Jeff Ermoian

What is your name and your current occupation?
My name is Jeff Ermoian and I teach Digital Media Design at Texas State Technical College in Waco including Character Design, 2D animation, and storyboarding.
What are some of the crazier jobs you had before getting into animation?
Cabinet Power Sander (@ a speaker manufacturing company) and Arcade Tech. (human change machine)
What are some of your favorite projects you’re proud to have been a part of?
When I was in the Air Force I helped develop the congressional briefing to get funding for the C-17. That aircraft has a lot to do with our current airlift capability. I also started a television show called The All You Can Eat Texas Music Cafe with my brothers that featured unsigned singer songwriters. It was aired coast to coast in the U.S. and carried internationally in over a hundred foreign countries.
How did you become interested in animation?
I can’t recall when I wasn’t interested in animation. I remember Wiley Coyote holding up signs I couldn’t read and being angry that I was missing the joke. I remember seeing a cartoon reel before the Continue…

Rob Boutilier

 

What is your name and your current occupation? 
My name is Rob Boutilier, and in a previous life I was creator and co-director of ‘Kid vs Kat’ on Disny XD… I currently spend my time watching episodes of ‘The View’ while doing freelance storyboard work.
What are some of the crazier jobs you had before getting into animation?
I washed dishes in a lobster restaurant back in Nova Scotia. A co-worker used to drink copious amounts of wine from the walk-in cooler, and nobody knew how drunk he was until he pulled a scalding hot casserole from the oven with his bare hands.
What are some of your favorite projects you’re proud to have been a part of?
I’m proudest of ‘Kid vs Kat’, as it was an incredible experience to direct something of my own creation, even if I wish I could go back and do some things differently. I probably had the most fun storyboarding on ‘Pucca’, directing on ‘Aaagh! It’s the Mr. Hell Show’, and I learned a lot by continually screwing up on ‘Ed, Edd n Eddy’.
How did you become interested in animation?
When I was young, all I wanted to be was the next Charles Schulz. I wanted to have a daily comic published in newspapers around the world and never even Continue…

Kirk Tingblad

What is your name?
Kirk Tingblad

What would you say has been your primary job in animation?
Directing/ Timing Direction/Storyboard Artist for Warner Bros., Cartoon Network, Disney, and many others.

What are some of the crazier jobs you had before getting into animation?
I ran the shipping department for my father’s publishing company.  I cleaned up the Dunkin Donuts.  I checked in medical periodicals in the University health/science library.  I was a courtroom artist.  I was a radio dj.  I was an editorial cartoonist. 
 
What are some of your favorite projects you’re proud to have been a part of?
I won an EMMY for directing on “Pinky and the Brain”,  I was nominated for an EMMY for directing on “Animaniacs”.  I wrote and boarded about a dozen gags that made it into “Space Jam”.  I probably had the most fun directing “Johnny Bravo”.
 
How did you become interested in animation?
When i was ten, I saw “Porky in Wackyland”.  That gave me the animation bug.

 Where are you from and how did you get into the animation business?
I was born in Sheboygan WI, and grew up through high school in New Richmond WI.  After high school I went to The Kubert School in New Jersey for a year and I studied under former Disney animator Milt Neil.  After that I went to the University of Minnesota in Duluth were as a senior in the graphic design major you had to do an internship at an ad agency.  One day a sales rep for Bajus-Jones Film Corp. came by and dropped off their demo reel.  I cold-called them an talked my way into an interview.  Owner Mike Jones liked by portfolio and had me do an inbetweening test, while he watched over my shoulder!  He liked that I could inbetween on paper with a fountain pen without doing pencil roughs and he hired me to be former Terrytoons animator Al Chiarito ‘s assitant.  Al was a great teacher.

 What’s a typical day like for you with regards to your job?
Right now I am the Supervising Timing Director for “The Looney Tunes Show”  and “Scooby-Doo Mystery Incorporated”.   My work is divided between doing timing at home on a table made from an Indian palace door (kinda cool)  and working at Warner Bros. at the Burbank ranch going over the other timers’ work and  taking care of retakes.  The thrill is always when the show is done and on the air and it doesn’t suck too much.
 
What part of your job do you like best? Why?
Working on funny stuff.  As a teenager in Wisconsin my best friend and I would talk endlessly about getting the chance to work on movies and tv, all the while in the back of my head I never thought it would ever actually happen.  Whenever i get frustrated I try to remind myself that a lot of people would love to be doing what I do, so just get back to it.  I have also been lucky enough to work with a lot of really talented people

 
What part of your job do you like least? Why?
The hours can get kinda gruesome.  While its not “the Deadliest Catch”, you can get some painful papercuts.  Show business is not a stable business, just realize that when you sign up for this trip and the times you get fired or laid off  without any notice or good reason will suck just as much as it would in any other job.
 
