Johan Anton Klingler

This slideshow requires JavaScript.


What is your name and your current occupation?
Allow me to introduce myself, my name is Johan (Jonathan) Anton Klingler and I am presently a FullTime Faculty Instructor with the Art Institute of Dallas. I also am a writer/illustrator in partnership with my wife, Norma Rivera-Klingler, for a series of 15 children’s books. We run our own very small freelance production business, Double Exposure Productions, from our home.

What are some of the crazier jobs you had before getting into animation?
I was a factory worker working for a company that built vender machines and in that job I saw some things one would think are only seen in war times. We used machines called break press machines which are simply machines that bend very large sheets of metal or punch holes in them. You would know them if you saw the movie “Terminator”. The machine that crushes the Terminator is a machine like the ones I’m describing. When you stand in front of it, it is massive. When you walk by others using one, the first thing that strikes you is the “tethering” lines from the machine to the wrists of the workers. It looks like some futuristic and yet dark ages contraption for torture. The purpose of the tethers is to keep people from getting their arms crushed under a ton of metal as the machine lowers its die-cut block and hydraulics press even further to cut through the plate of metal placed under the press by human hands. No hand or arm stands a change if your to slow so these lines are attached to a pulley system so that when the block comes down, your arms and hands are pulled out. To Forman this means the job can only be done at one speed, the speed of the machine. Often Forman will tell workers to not use the tethers so as to work faster that way as the press starts to come down a worker can already be getting the next sheet of metal ready for loading. If a worker is too slow pulling his or her arm out or is distracted then they lose a limb as it will be crushed or severed depending on the type of die-cut. I saw this happen a few times. I even had to pack a couple of some individuals fingers in an ice chest for reattachment so that when the paramedics came we could give them the parts to the individual. That wasn’t the craziest area there though. There was a room called the stripping room were metal sheets were lowered into a solution of cyanide based liquid formula of some kind. I was told that if a single drop of water got into it then it would produce enough gas to kill a quarter of the building’s occupants. I was a janitor on the night shift and it was my job to clean that room with water based cleanser. Now that job was crazy.

What are some of your favorite projects you’re proud to have been a part of?
All the productions I was given the privilege of working on at Disney were incredible but I think working on Continue reading

Craig Wilson

This slideshow requires JavaScript.

 

 

What is your name and your current occupation?
Craig Wilson, I’m predominantly a board artist for television animation these days.

 

What are some of the crazier jobs you had before getting into animation?
Nothing to crazy, but depressing?  Quite a few…

 

What are some of your favorite projects you’re proud to have been a part of?
Recently, “Wolverine & the X-Men” was a hoot as well as coming out pretty good. I directed a DTV 3D feature a few years ago titled” Dragons: Fire & Ice.”  We really tried to get a dark, graphic look to Maya, lots of blacks…everyone had Hellboy pages around their desks, there’s a lot of good stuff in there.  I was overseas animation director on “Where in the World is Carmen San Diego?” back in the ‘90s.  Again, a fun experience, and I won an Emmy on that (of course, it’s in some producer’s office, all I got was the certificate thingy.)  I’ve been with a few companies in their formative years, which is always great.

How did you become interested in animation?
Despite being a Warner Bros fan like everyone else, I was really a Continue reading

Eddie Soriano

This slideshow requires JavaScript.

 

 

What is your name and your current occupation?
Eddie Soriano Supervising Director at Big Bad Boo Studios in Vancouver, Canada
What are some of the crazier jobs you had before getting into animation?
Being a Draftsman in an Engineering firm that pays not even $6 bucks a day. Crazy, but this happened not in America, but back in the Philippines where I came from more than 20 years ago.
What are some of your favorite projects you’re proud to have been a part of?
Projects from Nickelodeon: Angry Beavers and Catdog… I directed a few episodes.  Timing Director for Timon and Pumbaa, the TV series.  Atomic Betty, I directed a few episodes.

How did you become interested in animation?
It just happened by accident. I was working with a group of artists (painters) way back late 80’s. I saw them preparing Continue reading

Stephen Nicodemus

This slideshow requires JavaScript.

 

 

What is your name?
Stephen Nicodemus

What would you say has been your primary job in animation?
I have primarily been a background painter for most of my animation career although in the past five years I art directed at Cartoon Network a show called My Gym Partner’s a Monkey and have been a background paint supervisor for Marvel Animation. Currently I am an art directing for Scooby Doo Mystery Incorporated at WB Animation. Having a background painting foundation gives me the experience I need to direct color and lighting and painting style for the the show.

What are some of your favorite projects you’re proud to have been a part of?
Every time I’m on a project I think that this is the one I’m most excited about and put my all into it. You have to have that attitude about your work. When I do a personal painting I think this is gonna be my best painting I’ve ever done. So right now I am most excited about Scooby Doo Mystery Inc. It is the best Scooby Doo series so far and I’m proud to be a part of it.I was proud to be working on the last few Marvel dvd releases. Planet Hulk, Hulk Vs and yet to be released Thor: Tales of Asgard. Before that on My Gym Partner’s a Monkey, there were some shows I was proud to pull together as an AD and the painting style I enjoyed. One WB dvd I really thought came out great was Batman: Under the Continue reading

For Sale: Old Warner Bros Animation Discs

This slideshow requires JavaScript.

An old friend of mine is selling some traditional Animation discs:

I  have 10 of the 16 fld animation disc I am looking to sell. They are the same ones being used at Warner Brothers  they are really nice discs came from the Bluth Studios.

All discs are without the Glass and are $150.00 each with two peg bars.

There are a few that are missing one set of pegs these I can sale for $100.00 each

For inquires contact Robert Sledge:
Willsledge@msn.com

Robb Pratt does it again with 2D Flash Gordon tribute

Robb Pratt who animated the two beautifully animated Superman tribute shorts Superman Classic and Bizarro has done it again with a brand new piece starring Flash Gordon ! All animated in 2d! Traditionally on PAPER no less!

Someone give this guy a feature deal already!

Incidentally we interviewed Robb a while back and he told me about the process on Bizarro:

 …the animation is traditional on paper, then scanned into the computer. No clean up, just tied the drawings down very tight. From there I scanned them into the computer and painted them in Photoshop. The BGs are pure digital – all drawn and painted in the computer. I used Final Cut Pro to composite everything together. At the end, I exported sequence images from Final Cut into AfterEffects to apply the anaglyph 3D effect. I think  that covers everything!

Also here’s a little bit of pencil test from the film as well for you to drool over.