Eddie Fitzgerald

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What is your Name and Current Occupation?
Eddie Fitzgerald: storyboard artist.

Past Crazy Jobs:
Crazy jobs? Hmmmm. Well, when I got out of school I washed  dishes, bussed tables and was an agricultural worker. None of those jobs paid  very much but I learned something valuable from each one, and I don’t regret the  experience. My first art jobs had to do with designing menus, letterheads and  all that, and that paid even less than dishwashing, because the clients were  always changing their minds.
Favorite Projects?
I have lots of favorites, but I guess the very best one was  doing the “Tales of Worm Paranoia” short for Cartoon Network. There’s no high in  the world like doing a cartoon of your own. I learned sooooo much by doing that.  On the positive side I learned that I liked doing slapstick and character  acting. On the negative side I learned that Continue reading

Frank Forte

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What is your name and your current occupation?
I’m a storyboard artist at Bento Box on Bob’s Burgers.

What are some of the crazier jobs you had before getting into animation?
Ha! I was a Tatto Artist, A line cook at a number of restaurants, and I got paid to watch movie screenings.

What are some of your favorite projects you’re proud to have been a part of?
It was really fun to work on Despicable Me 2 doing storyboards. I really got to flex my creativity and have fun. the director let me add gags and take the action in crazy directions just to see what I would come up with. LEGO:Star Wars The Empire Strikes Out (at Threshold Animation) was really great because I got to finally work on a Star wars project AND we got to make fun of it.

How did you become interested in animation?
I grew up on classic Warner Brothers and Tex Avery shorts. They used to show those on TV. Then in college I would Continue reading

Richard Pursel

 

My Stimpy’s First Fart (Son of Stimpy) premise A sculpture of Stimpy John asked me to sculpt for Vanessa Coffee to get her to like us. The Spumco crew was laid off before I finished it, so I kept it. 

What is your name and your current occupation?
Richard Pursel and I am a writer for animation primarily. I’m currently writing a feature script for a 3-D animated project in addition to developing and writing a pilot and bible for an unrelated 3-D animated series. I’m also finishing up two live-action scripts, one a feature and the other an hour-long TV pilot; both with a cartoon sensibility.

What are some of the crazier jobs you had before getting into animation?
I had to deal with many strong personalities as a production assistant for music videos. Hunting down items Prince demanded be in his trailer, such as “rain scented” candles, ain’t easy! I worked as a staff supervisor at a school for multi-handicapped blind adults—that experience sure keeps me humble. I even farmed the Sodom Plain in Israel for six months when I was 21.

What are some of your favorite projects you’re proud to have been a part of?
My first writing credits are on “The Ren & Stimpy Show,” so of course I’m proud of that. “Powdered Toast Man” was the first story of mine that aired, though “Visit to Anthony” was the first one I wrote. I still send out my Emmy nominated premise “Son of Stimpy” as a writing sample. “Cow and Chicken” and “I Am Weasel” came next and creator David Feiss animated the title sequence for “I Am Weasel” based on my song and board. Writing and story editing “Tom and Jerry Tales” was incredible, returning to basics with those iconic, pantomime, cartoon stars. The “SpongeBob SquarePants” crew is a well-oiled machine and four seasons working with them was awesome.

How did you become interested in animation?
The first nightmare I can remember was being a cartoon pig chased by Continue reading