FREE Storyboarding and Storyboard Pro classes

Toon Boom Storyboard Pro 4 What's New and Release Notes

Want to learn Storyboard Pro and storyboarding in general for free?

I’ll be teaching along with Pete Michels the next three weekends starting next weekend at the Union in Burbank.

Saturday 4/11 – Toonboom Storyboard Pro Intro (Grand Tour) – 1 day – At the Animation Guild location

Saturday 4/18 – Toonboom Storyboard Pro Foundation – 2 days (1 of 2) – At LAAFA location in Van Nuys

Sunday 4/19 – Toonboom Storyboard Pro Foundation – 2 days (2 of 2) – At LAAFA location

Saturday 4/25 – Toonboom Storyboard Pro Advanced – 2 days (1 of 2) – At the Animation Guild location

Saturday 4/26 – Toonboom Storyboard Pro Advanced – 2 days (1 of 2) – At the Animation Guild location

We are providing the equipment for the students (up to 12 students): Macbook pros with the latest version of the software and 22” Cintiq tablets for all.

Anyone interested in registering can email registration@eido-ed.com and provide the following information:

* Name
* local affiliation
* class name they’re interested in (one class per email, please)
* the members guess as to if they would be CSATTF eligible. (“I don’t know” is an acceptable answer)

Dan Forgione

What is your name and your current occupation?
My name is Dan Forgione, and I am an Animation Director at Titmouse,Inc, working on Season 1 of Randy Cunningham: 9th Grade Ninja.

What are some of the crazier jobs you had before getting into animation?
My first job ever was as a caddy at a local country club, and in HS I worked in the food service dept at a local hospital where I was part of an assembly line putting together patient meals. I later went on to wait tables, bar tend, and even manage a restaurant during my first few years of college. Also I originally went to college to become a Phys Ed teacher, but transferred after a year an a half to art school.

 

What are some of your favorite projects you’re proud to have been a part of?
I’m proud of all the work I have done both past and present, but there are a few that stand out in particular. Most recently would definitely be the work I’m doing at Titmouse, as well as the work I’ve done at Six Point Harness, where I was able to work on a number of projects with great crews of artists, some of whom have become my closest friends since moving to LA two years ago. I also got to work on a very unique project back in NY with Flickerlab, where I got to traditionally animate an entire 2- min piece for BNY Melon on paper napkins which was then shot as stop motion.  Before that, there were numerous projects that I did with Dancing Diablo, including several spots for the Bronx Zoo .  And of course, the pencil test I did as my proposal to my beautiful wife, Amanda.
How did you become interested in animation?
I always tell people I consider animation my “astronaut dream.” You know when kids are asked what they want to be when they grow up, and they respond with “firefighter,” or “superhero,” or “astronaut,” mine was “Disney animator.” As a child I loved to draw and by the time I was old enough to Continue reading

Rin Kurohana

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What is your name and your current occupation?
Rin Kurohana. Im an independent artist and character designer and just started to get into animation.

 

What are some of the crazier jobs you had before getting into animation?
I havent really done anything crazy before.. I was never good at anything besides drawing.

 

What are some of your favorite projects you’re proud to have been a part of?
Im currently working on a project based on Lewis Carroll’s ‘Alice in Wonderland’. Aside from my personal projects i think this is one of my favorites so far. I always wanted to put my own twist to folklore and fairytales, so i started a new portfolio based on this concept when this project fell onto my lap.

 

Where are you from and how did you get into the animation business?
Im reside in Los Angeles. I started developing character brands and just wanted Continue reading

Bruno Chekerdimian Barreto

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What is your name and your current occupation?
My name is Bruno Chekerdimian Barreto, I’m working at Mariana Caltabiano Criações .

What are some of the crazier jobs you had before getting into animation?
During the high school I used to help my father on his work carrying furniture and other little services. He is a woodworker.  I don’t know why he asked me to help him if I was, and still I am, so thin and weak.

