Christo Stamboliev

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What is your name and your current occupation?
My name is Christo Stamboliev and my current job is a Storyboards Artist on “Monsters Vs. Aliens”

What are some of the crazier jobs you had before getting into animation?
Before starting in Animation I didn’t have another jobs. I was basicly preoccupied with my education and after graduation I landed a job in Klasky Csupo’s Animation Studio in Los Angeles. As a student I did few freelance jobs as an illustrator and some other odd stuff /working in factories or farm work for a week or two/ but nothing crazy.

What are some of your favorite projects you’re proud to have been a part of?
My absolute favorite is “The Penguins of Madagascar” where I was an Animation Director on season 2 and 3 and won 2 Emmys for my work. Another absolute favorite was working with Igor Kovalyov on his two short films “Milch” and “Flying Nansen”. Igor is one of the most tallanted people I have ever met and I absolutely adore him.

How did you become interested in animation?
I was 19 and just graduating my vocational education in arts when I decided that Continue reading

Justin Rasch

http://www.youtube.com/watch?v=WS0o5oPwvdo&list=FLcC0ur62FUrRzIC5twgRfBA&index=4&feature=plpp_video

What is your name and your current occupation?
My name is justin rasch – and I am a character Animator in the Games and Film industry at the same time right now…ha!
I have a day job animating in Video Games and also work the Night shift on a Feature stopmotion Animated film at Shadow Machine in Hollywood Ca .

What are some of the crazier jobs you had before getting into animation?
hmmmm….I was a Tree climber-cutter as a Youngster. I was a sign painter or wandering artist as a teenager. I had my first son as a teen so I pretty much did anything available to make money. – usually busboy- dishwasher type stuff….any art based work i could get my hands on.
What are some of your favorite projects you’re proud to have been a part of?
PARANORMAN – From LAIKA- Hands down -The single most amazing artistic experience of my Life. A DREAM come True !!!!
I was part of an OLD school Miniature , Special FX , animated Film. It was like walking into Willy Wonkas Magic Factory Every single day.  I …… on the very hardest days of the production would part the curtain and walk into my set and feel the breath just escape my chest in pure little kid excitement and awe!!  WOW!! I am surrounded by this incredible ART and I get to the opportunity bring these amazing characters to Life…Goosebumps !!  LAIKA was a DREAM JOB in every way . The Animation Medium I love most is Stopmotion Animation…..so …. as far as studios LAIKA is The Number 1 studio out there. It has a very clear goal of telling awesome story’s at the highest animated quality in this Medium.  It is constantly PUSHING to do more with Puppets than has ever done before. That building so full of talent its sick.  While working on a LAIKA film everyone involved is given the support and opportunity to do the best work of our lives…..in fact…. its expected!!  So…Dailys and weeklies were PURE Jaw dropping awesomeness and a magic show every morning.  Every week or two I wouldl have my NEW BESTEST SHOT EVER!! As an animator that is As good as it gets!!……The film also was sooooo fun to work on…. JOY!! I also recently worked on a Spongebob Christmas special which was incredibly fun to be a part of.  It was a great honor to work on the Iconic character and the guys at Screen Novelties are the coolest  to work with in the BIZ….those guys are a Very special group of artist-animators and they kick arse on everything they are a part of.

How did you become interested in animation?
DON BLUTH Was a MASSIVE influence and Inspiration . I was always an artist and when I saw the {Secret of Nihm} and the {Dragons Lair- Space Ace}- Arcade classics. I was HYPNOTIZED…These awesome characters animating so fantastically. I am still Continue reading

JOHN HARDMAN

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What is your name and your current occupation?
JOHN HARDMAN, Director of Development and Production, Saban Brands LLC.

What are some of the crazier jobs you had before getting into animation?
I was a maintenance man for a function hall.  I spent every afternoon cleaning cigarette butts out of urinals and mopping up wedding guests’ vomit.  I worked in a car wash for one summer and had numerous close calls whenever I had to park a car with a stick shift.  I also have the typical Hollywood story of working for a producer who threw the telephone across the room at me when she got mad.  Worst of all, she got mad a lot.
What are some of your favorite projects you’re proud to have been a part of?
So many…. Rugrats, Rocket Power, Jackie Chan Adventures, Xiaolin Showdown, Mr. Men, Power Rangers.
How did you become interested in animation? 

