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Kyle Marshall

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What is your name and your current occupation?
Kyle Marshall -Director/Storyboard Artist/Character Designer.

What are some of the crazier jobs you had before getting into animation?
During high school and the first couple college summers I worked on a bee farm in small town Saskatchewan. I got destroyed by the bees, and realized fast my future was not in the honey business, but it helped pay for school. I then planted trees for one summer living out of a tent for a few months in northern Alberta and Saskatchewan.

What are some of your favorite projects you’re proud to have been a part of?
Just finished Directing the pilot for Michael Rex’s Fangbone. Really cool series of books, and proud to be part of that pilot.

Where are you from and how did you get into the animation business? 
I grew up in Tisdale, Saskatchewan, Canada. Always wanted to get in film and TV growing up, and ended up in a small animation college. Originally planned to study animation and live action, but fell for animation, and now here we are.

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Libby Ward and Kevin Glikmann

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What is your name and your current occupation?
Libby Ward, currently writing for WB’s Be Cool, Scooby-Doo! (with Jon Colton Barry).
Kevin Glikmann voice over actor. Currently the voice of Leonard the evil squirrel-alien on Nick’s Get Blake!

What are some of the crazier jobs you had before getting into animation?
Libby: I’ve always been involved in animation, but before it was a full time gig I supported myself calculating commercial airline weight and balance, playing on the Seahawks NFL drumline and leading underwater tours as a SCUBA Dive Master in Hawaii.
Kevin:Telemarketing for the Riverside Police department Costume Ball.

What are some of your favorite projects you’re proud to have been a part of?
Libby: I loved working for the Muppets and Henson (my original comic entertainment inspiration) and I’m crazy about Scooby-Doo!
Kevin: Get Blake! My first cartoon series. We did 52 episodes. It’s currently on Nicktoons.

Where are you from and how did you get into the animation business?
Libby: I’m from Seattle, WA. I started drawing in elementary school, recreating images of Bambi, Little Foot and Hagar the Horrible. I was disqualified from Continue reading

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Martin Cendreda

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What is your name and your current occupation?

Martin Cendreda. Unemployed. Drawing some comics that I’ve neglected for a long time.
What are some of the crazier jobs you had before getting into animation?
Nothing crazy, most of them have been boring. As a teen, I worked at the Vogue theater in Hollywood, and later I found out it was haunted. Sadly, I didn’t experience anything paranormal.
What are some of your favorite projects you’re proud to have been a part of?
My first job out of animation school was the first season of South Park. The following year I worked on the movie.  I also worked on my friend Amy’s show, “Making Fiends” at Nickelodeon. Sadly, it got relegated to Nicktoons and never aired properly on Nickelodeon proper.
How did you become interested in animation?
Like most kids, Continue reading

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Chris Bailey

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What is your name and your current occupation?
Chris Bailey, Animation Director.

What are some of the crazier jobs you had before getting into animation?
Hah..great question. I have asked that of colleagues in the past. I think the craziest job, or furthest job from animation was working in a steel warehouse for my dad the summer before attending Cal Arts. I loaded steel I-beams onto trucks, drove a huge forklift, learned to weld and use a cutting torch. I caught myself on fire twice! In the warehouse were rows of 20′ and 40′ I-beams stacked to the ceiling. We’d leap from stack to stack looking for the right ones to fill orders and they’d sometimes rock back and forth threatening to fall. I felt like Daredevil.

What are some of your favorite projects you’re proud to have been a part of?
I’ve been pretty lucky and worked on some great projects. It’s hard to pick, but if I were to list a few highlights, I would start with the Marvel Productions Logo. It featured a chrome Spider-Man doing a flip and landing on the big MP. I was at the beginning of my career and thrilled to animate Spider-Man, even if it was only for one little shot. Next up is The Little Mermaid. It was a great film and broke animation out of the animated film ghetto and into a mainstream audience. I was a little fish swimming in a big pond and trying to learn as much as I could… Runaway Brain with Mickey Mouse for letting me play with the corporate icon and the resulting Oscar nod, Disney’s Mighty Joe Young for it’s groundbreaking CG animation, X-Men II because it’s such a great movie I’m a huge Marvel Comics fan, Kim Possible because it was as much fun to make as it was to watch and finally, the Despicable Me: Minion Mayhem 3D Ride because the minions are so damned funny and I love theme park rides.  The Pepfar (President’s Emergency Plan for AIDS Relief) Shorts for WB were interesting too. The shorts were done to advertise an educational action videogame for Kenya’s youth centers. I got to travel to Washington and pitch the boards to the State Department. Unlike in Hollywood where the costume of a director is shorts and t-shirt, I was pitching cartoon storyboards in a formal conference room wearing a suit! Ha!  The Judy short in particular was a way to experiment with Kim Possible style animation and design in 3D. It was boarded by one of my favorite Kim board artists and Batman comics artist, Dave Bullock.
http://www.animationinsider.com/wp-content/uploads/2014/02/Judy-v2-112508.mov

Where are you from and how did you get into the animation business?
I grew up in Portland Oregon and went to Reynolds High School. I always liked comic books and wanted to draw them since I was 10 years old. Later in High School, I read an article in The Comics Journal that mentioned Continue reading

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Chuck Maiden

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What is your name and your current occupation?
Chuck Maiden—color designer on American Dad! at Fox Television Animation.

What are some of the crazier jobs you had before getting into animation?
Crazy, huh? Well, I don’t know about crazy, but I’ve worked at a lamp factory, delivered Dreyer’s ice cream, worked at a 7-Eleven, delivered pizzas for a half of night, played in rock bands, colored comic books—I could go on, but you might fall asleep.

What are some of your favorite projects you’re proud to have been a part of?
Well, definitely, this one, American Dad! and also King of the Hill, which I worked on for 12 years.

How did you become interested in animation?
When I was a kid, I watched Popeye, The Flintstones, Bugs Bunny, as well as a lot of others. There was one old cartoon, where it showed an artist’s hand drawing the character, which then came to life. It made me realize Continue reading

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Alisa Harris

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What is your name and your current occupation?
My name is Alisa Harris and I’m a freelance character designer and traditional Flash animator in New York City.

What are some of the crazier jobs you had before getting into animation?
One summer during college, I painted carousel horses in Canarsie, Brooklyn. It was pretty awesome.  Some of the carousels I worked on are at the Willow Grove Mall in PA, Bryant Park in NYC and overseas.  When I first graduated from art school, the animation industry had tanked.  I ended up doing data entry for two years at an insurance company specializing in mental health and substance abuse.  I like to joke that it prepared me for working in the animation industry.

What are some of your favorite projects you’re proud to have been a part of?
One of my favorite projects was my first lead design position at Flickerlab in NYC.  It was a web series for Ritz/Nabisco on how to have cheap family fun in the summer.  It was the first commercial project that I designed characters and props in my own style.  There was a lot of freedom in designing the families and I enjoyed creating a more diverse cast.  Because it was a small studio, I also boarded half of the episodes and did some of the Flash puppet setup.  It was really cool to see my own designs and staging come through to the final episodes.

How did you become interested in animation?
As a kid, I loved Looney Tunes, classic Disney films, The Muppet Show and Rankin Bass Christmas Specials.  In the ’80s, my family would watch The Disney Sunday Night Movie and I was riveted to the Continue reading