 

What are some of your favorite projects you’re proud to have been a part of?
I’m very proud to have worked on the first season of “As aventuras de Gui e Estopa” (in english “The adventures of Gui and Estopa”). I had a great opportunity to do a lot of things on it. I wrote some episodes, did some storyboards, helped to develop the digital clean up, worked composing the scenes and other many things. On the second season I added to my “to do list” the digital paintings for that scenes where shows something very detailed or should use a different visual language. But my big challenge happened during the production of our first animated feature. I did all the 3D stereoscopic composition of all animated scenes and I did all the digital paintings of “Brasil Animado”, the first Brazillian movie in 3D (stereoscopic).

 

How did you become interested in animation?
My mom is a fine artist, she always inspired me to Continue reading

Pete Michels

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What is your name and your current occupation?
My name is Pete Michels and I am the Supervising Director on the upcoming hit show “Rick and Morty” for Adult Swim. I work at Starburns Industries in Burbank.

 

What are some of the crazier jobs you had before getting into animation?
I never really had any crazy jobs. I once parked cars and did phone surveys. Both of those jobs lasted less than a weekend.

 

What are some of your favorite projects you’re proud to have been a part of?
The Simpsons and Family Guy are probably the top projects. It’s an honor to be part of animation history.

 

How did you become interested in animation?
I think I’ve always been drawing cartoons, since I got the “Charlie Brown Dictionary” for Christmas one year. I was always watching “The Flintstones” and “Scooby-Doo”. But I think it was Ralph Bakshi’s version of “Lord of the Rings” that made me want to do that for a living.

 

Where are you from and how did you get into the animation business?
I’m from Little Ferry, New Jersey… a suburb of New York City that’s located just south of Hackensack.  After graduating from Jersey City State College, I took Continue reading

Sam Ellis

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What is your name and your current occupation?
Sam Ellis, Creative Director at Never Say Die Studios LLC.  I also teach Animation, Story Art, and Concept Design to college students, 2 days a week at the Art Institute of Washington.

 

What are some of the crazier jobs you had before getting into animation?
I was a supervisor at a quick service chicken restaurant, a Mormon missionary in Arizona, a house framer in historic Williamsburg, a pizza delivery driver, a burger cashier, I built curbs all over Virginia Beach, an off-ice hockey linesman, as well as quite a few more freelance art jobs.

 

What are some of your favorite projects you’re proud to have been a part of?
Well, the one project that really helped launch my career and that is going into its 5th season is Archer. I was Lead Designer on Archer Season one and left at the end to go work on personal projects, but we were wrapping up an episode of the short lived Xtacles on adult swim and Adam Reed was getting ready to pitch a new show around called Duchess, Neal Holman was too busy with his other duties so Matt Thompson passed off the majority of the work over to me and Chad Hurd. I was to draw Duchess (later to be known as Archer), his mother, and his father, while Chad drew Archer’s love interest, his foil, and his car.  After his pitch was successful and a pilot was green-lit, I got to do quite a bit more designing, Chad and I were pretty delighted to start making some changes to the designs when we got hold of them, there was some great stuff already done by Neal Holman and Eric Simms, but with Neal working on creating backgrounds before we found Trinity Animation and Eric taking some heavy animation duties, Chad and I were like kids in a candy shoppe. We had a blast on that first episode, it came together real fast and we came up with some interesting solutions.  Even though I left Archer I still love the crew and am tickled when I see some of the art I did show up all the time, also I get a kick out of seeing my son every time I see young Archer as he was the model for it, Although he has never seen or probably will see Archer.  Outside of Archer I have been able to work on Cory Edward’s Krogzilla with the fine folks at GreenShoe Animation, Jason Shwartz’s company–man totally forgot, working with those guys let me work with Disney and Marvel I am heck’a proud of that I also got to foray into gaming and got to do some designs for that Avengers ultimate alliance game–that was fun.

 

Where are you from and how did you get into the animation business?
I currently live in Spotsylvania VA, and I grew up on the east coast, most of my life was spent in Virginia Beach, VA.  I always wanted to be an animator and a comic artist, I love telling stories and find that using pictures and being able to draw was another great skill set in being able to Continue reading