Monthly Archives: November 2015

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Adobe renames Flash CC to Animate CC

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Adobe renames Flash CC to Animate CC

Adobe Animate CC

Today Adobe announced that they’re finally pulling away from the stigma Steve Jobs created concerning Flash and that it was ‘dead’. Well now Jobs himself is dead and Flash? Well it’s apparently being resurrected as Animate CC. I have to say I welcome it because now no one will tell me I’m using outdated technology when still it’s perfectly good. No one will say, “Oh didn’t they stop making that?” And finally when people say “Isn’t Flash dead?” NOW, I can say “Yep, but we use something called Animate.”

From the Adobe Blog:

For nearly two decades, Flash Professional has been the standard for producing rich animations on the web. Because of the emergence of HTML5 and demand for animations that leverage web standards, we completely rewrote the tool over the past few years to incorporate native HTML5 Canvas and WebGL support. To more accurately represent its position as the premier animation tool for the web and beyond, Flash Professional will be renamed Adobe Animate CC, starting with the next release in early 2016.

 

Here’s what you can expect in Animate CC:

  • Drawing, illustration and authoring
    • Vector art brushes – Modify the path of a stroke after it’s been drawn, and scale them to any resolution without losing quality. You can also make custom brushes and import brushes created with Adobe Capture CC.
    • 360° rotatable canvas – Rotate the canvas on any pivot point as you draw to get the perfect angle and strokes. You can even use this feature with a Wacom Cintiq!
    • Improved pencils and brushes – Draw smooth, precise vector outlines along a curve and get faster live previews.
    • Easier audio syncing – Control audio looping directly on the timeline, without having to code.
    • Faster color changing – Naming tagged colors lets you change one color and have it automatically update your entire project.
    • Colored onion skinning – Easily orchestrate complex animations now that adjacent frames can have different color and alpha values.
  • CreativeSync integration
    • Adobe Stock – Browse and license millions of high-quality photos, illustrations and vector graphics directly in Animate CC. You can even add life to static content by adding animations to them.
    • Creative Cloud Libraries – Access colors, vector graphics and brushes directly as you work.
  • Output capabilities
    • Multiplatform support: HTML5 Canvas, WebGL, Flash (SWF), AIR, video, and custom platforms (such as SVG) via extensions.
    • 4K+ video export – Export videos with custom resolutions for the latest Ultra HD and Hi-DPI displays.
    • Custom resolution export – Revitalize older content by resizing and optimizing them for any resolution, such as Ultra HD and Hi-DPI displays.
    • .OAM support – Export your project as an .OAM file for easy importing to Adobe Muse, InDesign, DPS and Dreamweaver.

 

You can read more about this big change on the Adobe blog here.

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NFB’s Carface directed by Claude Cloutier wins at 2015 Sommets du cinéma d’animation

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carface
NFB’s Carface directed by Claude Cloutier
wins at 2015 Sommets du cinéma d’animation
November 29, 2015 – Montreal, National Film Board of Canada (NFB)

Carface (Autos Portraits) by Claude Cloutier, a short produced by Julie Roy for the National Film Board of Canada (NFB), won the Prix Guy-L.-Coté Best Canadian Animation Film at the 2015 Sommets du cinéma d’animation earlier this evening. The Festival ran from November 25 to 29 in Montreal.

The film has made the shortlist of 10 works in consideration for the Academy Award® for Best Animated Short Film, along with another NFB production, Cordell Barker’s If I Was God. The five nominees will be announced on January 14; see the Academy of Motion Picture Arts and Sciences press release for more details: http://www.oscars.org/news/10-animated-shorts-advance-2015-oscar-race.

Carface is the seventh short film by Claude Cloutier, whose Sleeping Betty (2007) won a Genie, a Jutra, and more than 20 other awards around the world. It was the opening film of the Rendez-vous du cinéma québécois (RVCQ) and was in official competition at the prestigious Annecy Animation Film Festival as well as the Ottawa International Animation Festival.

About the film

From filmmaker and cartoonist Claude Cloutier comes Carface, a scathing musical-comedy satire about the power of Big Oil, in which cars perform a song-and-dance number while the planet slides toward ruin. Produced by Julie Roy for the NFB. Running time: 5 min.

About the director

Claude Cloutier first gained fame as a comic-book artist with the series La légende des Jean-Guy and Gilles la Jungle contre Méchant-Man. He went on to make several animated films, including The Persistent Peddler (1988; in competition at Cannes), Overdose (1994), From the Big Bang to Tuesday Morning (2000), Sleeping Betty (2007; some 20 awards), The Trenches (2010), Interférence (2014) and Carface (2015).
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About the NFB

The National Film Board of Canada (NFB) produces groundbreaking animation at its studios in Montreal and at NFB centres across Canada, as well as via international co-productions with many of the world’s leading auteur animators. The NFB is a leader in developing new approaches to stereoscopic 3D animation and animated content for new platforms. The NFB has created over 13,000 productions and won over 5,000 awards, including 14 Canadian Screen Awards, 11 Webbys, 12 Oscars and more than 90 Genies. To access acclaimed NFB content, visit NFB.ca or download its apps for smartphones, tablets and connected TV.

