Lucky De

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What is your name and your current occupation?
Lucky De, Freelance 2d Flash Animator for web/TV .

 

What are some of the crazier jobs you had before getting into animation?
Oh I dont know… Construction worker in Toronto in December was fun, Bartender at a Navy bar where you see buff guys singing pre school songs at midnight that was also fun… Or pushing trolleys at the supermarket, i used to get 2 at a time, one for each leg and slide down the hill, that was totally fun. Man really most of the crappy jobs were fun as long as I didn’t take them seriously!

 

What are some of your favorite projects you’re proud to have been a part of?
Oh a bunch, I loved working with Stephen Brooks on the Ghostbusting Wallstreet short, that was really great. When I was interning at Flux at a young age we did a show which took 4 weeks to make usually in 2, because I was so fast at flash, I was bad at drawing but I knew my shortcuts! Also being a part of the top 3 people in my uni who got to pitch their own idea for an animated series and talking to Rita Street on making cartoon bibles was also an incredible experience! I still have that bible when one day I feel confident in my writing enough to make my own series!

Where are you from and how did you get into the animation business?
Right now I’m in New Zealand, originally from Bulgaria, I’ve always loved animation and I got my first break at Continue reading

Rin Kurohana

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What is your name and your current occupation?
Rin Kurohana. Im an independent artist and character designer and just started to get into animation.

 

What are some of the crazier jobs you had before getting into animation?
I havent really done anything crazy before.. I was never good at anything besides drawing.

 

What are some of your favorite projects you’re proud to have been a part of?
Im currently working on a project based on Lewis Carroll’s ‘Alice in Wonderland’. Aside from my personal projects i think this is one of my favorites so far. I always wanted to put my own twist to folklore and fairytales, so i started a new portfolio based on this concept when this project fell onto my lap.

 

Where are you from and how did you get into the animation business?
Im reside in Los Angeles. I started developing character brands and just wanted Continue reading

Massimiliano Lucania

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What is your name and your current occupation?
My name is Massimiliano Lucania and I’m a storyboard artist, at the moment I’m working for the Irish animation studio Brown Bag Films on season two of the Disney show “Doc McStuffins” .

What are some of the crazier jobs you had before getting into animation?
Actually, to be honest, I never had “crazy” jobs before getting into animation; I’ve always been lucky enough to work in fields where I get to draw: my very first job was as a comic book artist for Disney Co. Italy, then I’ve been working as a concept designer for video games, I did some illustration, and finally, six years ago, I started doing storyboards for animation, for several animation studios, both in my country, Italy, and abroad. So, every job I did, it was about drawing. Beside storyboarding, sometimes I also do a bit of character design.

 

What are some of your favorite projects you’re proud to have been a part of?
I can say that storyboarding last year on season two of “Octonauts” was fun and challenging at the same time; it’s a preschool type of show, but it still has really a lot of action sequences. It was fun but sometimes it required a lot of thoughts in keeping everything under control in terms of composition and action. I think it’s a very nice show and I’m proud of it.

 

Where are you from and how did you get into the animation business?
I’m from the Milan area in Italy. Like almost everyone working in animation, I always loved watching cartoons since I was very little; it was the late 70s and early 80s and like a lot of people of my generation here in Italy, I grew up with a lot of Japanese anime and American cartoons ( stuff like Tom and Jerry and Hanna and Barbera).  Actually, Continue reading

James Woods

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What is your name and your current occupation?
My name is James Woods, and I’m currently a student in the UK, walking those final steps towards graduation! Super excited for the next few years of canned food and dry cereal:)!

 

What are some of the crazier jobs you had before getting into animation?
Well, my employment history wouldn’t have been crazy to the average Joe, but I was a lanky (still am, ha), clumsy teenager who found drama in pretty regular jobs. I was a paperboy that cats peed on and swarms of bees chased (yellow t-shirts are insect fodder). I also worked on a food service counter at a supermarket where I cut the tip of my thumb off on a ham slicer (no worries, stitched and glued back in place), and disappointed old ladies with my inexperienced cheese cutting skills. But all of that’s ok, because it spiced things up a little! Cutting off an appendage is character building! I also got to fulfil my British destiny and was an extra in some of the Harry Potter films… My poorly placed foot tripped up Daniel Radcliffe mid scene… No sabotage intended.

 

What are some of your favorite projects you’re proud to have been a part of?
I’m very new to the industry so I have a very small experience bank to draw from. The best time I’ve had was interning for industry veteran Uli Meyer at his London studio over the winter 2011 period. I had a very small hand in helping out on a project at the studio, but the experience of being guided by such talented guys and hearing about the days they used to hang out with animation legends was mind blowing.

 

Where are you from and how did you get into the animation business?
I’m from a little town on the outskirts of London. I guess, like so many other artists in this industry, I drew constantly from a very young age, copying dogs and dinosaurs from Dorling Kingsley books or doodling out the covers from my favourite VHS films. A lot of my drawings were Continue reading

Jeff Parrott

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What is your name and your current occupation?
My name is Jeff Parrott. Currently I am a Course Director at Full Sail University teaching the Game Art Degree Program as well as a full-time freelance prop and environment Artist in the video game industry. I recently finished www.retrogradegame.com as an Art Director. I have also worked on a couple of Ratchet & Clank games, a Jak and Daxter title, a Silent Hill game, and a bunch of freelance projects. www.environmentartist.com is my online art portfolio.

