News: Doctor Who’s back as a Saturday morning cartoon

Creative Bloq.com is reporting that we’re only two weeks away form the premiere of Dr. Who as an animated cartoon. I had no idea it had even been greenlit! It DOES look an awful lot like Gravity Falls but then, the creator does site it as a main influence so I guess that makes sense.

From the site:

The Animated Adventures of Doctor Who is a captivating take on the series by Seattle-based art director and newspaper cartoonist, Stephen Byrne, which takes the Doctor Who we all know and love and brilliantly reboots it as a Saturday Morning cartoon. Byrne describes it as the same as regular Doctor Who, “with the silliness amped up and the darkness dialed down”.

 

From the title sequence, it’s very clear it’s done in Flash and to me that takes a way from it a bit but I understand the need to keep costs down. Anyway, it’s coming but honestly from the artile I can’t figure out to where!?!?!?

Byrne spent two long weekends and a few long evenings making the video, using Photoshop, Flash and Premiere. “I haven’t done animation in a few years,” he explains, “and so it was a little self-motivated project to relearn the principles of animation and the subtleties of the software. It was also an experiment to see if I could produce something half-decent in a reasonably limited time frame.”

You can read more about the new Animated Adventures of Dr. Who by clicking the link.

 

 

AI Spotlight: Mike and Wayne

http://youtu.be/3fC21lf585Q

Today’s Spotlight comes to us from Florida in the form of a film called Mike and Wayne  about two guys who attempt to rob a liquor store to no avail. It’s well animated, well designed and it’s choice of palette colors is particularly refreshing.

Mike&Wayne_01AI: So let’s start out by having you introduce yourself and tell us a little about where you’ve come from to get you to this make this film.
Esteban: Hey! My name is Esteban Valdez, I’m the Founder of Echo Bridge Pictures and we’re an animation production company based in St Petersburg, Fla. and since our start we’ve worked on some incredibly high profile projects and respected names in the business like FOX, FXX, CBBeeies, UMG and Edelman. We’re focused on 2D production for music videos, commercials, corporate and educational videos, short and feature films, documentaries and episodic shows for television and the web.
I started back in 2000 working at small shops in and around Boston, MA. In late 2010 I planted some roots in St Pete and founded the studio. Since then Echo Bridge has grown to be an artist driven studio where we work pretty damn hard everyday to do what many other people thought was only possible in LA and NYC.

Mike&Wayne_02

AI: Some good credits! So tell us what “Mike and Wayne” is about and who are these little blue guys?
Esteban: It’s about these two dumbasses named Mike & Wayne. They’re the titular characters of our new short film who are not the sharpest knives in the proverbial drawer. Their mission is simple: get rich quick by robbin’ and stealin’. Their target: the local liquor store. What our fearless (anti)heroes don’t know is that the Cornah Store has the best defenses imagination can provide. Follow Mike & Wayne as they strive to make their dreams come true and are met with spectacular failure. All for your enjoyment.

Mike&Wayne_03

AI: Sounds like an interesting concept. I particularly liked the style and your choice of color. The backgrounds are beautiful too!
Esteban:
 Thanks! Well, a lot of the inspiration came from indie comics and zines and when it came to color I felt it only best to keep with that feel. What was challenging about it too was that it’s both easy to see mistakes cause there’s no place to hide those mishaps and the work can also disappear if the values aren’t probably separated.  And with everything packed with detail as it is it pushed us artistically.

Maybe we’re just artistic masochists because we’re always looking to do something we haven’t done and that challenges us.  We don’t do easy around these parts.

AI: So how did the idea for the film come about?
Esteban: The idea had been swimming around in my head/sketchbook for a few years, mostly inspired by the classic Tom & Jerry cartoons and the styling of Daniel Clowes and Robert Crumb. To make something simple and in your face without having to be so overly developed and processed… I like to think of Mike & Wayne as a punk rock tune. Edgy, fast paced, no bullshit, and raw. And much like punk, it wasn’t about satisfying others ­ it’s about making something that we liked, that made us laugh. Art’s so subjective and if you’re trying to please every demographic you’re going to end up with something you don’t enjoy looking at or love doing.

Mike&Wayne_04

AI: Who worked on the film?
Esteban: I wrote the original premise and provided art and animation direction, however for this project we really took a different approach than we normally do on client work. We got everyone together and pitched ideas around for scenarios. The ideas that made us laugh the most is what made it into the film so all in all there’s a little bit of each of us throughout the film. When it came to the audio portion that was done mostly by my good friend and former band mate, Mark Mniece. He and I had some serious back and forth trying to get things just right. Then Mark did what he did best and mixed us his best work on that track.

AI: What technology was used in it’s creation?
Esteban: We used Storyboard Pro 4 for storyboards and animatics, Flash CS5 for preproduction and production, Premiere CS5 for post, Reason and ProTools for audio production using a Fender Highway One Bass, Gibson SG Guitar through an Apogee Ensemble and Korg Keyboard for additional instruments. All our planning, coordinating, scheduling, tracking and file management was done through Basecamp and all things finance wise was handled via Quickbooks by myself and our accountant.