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Promote Yourself: 4Wheel Vehicle Autorig Plugin

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This is Tutorial of using the 4Wheel Vehicle Autorig Plugin that is uploaded here:
Autodesk Exchange (Available) (Version 1.1.3): (2013, 2013.5, 2014, 2015, 2016)
apps.exchange.autodesk.com/MAYA/en/Detail/Index?id=appstore.exchange.autodesk.com%3a4wheelcarsautorig_windows32and64%3aen
gumroad.com (Version 1.1.3):(2013, 2013.5, 2014, 2015, 2016)
gumroad.com/l/hfGr
CreativeCrash(Version 1.1.3): (2013, 2013.5, 2014, 2015, 2016)
creativecrash.com/maya/plugin/vehicle-autorig-4wheel-for-vfx
Brake Caliper added:
vimeo.com/96989529
Please Email me if you have problem with its cost or have any idea…
note: it is available for maya 2013, 2014 and 2015 (windows platform), i’m developing it for other versions of maya and probably other platforms.

Studios that used it:
ntropic.com/
polygoncgi.com/
koffeecup.net/
general-gau.com/

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Vannick Douglas

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What is your name and your current occupation?
Vannick Douglas. I’m a Flash and 3D animator, Cartoonist, and Wed Designer

What are some of the crazier jobs you had before getting into animation?
Marine Corps, lol. From 2000 to 2004, I was enlisted and it was a crazy time as I was still coming of age.
What are some of your favorite projects you’re proud to have been a part of?
The two I’m currently apart of, Lead animator and creative Director of Little Luis and 3D animation Intern at Prevalent Inc. These two jobs gave me the opportunity to showcase my abilities as an animator from the moment I moved to LA.

How did you become interested in animation?
The movie”Who Framed Roger Rabbit” was my inspiration. I’ve been drawing since the age of seven.
Where are you from and how did you get into the animation business?
New Orleans, Louisiana. While being raised in the South, I grew up without guidance. I wanted to explore a career in art since its the only thing I know, but I had no idea how I would get money for school. Joining the

military not only helped pay for my education at the Art Institute of Phoenix, they also gave me the guidance I needed.

What’s a typical day like for you with regards to your job?
Completely wired into my Wacom Cintiq and Macbook Pro, lol.

What part of your job do you like best? Why?
The Completion of a project. To spend hours after hours going frame by frame on a project and to see the end results is truly a milestone. Its like building a rocket ship and watching it soar threw the sky.

What part of your job do you like least? Why?
SInce I work digitally, the worst is when my work gets corrupted. I’m extremely careful to backup everything but they are some occasions when a file you spend all day on gets corrupted and the last backup was hours ago. There’s no empty feeling when animation you’ve crafted beautifully gets lost forever.

What kind of technology do you work with on a daily basis?
The Heardware is Macbook Pro 17″ with a Wacom Cintiq 21UX. I render with a desktop Gateway with Tri Core Processor. My software, in the order I use the most, Adobe Flash, Maya, Photoshop, AFter Effects, and Illustrator.

What is the most difficult part for you about being in the business?
Uncertainty. Animation can either hit or miss. It blows when

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New Wildseed Adult Animation shows

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Wildseed Studios has unveiled two new adult animation shows.

Wolf Jenkins

#WolfJenkins

What show gives you lines like “General Ho Phung was busy being a twat to an animal” and “It was a beautiful, badly drawn, summers day”? Say hello to Wolf Jenkins. Created by comic actor and Channel 4 Comedy blap star Andy Needle and produced by Wildseed Studios, the show follows hero Vietnam Vet Wolf Jenkins on a mission of violence against the evil, bad guys to rescue the animals, particularly those that were mugged, tortured or made to wear a fez. Negotiating with the enemy is not an option for our war hero because if there’s one thing Wolf Jenkins loves as much as fluffy little animals it’s ripping out a man’s insides and chucking them into another man’s eyes.

Lone Wolves

#lonewolves

Wildseed Studios has unveiled Lone Wolves, a new animated comedy by the SpinKickBros that follows two feral teenage boys being brought up by their single dad, a Hell’s Angel type who doesn’t want them to repeat his mistakes but is secretly proud when they rebel – think Die Hard meets Dawsons Creek.  This family experiences the same trials and tribulations as every other family the world over, just rougher, tougher and swearier. Each episode deals with important things like girl trouble and how to get booze for a party.

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Olatokunbo Betiku

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What is your name and your current occupation?
My name is Olatokunbo Betiku, but most people call me “Ola.” I am the Co Founder of Outside The Box Vision, where I do a bit of everything. I am also the Creative Director at No Limit Forever.

What are some of the crazier jobs you had before getting into animation?
I used to teach elementary art classes. Kids are great to work with but they get bored easily. The job always seemed to be more about dealing with rowdy behavior and less with teaching art. I did enjoy it most of the time and it also gave me plenty of practice for dealing with other professional artist in the future. Most of whom can be children at times.

What are some of your favorite projects you’re proud to have been a part of?
For the last few years our company along with Urban Born have been going to schools and promoting literacy and health to young students. I really liked taking our characters to schools and putting on shows for kids. I think it is important to do a bit of volunteer work and promote things like literacy and good health.

How did you become interested in animation?
Since the age of 8, I have been reading books and learning about the animation and entertainment industry. I used to watch a lot of Disney shorts and cartoons on TV as kid. I remember seeing Continue reading