What are some of the crazier jobs you had before getting into animation?
Probably the craziest job I’ve had before working in the video game industry was working in a arcade. One of those ticket redemption arcades. Absolutely have appreciation for people that work in those places. It’s also another place where I learned to love games as an interactive medium.

 

What are some of your favorite projects you’re proud to have been a part of?
Finishing Retro/Grade as an Art Director is probably my most proud moment so far. I have had the opportunity to work with insanely talented people and great people on every project I’ve contributed too. I’m very excited for what the next project around the corner is.

 

How did you become interested in animation?
I became interested in games after an instructor at Full Sail, Chad Kendall, got me excited about video games. He really opened my eyes to Continue reading

The Poor Animator’s Guide to making it in a Digital World

So let’s say you’ve decided to become an artist, or you came up old school and have yet to traverse across the digital bridge to the 21st Century. Of course there are devices that work well such as the Wacom Cintiq, The Surface Pro, The Wacom Companion and the Lenovo Helix, but all of these are expensive as hell, and you might wonder what you can do to keep the hard earned cash in your pocket. Fear not animators and artists, Animation Insider’s got your back for cheap alternatives! One look at the items necessary to be a professional digital artist these days can make you think twice about continuing in your endeavor. In order to buy all the essentials like a Wacom Cintiq, Storyboard Pro, Adobe Suite, Autodesk Maya you’d almost have to sell a kidney to have the cash to shell out for these fine items.

Or do you?

Hardware
For digital drawing hardware there are many cheaper alternatives out there to the industry standard; the Wacom Cintiq and while honestly none of them are as high quality as a Cintiq, if you’ve never used one to begin with you’re unlikely to notice a difference.

Yiyinova MVP22u

The Yiyinova MVP22U is a capable Cintiq replacement and about half the price but for now that’s the only alternative to a desktop Cintiq alternative I can recommend and even that has the caveat of shipping from China. To be fair though if a Cintiq breaks you’ll have to ship it to Germany so it’s a fair enough tradeoff.

Luckily there are other smaller devices you can buy as well that work decently enough.

The Asus EP121 tablet PC is a decent tablet that even has a touchscreen. No it’s NOT an iPad but honestly I’ve found those to be crappy at best while trying to produce professional art, and they won’t run professional programs like Storyboard Pro, or the Adobe Suite. Besides I find it hard to support a company that will not listen to the artists out there by purposely excluding a stylus option for the iPad despite a clear market for it.

For the record a much better alternative for artists is the Samsung Galaxy Tab Pro 12.2, which while it will not run the above mentioned applications either it DOES come with a stylus and that alone makes me think it’s worth it. We reviewed it last year if you want to take a look.

Asus-Ep121

The Asus EP 121 will run all the standard applications artists use today in a professional environment and do it well. Flash, Photoshop, Illustrator, After Effects, and Premiere all run handily on the Ep121. It will even handle Maya, 3D Studio Max, Mudbox and Motion Builder and sometimes you can even find it for less than $300 bucks. Right now the cheapest I’ve found the 64 gb configuration for is $550 (which you’ll need to install all that software) but still with a Cintiq costing $2000 you’re getting a good deal. It will even support an external monitor too boot.  It comes with a wireless bluetooth keyboard as well.

I happen to be selling one of these right now if you’re in the market so give me a shout if you’re interested.

Used_LE1700_Tablet_Motion_Computing_EE544523252_view1

The old standby though has to be the Motion Computing’s Motion series, in the form of the LE1600 and the LE1700 both of which run Sketchbook Pro like champ and if the studio is asking you to use Photoshop, it natively handles .psd files perfectly. The LE1600 is the cheaper of the two and for that you’ll sacrifice a bit of computing power but it still will run decently for the price. You can get a Motion Computing LE1600 at Gainsaver for $107 bucks! Not bad huh? It will even do light Maya chores, which for $100 is pretty damn spiffy in my book!

The more powerful device is the LE1700 though and for the extra price you can get a much more powerful processor. Granted it will NOT run Storyboard Pro, but it WILL run Flash, Photoshop and Sketchbook Pro. You can get a LE1700 cheaply at Gainsaver for about $125 bucks but if you do, I would suggest you change the processor configuration to the Intel 1.5 ghz Core 2 Duo and have them install Windows 7 on there for you. I would also bump up the hard drive to 80gb. This will only set you back $374 bucks but you can ‘probably’ get away with the default configuration if you just use Sketchbook Pro. Also this handy lil’ device WILL run Maya which is pretty cool but you won’t be able to have dozens of characters and huge backgrounds in one scene. It’s great for modeling. animating and rigging though. It’s not going to run any serious games or anything processor heavy but you can easily draw and animate with it.

Also, with Sketchbook Pro’s latest addition of the Flipbook 2d animation timeline, you can now animate in 2D for a VERY low startup price using both of these devices.

Software
For software, of course you can always buy used software on eBay as well, but quite often that’s just pirated software packaged to look legit and when you get your disks delivered sometime programs won’t register so I’d stay away from that.

There are alternatives as well and so you don’t really have to go to your friendly neighborhood software pirate to get decent software. Most don’t know this, but there are many academic sites that offer the ability to buy cheaper software legally. All you need is a scan of a student’s report card (and if you’re taking classes ANYwhere you qualify) which you’ll upload and they’ll create an account for you which will allow you buy all SORTS of discounted software.

The best I’ve found is called http://www.journeyed.com/ but there are others and they all offer around the same discounts.

Watch for our Artist’s Guide to Tablets 2014 to get advice on everything you could want for an artist coming next month.