Jacques Muller

This slideshow requires JavaScript.


What is your name and your current occupation? 
My name is Jacques Muller. I am presently senior lecturer (Classical animation) at the School of Interactive Digital Media of Nanyang Polytechnic of Singapore.

What are some of the crazier jobs you had before getting into animation?
Waiter for half a day in a Paris restaurant, with no prior experience (I spilled the drinks over 5 customers when I couldn’t keep my tray balanced)

What are some of your favorite projects you’re proud to have been a part of? 
Who Framed Roger Rabbit, Space Jam, Rescuers Down Under, Star Wars, the Illusionist.

Where are you from and how did you get into the animation business?
I am from the Angouleme region in South West of France, one hour north of Bordeaux. I started at Continue reading

F. David Meyers

This slideshow requires JavaScript.

 

 

What is your name and your current occupation?
F. David Meyers, 3D story artist on the Clone Wars animated series at Lucasfilm Animation Ltd.What are some of the crazier jobs you had before getting into animation? 
I was a Ink Retoucher for a photo lab (covered up spots on developed photos by hand), Checkout Supervisor at Kmart, trust me it was crazy.
What are some of your favorite projects you’re proud to have been a part of? 
I love working on the Clone Wars a lot!! It’s a dream of mine to work on Star Wars.
I also really enjoyed working on Team Smithereen with the Dan Clark company.  That was one of the funnest jobs I ever had.

How did you become interested in animation? 
As a kid, films like Mary Poppins and Sleeping Beauty were magic to me.  I wanted to be a part of that.
I think it was a culmination of the love of drawing and the idea that animation is a legitimate form of storytelling and fine art together.

Where are you from and how did you get into the animation business? 
I am from Orange County in Southern California.  I got into the industry by Continue reading

Brent J. Zorich

This slideshow requires JavaScript.


What is your name and your current occupation?
Brent J. Zorich and I am the Chief Technology Officer of BRENT ZORICH PRODUCTIONS, LLC.What are some of the crazier jobs you had before getting into animation?
One summer during industrial design school in the 90s at Ohio State I worked as a bouncer at a dueling piano bar named Howl at The Moon. I didn’t realize it when I took the summer gig, but occasionally throughout the night the staff had to get on stage and dance to songs from Grease… ah, the memories.

What are some of your favorite projects you’re proud to have been a part of?
I played MADDEN growing up so getting to be a lead rigger on that was pretty rewarding. Seeing my name in Star Wars credits was really rewarding also. I loved sitting in dailies critiquing shots on TRANSFORMERS REVENGE OF THE FALLEN. My favorite intellectual property is actually HARRY POTTER; at Lucasfilm Animation Singapore I was in charge of arranging sequences for monthlies in addition to my regular tasks. The monthlies that I arranged were for HARRY POTTER AND THE HALF BLOOD PRINCE and I got to work with the raw footage of Daniel Radcliff and see the before and after… really fun. The music I used in the backdrop when I showed to sequence to the all staff was Eulogy by Tool. I remember being at Lucasfilm in San Francisco and opening up a script for Indiana Jones written by Steven Spielberg and realizing I made it! I loved going through executive training at Lucasfilm, it was a weeklong through the executive trainer, Larry Seal, and I was being prepped to run a studio. I also enjoyed being on the Lucasfilm Best Practices Steering Committee that set the direction for all digital assets in regards to Lucasfilm Animation, LucasArts, and Industrial Light and Magic. There were about ten of us on the committee.  But, I’d have to say the most rewarding experience was in Lucasfilm Animation Singapore and my film game convergence group that I was in took the television version of Ahsoka Tanu, Anakin Skywalker’s Padawan, and I modified it so it would work in the Unreal Engine. We showed it directly to George Lucas when he came to see the studio in summer of 2008 and he couldn’t tell the difference between my Ahsoka rendering on the XBOX 360 and the version used on television.

How did you become interested in animation?
Three years old in summer of 1977, “A long time ago in a galaxy, far, far, away….” You’ll figure it out.

