to be a paleontologist because I loved drawing dinosaurs, until I realized what they do all day. In high school, my twin brother and I would Continue…

Cartoon Saloon, Mercury Filmworks Partner for New Animation Studio

The Hollywood Reporter is reporting that Kilkenny, Ireland-based animation studio Cartoon Saloon — the studio behind Oscar-nominated animated features The Secret of Kells and Song of the Sea — and Canada-based animation studio Mercury Filmworks are partnering to create a new 2D-focused, Kilkenny-based animation studio to develop children’s and family TV entertainment, for multiplatform global distribution.

Dubbed Lighthouse Studios, the joint venture will have its own not-yet-announced management team, reporting to a board of directors comprising executives from both Mercury Filmworks and Cartoon Saloon.

It plans to announce more information about its first development and production projects, as well as hiring details, in the coming weeks. The venture was revealed on Monday with support from Ireland’s Department of Jobs, Enterprise and Innovation through IDA Ireland and intends to create at least 140 jobs in the next three years.

Both partners also continue their own TV and film operations. Mercury Filmworks’ projects have included Disney’s Tangled animated series, Mickey Mouse Shorts, Wander Over Yonder as well as the upcoming Netflix original series Hilda.

Read the entire article here.

Temris Ridge

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What is your name and your current occupation?
Temris Ridge, independent animator.

What are some of the crazier jobs you had before getting into animation?
Not many. I went from high school to university to animation school with a little burger flipping and file sorting in between.

What are some of your favorite projects you’re proud to have been a part of?
One of my earliest, coolest projects was working on Sam Niemann’s project called “Ruby Rocket.” One of my favorite commercial jobs of my career has to be animating Pop Tarts commercials for TV, which includes GPS, Stuck, and Tour Bus. I was also very excited to get to do some animation for the end credits for the Laika feature film, The Boxtrolls.

Where are you from and how did you get into the animation business?
I’m from Washington State, born and raised Pacific Northwesterner. I studied art, film, and writing in college and then Continue…

Tom Riffel

 

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What is your name and your current occupation?
My name is Tom Riffel, and currently I am working freelance, in addition to being a co-founder / content creator of the Toonocracy collective.

What are some of the crazier jobs you had before getting into animation? 
Most of my non-animation experience was either slinging coffee or slinging data. Well, entering data. Neither one super crazy, but I did have one data entry job where I was inputting the personal information of women prisoners into what was supposed to be a prison pen-pal website. Needless to say, some of this information was, ah… Highly inappropriate, despite their surveys specifically saying not to include anything R-rated. Also, at the coffee shop, people liked using the walls as toilet paper. Not really sure how that works.

What are some of your favorite projects you’re proud to have been a part of? 
I’m very fortunate to say that I have been pretty consistently happy with most of the projects I have been on, but my absolute favorite job was working on The Problem Solverz at Cartoon Network. Cartoon Network is my goal, and being able to work on a series produced entirely in-house and with really great people was a dream come true.  A close second would be the last non-freelance job I had, which was at Hot House Productions, working on a pilot. Like The Problem Solverz, it was all done in-house with a small crew of great people.

Where are you from and how did you get into the animation business?
I grew up in South Florida, but didn’t do anything animation-related until I moved to Chicago. Initially I wanted to be a director, so I went to Florida Atlantic University for film studies and ended up with a useless BA in communication. After an aimless year, I went back to school for animation. Post graduation (Part 2), I was able to get a job doing animation for an internet startup company, and then moved on to doing some digital animation and traditional clean up for Calabash Animation. A few years later, I took the plunge and moved to Los Angeles.

What’s a typical day like for you with regards to your job?
Currently, I wake up, make the long trek from the bedroom to my office, and get crackin’ on work in silence. When I’m working at a studio, Continue…