What is the most difficult part for you about being in the business?
Gettin’ woken up by phone calls at 3am to rush into the hospital to do emergency arterial bipass surgery.  Oh, wait that’s not it.  I once told producer Jed Spingarn that there were thousands of tiny animals constantly cleaning his eyeballs, that was hard to watch.  My hand tends to get sore after 16 hours of work.  Insert your own double on entendre here.  Firing people and getting fired or laid off is never fun.

 
What kind of technology do you work with on a daily basis?
Cintiq  and laptop.  I have a very powerful pencil sharpener.  Don’t mess with the sharpener, okay.  I use a manual can opener to gain access to food.

 
In your travels, have you had any brushes with animation greatness?
I’ve met Bob Clampet and his amazing hair at the Minneapolis Comic-con in the late 70’s.  I’ve met Virgil Ross, Chuck Jones,
Ollie Johnson, Frank Thomas, Bill Hanna, Joe Barbara, and several other greats of animation.  John K once asked me why i would work for the big studios?  “Mostly for the money, mostly”, was all I could come up with.

 
Describe a tough situation you had in life.
I had to sue my kid’s school district a couple of times.  That was annoying.  Someone slashed the tire of my Jeep Wrangler in the Galleria Parking garage when I was directing “Pinky and the Brain”.  It took an hour and fifteen minutes for AAA to show up.  Oh yeah, I got shot at outside of Film Roman in 1994.  They missed, but left a hole in the window behind me.  I was told the woman who worked in that office refused to enter it again.

 
Any side projects you’re working on you’d like to share details of?
I’ve written a screenplay which every producer who reads it says it makes them laugh out loud  followed by a list of reasons why they aren’t going to buy it.

 
Is there any advice you can give for an aspiring animation student or artist trying to break into the business?
Work hard.  Learn why things are funny, and i don’t mean funny just to you, but funny to everybody.  Don’t just study animation, study as many things as you can.  A good understanding of music can go a long way.  Make your own animation, its fairly easy to do on your own now.  You learn more my doing than anything else.

Amber Hollinger

What is your name and your current occupation? 
Amber Hollinger…storyboard artist for Warner Bros. and Moonscoop
 
What are some of the crazier jobs you had before getting into animation?
Cleaned offices, taught aerobics, waitress, summer camp counselor, playing piano as background dinner music at a retirement home…
 
What are some of your favorite projects you’re proud to have been a part of?
Tigger Movie, Lion King sequel, Weekenders, and Lilo & Stitch sequel 
 
How did you become interested in animation?
 I could draw since I could pick up a pencil, but it wasn’t till the Little Mermaid came out that I knew I wanted to get into animation.
 
Where are you from and how did you get into the animation business?
I’m from San Luis Obispo, Ca. and attended CalArts in Valencia, Ca. I only went to school a year and then hit the pavement with my portfolio till I found someone to hire me. 
 
What’s a typical day like for you with regards to your job?
It’s much different that it used to be… Continue…

Gavin Dell

What is your name?

“Gavin Dell”

What are some of your favorite projects you’re proud to have been a part of?

“Cat’s Don’t Dance was a film that Turner Feature Animation made before merging with Warner Bros. It had one of the best crews I’ve ever worked with. It had such a positive vibe the whole time which was probably because
of the Director Mark Dindal. The film was a total flop at the box office but was well regarded in the animation business. ”

How did you become interested in animation?

“I always love cartoons growing up but had no idea how they were made and never thought it was something I could do. I heard about the animation program at Cal Arts and applied for it but did not get accepted. I did get accepted by the art program. Once I was there I hated the art program and asked if I could transfer to animation. It was sort of a back door entry. I busted my ass to do a good film and made the producer’s show my freshman year. I was 1 of 4 from a class of 69 students to make it in.
Never say never…”

Where are you from and how did you get into the animation business?

“I’m from Kansas City. Home of Walt Disney’s original studio. Honestly I though I was going to be stuck drawing Hallmark cards my whole life. I heard about Cal Arts in Los Angeles from my Mom’s friend, who’s son was going there and was having a ball.”

What’s a typical day like for you with regards to your job?

“I wish there was something glamorous about my job but my day goes like this: Continue…