Where are you from and how did you get into the animation business?
I am from Columbus, Ohio and I got into the animation business by Continue reading

Johan Anton Klingler

This slideshow requires JavaScript.


What is your name and your current occupation?
Allow me to introduce myself, my name is Johan (Jonathan) Anton Klingler and I am presently a FullTime Faculty Instructor with the Art Institute of Dallas. I also am a writer/illustrator in partnership with my wife, Norma Rivera-Klingler, for a series of 15 children’s books. We run our own very small freelance production business, Double Exposure Productions, from our home.

What are some of the crazier jobs you had before getting into animation?
I was a factory worker working for a company that built vender machines and in that job I saw some things one would think are only seen in war times. We used machines called break press machines which are simply machines that bend very large sheets of metal or punch holes in them. You would know them if you saw the movie “Terminator”. The machine that crushes the Terminator is a machine like the ones I’m describing. When you stand in front of it, it is massive. When you walk by others using one, the first thing that strikes you is the “tethering” lines from the machine to the wrists of the workers. It looks like some futuristic and yet dark ages contraption for torture. The purpose of the tethers is to keep people from getting their arms crushed under a ton of metal as the machine lowers its die-cut block and hydraulics press even further to cut through the plate of metal placed under the press by human hands. No hand or arm stands a change if your to slow so these lines are attached to a pulley system so that when the block comes down, your arms and hands are pulled out. To Forman this means the job can only be done at one speed, the speed of the machine. Often Forman will tell workers to not use the tethers so as to work faster that way as the press starts to come down a worker can already be getting the next sheet of metal ready for loading. If a worker is too slow pulling his or her arm out or is distracted then they lose a limb as it will be crushed or severed depending on the type of die-cut. I saw this happen a few times. I even had to pack a couple of some individuals fingers in an ice chest for reattachment so that when the paramedics came we could give them the parts to the individual. That wasn’t the craziest area there though. There was a room called the stripping room were metal sheets were lowered into a solution of cyanide based liquid formula of some kind. I was told that if a single drop of water got into it then it would produce enough gas to kill a quarter of the building’s occupants. I was a janitor on the night shift and it was my job to clean that room with water based cleanser. Now that job was crazy.

What are some of your favorite projects you’re proud to have been a part of?
All the productions I was given the privilege of working on at Disney were incredible but I think working on Continue reading

Chin Ko

This slideshow requires JavaScript.

What is your name and your current occupation?
Chin Ko, Visual Development Artist at Dreamworks Animation.

 

What are some of the crazier jobs you had before getting into animation?
Selling cloth washers and dryers, serving croissants and lattes at a bakery, and also I was in the Army guarding an island of hundreds inhabitants for two years.

 

What are some of your favorite projects you’re proud to have been a part of?
I love everything that I was involved at Dreamworks, however my favorite project is “Rocky and Bullwinkle”, the new animation short from Dreamworks.  It was fun to work independently most of the time, from early visual development throughout the entire production.

 

Where are you from and how did you get into the animation business?
I’m from Taiwan, a small island but a very beautiful place with beautiful people!!I always loved to draw since I was in elementary school, but Continue reading

John Mahoney


What is your name and your current occupation?
My name is John Mahoney and I am an independent film maker, college professor at Cal Arts and USC and a freelance Concept Designer/sculptor.

 

What are some of the crazier jobs you had before getting into animation?
I worked as a bicycle messenger in New York City for one day, in which I got hit by two cars and I ran over two people with my bike!

 

What are some of your favorite projects you’re proud to have been a part of?
I really enjoyed working on Treasure Planet for Disney, I did concept art and concept sculpture. All together I worked on ten disney films. I also did a short film that won “Hottest Animation in Brazil” you won’t find that one anywhere, it has been banned from the Internet!!!

 

How did you become interested in animation?
I really liked the film American Pop when I was in high school… then much later in my senior year of Continue reading