I’ve been a huge fan of animation since I was a kid (no surprise!).  What I found most exciting was Continue reading

Everett Peck

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What is your name and your current occupation?
My name is Everett Peck.  I’m an artist.

What are some of the crazier jobs you had before getting into animation?
I worked primarily as an Illustrator and painter for 25  years before earning my living primarily in animation.

What are some of your favorite projects you’re proud to have been a part of?
I’ve most enjoyed working on the animated projects I  created, Duckman and Squirrelboy.  I also enjoyed working with some great people on projects at Klasky Csupo Studios and Sony Animation such as Ghost Busters and Jumanji.

How did you become interested in animation?
Ever since I can remember as a kid I was interested in animation.  My biggest influence then was Disney and W.B.  But I also liked anything the Fleisher studio did and the U.P.A stuff.  I was also quite taken with other artists who who were not necessarily animators but were illustrators who occasionally lent their style to animated projects.  People like Heinrich Kley, Virgil Partch, and Ronald Searle.  I was also knocked out by Mad magazine, especially guys like Jack Davis, Mort Drucker, and Don Martin.  Also loved Ed Roth and Basil Wolverton. All of these influences led me to a career in Illustration and in turn, to Animation.

Where are you from and how did you get into the animation business?
I’m from a beach town about 35 miles north of San Diego, Oceanside, CA.  As an Illustrator, I would occasionally design for animation.  It was when I entered into partnership with Klasky/Csupo studio to do Duckman that I switched emphasis from illustration to animation.

What’s a typical day like for you with regards to your job?
It depends on what I’m doing.  If I have a show in production, I’m usually at the Continue reading

Andrew Kaiko

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What is your name and your current occupation?
Andrew Kaiko.  I am a creative developer at an advertising agency on internet content in Manhattan, New York.

 

What are some of the crazier jobs you had before getting into animation?
My jobs before animation were pretty tame.  So the only thing that comes to mind is when I had to not only sort and prepare illustrators’ promotional packages for their clients at an illustrator agency, but take care of the boss, who was an old lady, and her home, where she ran her agency out of.  I replaced light bulbs and emptied water from the air conditioner all the time. One time she actually booked me with the task of getting myself ice cream, as a break!

 

What are some of your favorite projects you’re proud to have been a part of?
‘Kappa Mikey’  was the first show I worked on at Animation Collective and was also the first show I ever had credit on, and you can’t very well forget something like that!  Not a week went by after getting my bachelor’s certificate, I got a phone call to go into the city for an interview there, and they gave me an offer right then.  This led to animating any anime-esque character who happened to appear in the shot (95% of the cast), and that meant six principle characters, various background extras, and occasional effects and props.  This never happens- I couldn’t believe my luck!  It had a superb cast of voice actors, which turned out to be the best thing about it.  The show isn’t liked by all, and yes, I am familiar with all the complaints, but I loved every second of production.  No other show since, even the shows following it at Animation Collective, was as enjoyable as this one, and that is true even into 2012.

 


How did you become interested in animation?
I’ve been interested in animation my whole life.  I think my parents gave me a gift as well as a curse when Continue reading

Lynda Nettleship-Carraher

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What is your name and your current occupation?
Lynda Nettleship-Carraher and currently I am a mother of 3; ages 5,4 and 2.

 

What are some of the crazier jobs you had before getting into animation?
I never had any crazy jobs just boring. I would use a temp agency to get work and all they had was office jobs and the only thing I am capable of doing in an office is answering the phones. Very boring.

 

What are some of your favorite projects you’re proud to have been a part of?
The first job I loved working on was The Wild Thornberrys. I enjoyed drawing in the show’s style and I learned so much about all the places the family would travel to when we would do the research for the backgrounds. My other favorite was Continue reading