Cowbell Chocolate animation spot

A really  nicely done commercial for Cowbell done by Reel Edge Studios.

New Cowbell Chocolate gives you all the energy you need! In our latest commercial for Cowbell in Nigeria, our two heroes get called into Cowland to help the Cowbell team take back their stolen chocolate formula during a daring highway chase.

Credits:
Agency: Promasidor
Client: Promasidor
Group Creative Director: Murray Mackintosh
Copywriter: Mike Pollecutt
Production Company: Reel Edge Studios
Executive Producer: David Golden

Director: Gerhard Painter
Producer: Nono Mofokeng

Storyboarding: Allan Cameron
Character design: Allan Cameron and Chris Ntuli
Character Modelling: Werner Ziemerink
Vehicles: Athanase Georgellis
Hair and Fur: Thezi Ndhlazi
Character Rigging and Texturing: Mark Zimmer and Erik Kruger.
Environments: Wesley Waller, Ruaan Grobler, Athanase Georgellis, Brendan Noeth, Sonny Nkumeleni, Aarin Lehmkuhl, Linton Nkambule and Chris Ntuli.
Animation: Stephen Bester, Tim Morar, Mark Zimmer, Athanase Georgellis, Linton Nkambule, Erik Kruger and Aarin Lehmkuhl.
Lighting and Scene setup: Christophe Leyder.
Compositing and Editing: Chris Wieffering and Ndumiso Nyoni.

Audio: Glen at Audio Arts Africa

Raymond Arrizon

What is your name and your current occupation?
Hi im Raymond Arrizon.  Im a Flash Animator and Character/Prop Designer

What are some of the crazier jobs you had before getting into animation?
Some of the crazy Jobs I had before was during my school years, I worked as an assistant to the animation department head and was able to meet all these great people and went to awesome trips to Pixar DreamWorks and many more.

What are some of your favorite projects you’re proud to have been a part of?
There are many I am actually proud of being a part of but one of the recent one was Rainbow Brite 2014. I was able to do character designs Animate and work with a number of great folks. Another fun project was the Anchor Man app game for Animax/Paramount, Along with the NBC Community Animated shorts!

Where are you from and how did you get into the animation business?
I was born in LA, as a kid our school was visited by Syd Hoff who wrote and illustrated Danny and the Dinosaur. At that moment I realized Continue reading

Xavier Ramonède

What is your name and your current occupation?
My name is Xavier Ramonède, I’m mostly a 2D animator but I’m also an illustrator and character designer.

What are some of the crazier jobs you had before getting into animation?
I have made a lot of little jobs when I was a student : I worked in an hotel, then I worked in a supermaket called Monoprix where i sold fishes and sea food, bread, cheese…

What are some of your favorite projects you’re proud to have been a part of?
It’s hard to tell because there can be a lot of differences between the mood on a production and the film itself. Working on The Illusionnist was very long and hard but the movie has been nominated for the Oscars and won a Cesar (the french Oscars), but my favorite movie I’ve been working on was Nocturna. It’s a very small budget feature film from Spain but it’s a very beautiful movie.

How did you become interested in animation?
First I wanted to make films like Toy Story but I absolutly didn’t know how they did it, so I was aiming for a computer school. But then Continue reading

Peter Donnelly

What is your name and your current occupation?
Peter Donnelly. I am a freelance illustrator and animation professional. I develop visual concepts/storyboards for advertising agencies, animation studios and illustrate childrens books.  I also teach film pre-production to 3rd level students and direct animation.

 

 What are some of the crazier jobs you had before getting into animation?
Most of my previous jobs were art related although I did work cleaning shopping malls as a Summer job after school…operating one of those big floor buffers dreaming of escaping..

 

 What are some of your favorite projects you’re proud to have been a part of?  
The Land before Time, Titan AE, The Thief and the Cobbler, Prince of Egypt to name a few and some short form films and TV projects that have picked up some nice awards along the way.  In total I’ve been credited on around 15 feature films to date.
How did you become interested in animation? 
I was always a fan of the ‘Art’ of animation, the design and mood that could be achieved with shape, line and colour. Although I never had a desire to be an animator , I loved to draw and wanted to be an illustrator and in time realized Continue reading

Adobe Character Animator Tutorial

https://www.youtube.com/watch?t=382&v=htfeQ9UPjh8

Interesting but you’d think they would have taken the time to draw a decent character to demo the thing and not scribbles. I kind view this as evil because it’s gonna make jackasses believe you don’t need animators any longer to make films. Which this tutorial CLEARLY demonstrates is not true.

