William Reed

What is your name and your current occupation?
William (Bill) Reed – Freelance animator, timing director, fine artist, cartoonist.
What are some of the crazier jobs you had before getting into animation?
While I was a student at Chouinard, I worked at the surf shops in the South Bay as a glosser. As a glosser I painted designs, pin stripes, panels or whatever the customer wanted on the surfboard then put the gloss coat on. I really had fun working with Gregg Noll Surf Boards, Dewey Weber and Rick Surfboards and went surfing and hung out at the beach when I wasn’t in school.  What could be more fun than that!

 

What are some of your favorite projects you’re proud to have been a part of?My first job was in 1966 at the Disney Studio as an apprentice in-betweener onWinnie the Pooh and Jungle Book. I was there for a year and learned more in that year than I did in the four years of art school.  While I was at Filmation I directed two of the animated Star Trek shows and one of them won the Emmy Continue reading

Aaron Rozenfeld

What is your name and your current occupation?
Aaron Rozenfeld and I am unemployed.

What are some of the crazier jobs you had before getting into animation?
I haven’t had a job any crazier than in animation except for selling(or to be more precise, not selling) ugly t-shirts to the audience of the Jimmy Kimmel Live show. But that more sucked than was crazy and was after I got into and left out of the animation industry. I’m not really sure what crazy means. I’ve always interpreted crazy as ‘knowing the difference between right and wrong, but not caring. Being that I’m a both moral and spiritual person, I always care about right and wrong so I wouldn’t participate in a crazy job.
What are some of your favorite projects you’re proud to have been a part of?
The Simpsons, Futurama, Fairly Odd Parents, and the next job in animation I get.
How did you become interested in animation?

I became interested in animation as a child, watching cartoons. SOme favorites include Warner Brothers Looney Tunes, Woody Woodpecker, Spiderman and his Amazing Friends and many others.
Where are you from and how did you get into the animation business?
I’m from Walnut Creek, California. It’s about 20 miles east of San Fransisco. I got into the animation business with Continue reading

Wade Wisinski

What is your name and your current occupation?
Wade Wisinski,  Line Producer,  The Looney Tunes Show, Warner Bros. Animation.
What are some of the crazier jobs you had before getting into animation?
I owned and operated a chain or retail comic book stores. The shop in Newhall, CA is still there with fabulous new ownership – Brave New World – check it out. If you have ever spent any quality time in a comic book store, you may get a pretty good idea of what it would be like to work, live, eat, and sleep in one. All of the stereotypes are true.

What are some of your favorite projects you’re proud to have been a part of?
All of them pretty much. I’ve been fortunate to have begun working on Kevin Smith’s Clerks, then the first three seasons of Kim Possible, The Spectacular Spider-Man (my favorite Spider-Man interpretation by far…). Most recently some classic character takes – Scooby-Doo! Mystery Incorporated and The Looney Tunes Show.

How did you become interested in animation?
Animated films and televisions shows were the first movies and TV I watched, which is typical. That’s all I knew for a while, really. I was obsessed with comic books, but animation was always around. As I became more entrenched in Continue reading

Andrew Farago

What is your name and your current occupation?  
Andrew Farago, Cartoon Art Museum Curator, author and cartoonist

What are some of the crazier jobs you had before getting into animation? 
Nothing too far into the “crazy” category.  My father’s a general contractor, and I worked with him every summer growing up.  I’ve probably put in a lot more time roofing than most people in animation.  Other than that, I’ve been a temporary office worker, library assistant, dishwasher…  I wish I’d spent some time as a gravedigger or daredevil stuntman so that I could give a more interesting answer for this one.

What are some of your favorite projects you’re proud to have been a part of? 
I’ve worked on a lot of great animation exhibitions, including a retrospective of 40 years of Saturday morning cartoons, an exhibition celebrating the 50th anniversary of Sleeping Beauty, the Totoro Forest Project (works inspired by Hayao Miyazaki) and a show spotlighting the art of Mary Blair.  The Mary Blair exhibition led to a huge retrospective of her work in Tokyo.  Studio Ghibli purchased a large collection of her artwork following that exhibition, and that’s touring Japan right now…and our exhibition in California helped get that all started.  As far as personal projects go Continue reading

Ron Myrick


What is your name and your current occupation?
Ron Myrick…animation director

What are some of the crazier jobs you had before getting into animation?
Driving instructor, video game locator, bus boy.

What are some of your favorite projects you’re proud to have been a part of?
Heavy Metal, The Adams Family. The Incredible Hulk, Sigfried and Roy, Ozzy and Drix.

How did you become interested in animation?
It has been a dream since my child hood. I learned the art / craft of animation on the job.

Where are you from and how did you get into the animation business?
Born in Atlanta Ga.,I grew up in L.A. I was introduced to animation the day I graduated from Continue reading

Eddie Mort

What is your name and your current occupation?

Eddie Mort.  Occupation?  Well I animate, storyboard, design and composite. Sometimes for shows you may actually see.  I work with Lili Chin under the name Fwak! Animation.
What are some of the crazier jobs you had before getting into animation?
I only had two jobs before I got into animation.  Filing Clerk at the Department Of Veterans Affairs, and pumping gas.
What are some of your favorite projects you’re proud to have been a part of?
Mucha Lucha! for Warner Bros Animation because we were able to bring an awareness of Lucha Libre to US broadcast television.  I am also proud of the feature film Lili Chin and I did together - Los Campeones de la Lucha Libre.  Though we only had the budget equivalent of just over two TV episodes, we managed to produce a theatrical feature.
How did you become interested in animation?
Animation was always something that really super talented people did and I never considered It was for the likes of me.  It was through watching Ralph Bakshi’s films I realized it didn’t all have to be slick and polished.  His films – and the original Ren & Stimpys – showed me Continue reading