JOBS: Onsite Freelance Motion Designer

Freelance Motion Designer

Apply here.

Please Note: Applications without a link to reel or portfolio will not be considered.

  • Expertise in all things Adobe Creative Suite. Especially After Effects, Illustrator and Photoshop.
  • You must be able to work in-house in our Los Angeles studio (equipment is provided)
  • Your reel should demonstrate an eye for design, comprehension of motion design principals and clear communication.
  • Immediately availability is a plus!

Examples of ATTN:’s animated content:

1) We’ve been betraying Native Americans long before Standing Rock: https://www.facebook.com/attn/videos/1198610423507748/

2) When you spoil your kids, you end up with Donald Trump.: https://www.facebook.com/attn/videos/1159748947393896/

3) Politicians shouldn’t be able to choose their own voters: https://www.facebook.com/attn/videos/1081106318591493/

4) Drug corporations are ripping you off: https://www.facebook.com/attn/videos/1229382870430503/

Andy Sykes

This slideshow requires JavaScript.

What is your name and your current occupation?
My name is Andy Sykes. I go by the name ‘Hexjibber’ onlline. I work as a part time lecturer at The University of Leeds, where I teach Animation and Digital Storytelling. I also work as a freelance commercial illustrator and animator.
What are some of the crazier jobs you had before getting into animation?
I’ve worked as a visiting artist in schools. Working with kids is rewarding, but very frenetic and tiring. I’m lucky that most of my jobs have been related to art in one way or another.

What are some of your favorite projects you’re proud to have been a part of?
I created 3 animated films with funding from Screen Yorkshire, called ‘Special Glue and Other Stories’. One of the films, ‘Stupid Table’ won the award for Best Short at Bradford Animation Festival in 2009. You can see it here: https://www.youtube.com/watch?v=tbkLwF8O7Jw, I have self-published 3 illustrated books. The first ‘The Hexjibber Colouring and Activity Book’, is a subversive activity book for adults. I created some bizarre adverts for it here: http://www.hexjibber.com/colouring-book/.’The Hexjibber Anti Revision Book’ is a creative procrastination book. ‘Hexjibber Hobbies Vol.1’, is a compilation of the first year of my illustrated blog http://hexjibberhobbies.blogspot.co.uk. I am currently working on Vol.2, which is a complete story, centring around my recent battle with insomnia. I enjoyed creating large scale interactive art projects for Light Night in Leeds. It is an art festival that takes place on the first Friday of October, involving installations, performance and projections. It is great get so many people involved in creating illustration and animation. You can see some video of it here: https://www.youtube.com/watch?v=eL2xAmTbg34, I created the ident for the Bradford Animation Festival in 2010, with illustrations from Tom Wooley. It is Jekyll and Hyde meets 90s anime. You can see it here: https://www.youtube.com/watch?v=_wd0NIOuvbc

Where are you from and how did you get into the animation business?
I am from Leeds, which is in the north of England, in the UK. Think Winterfell in Game of Thrones. It’s a bit like that:) I studied Interactive Arts in Manchester (which is also in England), where I worked mainly in animation. I taught myself Flash and started creating short animated films. It took me a long time after graduating before I started to make a living from it. I did some work for free for experience anywhere that I could find it. I created a lot of visuals for nightclubs and gradually started getting bits of paid work. Shortly after graduating, circa 2004, I applied for some production funding from NESTA (National Endowment for Science, Technology and the Arts) to make some ‘Pocket Shorts’. These were short films designed for mobile phones. These films started to get shown at festivals, which helped raise my profile a bit. Then I got some production funding from Screen Yorkshire to make ‘Special Glue and Other Stories’ in 2008. This did quite well at festivals and won an award. It has been a long drawn out process.

Continue…

Alen Esmaelian

This slideshow requires JavaScript.

What is your name and your current occupation?
My name is Alen Esmaelian and I work as a Background, Prop, and Character designer at Rough Draft Studios.

 

What are some of the crazier jobs you had before getting into animation?
Nothing out of the ordinary. I’ve been working in this industry for 6 years and prior to that, I used work for Pizza Hut as a customer service representative (fancy way of saying that I used to take customer orders over the phone).

 

What are some of your favorite projects you’re proud to have been a part of?
Without a doubt, my proudest moment was working on Futurama alongside the very talented crew at Rough Draft Studios. I was particularly proud to see my finished designs for Bender’s robot monastery on episode nine of this current season.

 

Where are you from and how did you get into the animation business?
I was born in Tehran, Iran but I’ve lived in the Los Angeles area (San Fernando Valley) since I was two. I started to exhibit a love for animation and design at the tender age of 5, when I used to Continue…

Christian De Vita

This slideshow requires JavaScript.

What is your name and your current occupation?
Christian De Vita and currently I work for TeamTo in Paris as storyboard supervisor of an 11 minuteX52 episode 3D animation comedy series.

What are some of the crazier jobs you had before getting into animation?
Not many crazy jobs before animation to be honest. I went straight from college into animation. As a student I worked as a waiter back in Italy for a while to save a little money for when I moved to the UK. But it wasn’t a crazy restaurant and I definitely wasn’t a crazy waiter.

What are some of your favorite projects you’re proud to have been a part of?
The two main films I worked on in the past 4 years: Fantastic Mr Fox, where I was Lead Story Artist, and recently Frankenweenie, as I had always been a fan of Tim’s work.

How did you become interested in animation?
I originally wanted to be a comic book artist. I studied animation in Rome at the Roberto Rossellini institute for Film and Television as I’d read that Continue…

Keiko Murayama

This slideshow requires JavaScript.


What is your name and your current occupation? 
My name is Keiko Murayama, my current occupation is a BG painter at Nickelodeon Animation Studios.

What are some of the crazier jobs you had before getting into animation? 
I used to work at a Motion Studio as a vis dev artist for TV commercials. One fun project I had there was for a sugar company where I had to design a set and props made only of sweet stuff, and then they actually had to build that.

What are some of your favorite projects you’re proud to have been a part of? 
I got to work on a couple pages for the Big Golden Book for Wreck-It-Ralph. A lot of my friends from school also worked on it I’d never seen my work as a published book form, so when I saw the actual product, I was very proud.

How did you become interested in animation? 
I grew up watching anime stuff, which I love, but it’s not my passion. Then, I came to the U.S after high school and saw Continue…

Tuna Bora

This slideshow requires JavaScript.

What is your name and your current occupation?
I work as a visual development artist (sometimes only as a color stylist) and character designer for projects in games, animation and commercials.
What are some of the crazier jobs you had before getting into animation?
I did an internship as a personal assistant for a fashion designer named Bahar Korcan. Since I moved to the States for college and stayed, I wasn’t able to pursue anything outside the limits of my degree.
What are some of your favorite projects you’re proud to have been a part of?
It’s really more about the people I work with for me, but if I were to look back as individual projects I’d probably say the 30ft digital display on top of Target HQ in Minneapolis, the interactive Rome music video by Chris Milk, and anything I was a part of at Elastic.
Where are you from and how did you get into the animation business?
I’m originally from Turkey. I came to the States to study at Otis College Of Art And Design. I tried to venture out as much as possible and upon graduating I was Continue…