AI: How was it funded?
Esteban: The film was financed by the studio (Echo Bridge). It was expensive, but the end result is something we’re all really happy with.

AI: What is the end result for the film as in will you put it in festivals or was it just a personal piece you did for fun?
Esteban: The short film has been submitted to roughly 20 festivals worldwide and we’re really hoping it does well. In the meantime the next 5 episodes are already in pre­production, and we’ve recently signed on with the Channel Frederator Network to produce a 12 episode season of Mike & Wayne. A couple of broadcast networks have also shown high interest in Mike & Wayne, but we feel that the nature of the project is best suited for the net.
We’re really working hard to make sure that each cartoon is constantly raising the bar, getting crazier and out ­there. So far, the reviews we’ve been getting from people we’ve shown this too has been nothing short of awesome and we’re really pumped to be producing something of our own.
Stay tuned!

Facebook: www.facebook.com/EchoBridge

Jobs: Flash Animator

Creative Circle

Position: Flash Animator (Entertainment Agency)

Location: San Fernando Valley

Status: Freelance

Estimated Duration: Freelance

Starts: As soon as possible for the right candidate

Rate: around $40/hour DOE

 

 

Job Description:

A fast-paced, busy Entertainment Agency is seeking a Flash Animator.

 

We’re looking for someone who has experience with Rich Media vendors including MediaMind, PointRoll and Doubleclick.  Creative assets and concepts will be provided to you, so you’ll need to bring these banners and experiences to life.  There may be some light design changes.

 

The right candidate will have at least 4 years of experience.  Must be skilled in Flash, HTML5 and have an understanding of ActionScript 3. 

 

This is a great opportunity to work on large brands and theatrical releases.

 

If you feel you are qualified for this position please send your resume (and samples if applicable) to:LA33@jobalert.creativecircle.com

 

View additional job opportunities at www.creativecircle.com

Creative Circle, LLC

Cliff Parrott

http://vimeo.com/5028526

What is your name and your current occupation?
Cliff Parrott and I am the founder of Magpie 6 Media located in Dublin, Ireland.

What are some of the crazier jobs you had before getting into animation?
I could write an entire blog on the insane jobs I had before animation. It’s hard to believe that I was an attorney practising criminal defence, bankruptcy and other aspects of law. Technically I am still an attorney, I’m just not practising any more. I didn’t enjoy being one, it was high stress. Unlike seeing a film or finished piece of artwork in an animation project, there was nothing tangible to look back on after you’ve finished with a client’s case, just paperwork. Being an attorney did give me experience with preparing for the unexpected and negotiations.

What are some of your favorite projects you’re proud to have been a part of?
There are a lot of great projects but the ones that I had the most enjoyment from were the projects where the crew was a blast to work with. I was fortunate enough (or misfortunate, depending on one’s point of view), to be one of the animators on Hollywood’s first Flash feature “Lil’ Pimp.” It was produced at Revolution Studios with the idea of capitalising on the success of the relatively new animated feature hit at that time “South Park.” In fact, a lot of the South Park crew migrated to Lil’ Pimp productions. There were so many talented and very funny people. It’s unfortunate that the script was rehashed so many times. The final outcome of the movie was a watered down version that didn’t pack the punch of South Park’s movie. It came out to less than unenthusiastic reviews and went straight to DVD. I am still in touch with a lot of the people I met there.

How did you become interested in animation?
It started at a very young age, maybe 4 or 5 years old. My first love was anything from Tex Avery or Bob Clampett. The energy and timing on their films wasn’t Continue reading

Kaukab Basheer

What is your name and your current occupation?
KAUKAB BASHEER,Freelance artist: Character Designer, Character Layout Artist and Traditional Animator.

What are some of the crazier jobs you had before getting into animation?
Selling door-to-door magazines, distributing fliers, and labor work in garment construction factories.

What are some of your favorite projects you’re proud to have been a part of?
“Tom & Jerry” shows for Warner Bros Animation in the US. And “Chhota Bheem” and four-part movie series “Krishna” for Green Gold Animation (GGA) back in India.

Where are you from and how did you get into the animation business?
I’m originally from the city of Hyderabad in India. I grew up in Dubai (UAE) and went to high school in Canada. I got in to animation at the age of 22, without a college degree of any kind (some ten years ago), after randomly Continue reading

Aaron Simpson

What is your name?
Aaron Simpson

What would you say has been your primary job in animation?
Producer, primarily of animated pilots for the kids realm. I’ve also been a producer and a development lead for online animated shorts.

What are some of your favorite projects you’re proud to have been a part of?
Johnny Test – I produced the pilot. Also the Gay Robot pilot for Adam Sandler and Comedy Central.

What are some of the crazier jobs you had before getting into animation?
I was a cameraman on Love Connection. I was pretty terrible at this job, and was probably going to get fired the week after I quit.

How did you become interested in animation?
In the early 80s, I saw Vinton’s 1974 short Closed Mondays at a summer school class about short films (I also saw Hardware Wars), and it inspired me to start producing my own stop-motion shorts.

Where are you from and how did you get into the animation business?
I grew up outside of Detroit, Michigan. After a very short career producing TV spots here in Los Angeles, I found a distaste for Continue reading