STUDIO 100 MEDIA SIGNS DEAL WITH SPROUT FOR MAYA THE BEE MOVIE

Studio 100 Media - Maya The Bee2

STUDIO 100 MEDIA SIGNS DEAL WITH NBCUNIVERSAL’S SPROUT FOR CGI SERIES AND 3D MOVIE MAYA THE BEE

Munich, September 25, 2015 – Studio 100 Media announced today that Sprout, NBCUniversal’s preschool TV network, has acquired the rights for both the new CGI series and 3D feature of worldwide popular brand MAYA THE BEE.

Maya the Bee (78 x 12 min) tells the story of Maya, a young bee who left her hive to discover the beauty and mysteries of nature. As she explores the meadow where she lives, she meets other creatures, goes on adventures, and shares her joy with her friends. The series will premiere on Sprout on Saturday, September 26th, with brand new episodes airing Saturdays at 9:00am ET. Maya the Bee will also air SundayFriday at 9:00am ET. The movie will air on September 26th at 5:00pm and 9:00pm ET.

“We are delighted about this collaboration with Sprout and thankful for their trust in our brand,” said Patrick Elmendorff, CEO of Studio 100 Media. “We are happy that now it is possible for Maya the Bee to reach Sprout’s audience.”

“Maya The Bee takes preschoolers on exciting adventures filled with humor and action,” said Andrew Beecham, Senior Vice President of Programming at Sprout. “We’re excited to introduce US audiences to this colorful, fresh, and joyful world.”

Studio 100 Media’s CGI series Maya the Bee is a French-German co-production of Studio 100 Animation with TF1 and ZDF. Studio 100 Film presents the Maya the Bee – Movie as an German-Australian co-production of Studio 100 Media and Buzz Studios in association with Flying Bark Productions.

Studio 100 Media GmbH

Studio 100 Media is a subsidiary of the Belgian Studio 100 NV. The Munich-based company is an international production and distribution company for quality and non-violent children’s entertainment. It has a private, diversified library and develops and acquires new formats. It is also responsible for the global sales of its own rights portfolio as well as for third-party distribution of programmes and exploits its motion picture portfolio in the digital arena.

The Studio 100 Group uses the new technical possibilities on offer to produce new productions of TV series, which have also been adapted to suit the viewing habits of children today. Since 2012, Studio 100 Media has been a producer of animated children’s films and so continues to foster their brands beyond their mere presence on TV. With the founding of Studio 100 Film, a subsidiary of Studio 100 Media, the company has expanded its business areas to include to the worldwide distribution of feature films.

Recently, the company has begun to present selected brands in the form of stage shows. The well-known brands under the umbrella of Studio 100 Media include “Maya the Bee”, “Heidi”, “Vic the Viking” and many Astrid Lindgren series, including “Pippi Longstocking”.

About Studio 100 Film

Studio 100 Film is a worldwide sales company of motion pictures within the family entertainment sector.  Based in Munich, Germany, the company is a hundred percent subsidiary of the international distribution and production company Studio 100 Media GmbH.

It is the objective of Studio 100 Film to offer top-class, non-violent and above all family entertainment around the globe.  In so doing, the company works on the basis of long-term partnerships, as well as project-based co-operations.

About Sprout®

Sprout is the first 24-hour preschool destination available on TV, on demand and online for children ages 2-6 and their parents and caregivers. Available in over 58 million homes, Sprout features original programming, including Ruff Ruff, Tweet and Dave and Astroblast!, a library of series, including Caillou and Sesame Street, and U.S. exclusives including Lazytown and Tree Fu Tom. Sprout’s Sunny Side Up Show is the only daily morning show for preschoolers and broadcasts live from NBCU Studios in Rockefeller Plaza. Sprout’s VOD offering is the #1 on demand service for younger children with over 1.8 billion views. Sprout was fully acquired by NBCUniversal Cable Entertainment in November 2013.  Please visit sproutonline.com for additional information.