What is your name? Alex Almaguer. Or Alejandro Almaguer which is my real name that I used to use when I first started in animation. I think you can still find some early episodes of Johnny Bravo or Pinky and the Brain that I storyboarded that have my real name in the credits. And Big Poo. Don’t ask.
What would you say has been your primary job in animation? Mainly Storyboards. It’s what I started on when I got into the industry and I’ve just stuck to it.
What are some of the crazier jobs you had before getting into animation? Storyboarding. It doesn’t get crazier than that.
What are some of your favorite projects you’re proud to have been a part of? I’d have to say being a part of “The Grim Adventures of Billy & Mandy.” It was the first time I REALLY got to write and draw my own boards. Within a few months on that show I was already coming up with my own gags and writing my own dialogue and learning how to tell a story. Back then, the studio was still doing the 7 min. format, so we really had a lot of freedom to get in and do a bunch of silly, dumb jokes and get out while telling a simple story at the same time.
What is your name and your current occupation? Libby Ward, currently writing for WB’s Be Cool, Scooby-Doo! (with Jon Colton Barry).
Kevin Glikmann voice over actor. Currently the voice of Leonard the evil squirrel-alien on Nick’s Get Blake!
What are some of the crazier jobs you had before getting into animation? Libby: I’ve always been involved in animation, but before it was a full time gig I supported myself calculating commercial airline weight and balance, playing on the Seahawks NFL drumline and leading underwater tours as a SCUBA Dive Master in Hawaii.
Kevin:Telemarketing for the Riverside Police department Costume Ball.
What are some of your favorite projects you’re proud to have been a part of? Libby: I loved working for the Muppets and Henson (my original comic entertainment inspiration) and I’m crazy about Scooby-Doo!
Kevin: Get Blake! My first cartoon series. We did 52 episodes. It’s currently on Nicktoons.
Where are you from and how did you get into the animation business? Libby: I’m from Seattle, WA. I started drawing in elementary school, recreating images of Bambi, Little Foot and Hagar the Horrible. I was disqualified from Continue…
What is your name and your current occupation? Mike Carlo and I’m an Animation Director/ Director at Titmouse Inc.
What are some of the crazier jobs you had before getting into animation? I was an usher at a movie theater when I was in high school, and was subjected to wearing a really dorky uniform. I was also a Continue…
AWN has an interesting article about my favorite prime time show Archer on FX and highlights their production pipeline as well which is rare for even for an animation interview. Producer Neil Holman and art director Chad Hurd detail the limited but highly stylized animation techniques they wield to devastatingly hilarious effect on their hit FX animated series.
CH: Yeah, well one big new thing that we’re using now is Toon Boom Harmony, which is kind of like a super fancy Flash that’s made for animating. It’s a lot more traditional and we’ve been using this a lot more with our rigs. Anything that you see that has a lot of movement, usually our action scenes, like when we do a big spin kick, that’s done in Harmony. We’ve been using that a good bit more this season. You’re going to see a lot of fun action scenes.
Toon Boom Storyboard Pro 5.1 Now Available!We are pleased to offer you an update to Storyboard Pro 5. As a benefit of subscription/support you can download Storyboard Pro 5.1 for free today!
Storyboard Pro 5.1 provides Storyboard Pro in both simplified Chinese and Japanese and continues to streamline the workflow with enhanced creative tools for artists, and better handling of project files.
Storyboard Pro provided in Simplified Chinese and Japanese.
New packed project formats – Stores the files in your Storyboard project inside a container, making it easier to handle and share project files, as well as faster transfer times.
Animation keyframes in the timeline – Provides a more intuitive way to work with layer animations.
Select tool improvements – Makes it easier to select and move drawings on the stage.
Tony Santo and I am a Freelance Storyboard Artist.
What are some of the crazier jobs you had before getting into animation? When I got out of college I cleaned apartments in Manhattan for a short time. It was actually fun work, getting got see some very cool apartments around town. I also did paste-up design, which is crazy in a sense of how tedious it was. For those who don’t remember life before computers, “paste-up design” was how magazines and newspapers were put together by hand, with columns of type, a t-square and several pinched neck nerves. I was also a bartender part time for a year.
What are some of your favorite projects you’re proud to have been a part of? I loved all the Disney films I worked on, like Mulan and Brother Bear. I also had some exciting and rewarding cycles as Art Director on “Madden NFL.” Recently I enjoyed working as storyboard artist for Dan Riba on the upcoming “Ben 10: Ominiverse.”
How did you become interested in animation? I loved Fantasia and how the Disney designers interpreted the music so imaginatively. I really got into animation for the storytelling and development approach. Shows like “Batman: the Animated Series” gave me extra inspiration to break in.
Where are you from and how did you get into the animation business? I am from Staten Island, New York. I had been drawing for years, and did freelance illustration fore a few years. It was a struggle to get work and to keep growing as an artist. Eventually Continue…