Tony Siruno

 

What is your name and your current occupation?
Tony Seruno and I’m a character designer at DreamWorks Animation.

 

What are some of the crazier jobs you had before getting into animation?
In college I worked as a maintenance worker at micro chip manufacturing plant, waiter at a Mongolian BBQ, a Valet at one of Minneapolis’ top night clubs, and also worked as a production assistant on a national cable TV show.

 

What are some of your favorite projects you’re proud to have been a part of?
I’ve worked on a lot of projects over the years. The ones that stand out are a few episodes of The Simpson’s from season 6 and 7. The Road to El Dorado will always be a sentimental favorite due to the fact it was my very first project as a character designer. Recent ones would have to be Kung Fu Panda, How to Train your Dragon, and Neighbor from Hell.
How did you become interested in animation? 
I always drew and painted as a kid and I did enjoy watching Disney animated films and such,  but to be honest Continue reading

Kishore Vijay

What is your name and your current occupation?
My name is Kishore Vijay and currently I am a Senior Animator on Cinematics for Carbine studios working on trailers for their upcoming MMO Wildstar.
What are some of the crazier jobs you had before getting into animation?
Lets see, I was an Architect and practiced for a year in India before I came to the US to study Animation. I also did a stint as a waiter at a Moroccan Restaurant. Both crazy jobs in their own way!
What are some of your favorite projects you’re proud to have been a part of?
Cinematics for games has been a lot of fun – both with Carbines”Wildstar” and with Blizzards STARCRAFT 2 – Heart of the swarm”. Before that it was great to be part of the team at Sony Imageworks on their features. With the smaller studios its great to get more influence and involvement with the projects and with the bigger shows its great to get your name on a major project and be part of a fantastic team.
Where are you from and how did you get into the animation business?
I am from a small state in South India called Kerala. Like many kids, I grew up watching Tom and Jerry, Looney Tunes and Disney animation and reading and drawing comics. Later I Continue reading

Disney “Animation” app-$13.99 at the App Store

by Matthew Malach

In 1923 two brothers opened a cartoon studio, stuffed into a tiny garage in southern California. What followed was an entertainment empire. Today, stuffed into something even smaller than that garage is a stunning I-pad app that’s sure to wow Disney animation fans everywhere.

Disney’s I-pad Application, “Animation” is everything you want to know about Disney Animation, including hands on animation exercises.

The program opens with a series of “Chapters” whose large icon screens animate with moving images and sound – some familiar, such as Mickey Mouse and Sleeping Beauty — and others less so. That mixing of classic Disney fare and some of the newer productions is a slightly awkward distraction that we’ll touch on again later.

But the heart of this app is in its “chapters”:

“Art in Motion” takes you through the beginnings of the Disney studio, with early photos and Mickey Mouse’s first appearance in a rare silent clean up animation, which in fact was never picked up by a distributor. In the chapter called “Story” Walt himself explains this critical phase of production, including a look at a storyboard from One Hundred and One Dalmatians by Disney’s Bill Peet.  Other chapters include “Visual Development”, a look at the artwork that was used to set the mood for the actual animation teams. And of course, there’s a chapter on “Character”, the backbone of the Disney studio technique. And the chapters continue with a perfect mix of written word, visuals and sound, touching on “Layout and Background”, “Animation,” “Visual Effects”, “Sound Design and Music”,  and a chapter that brings it all together with a look at the very basics such as Ink and Paint, The Multiplane camera and a nod to the more recent process of CG animation.

Below the chapter headings, is a chance to dive in and make your own animation, starting with a basic bouncing ball. You can also change the moods of “Maximus” (the horse from Tangled) and you can create your own animation using “Vanellope” from Wreck-it Ralph. You can even direct tendrils of snow as mastered by “Elsa” from the yet to be released Frozen.  If the app has any drawbacks, it’s here in this section, at least if you’re an animation professional. These are the most basic of animation engines and they make use only of the latest Disney characters. While the rest of the app spreads the wealth from the Disney library, this section feels like a half-hearted attempt to keep alive of some of the recent and perhaps less memorable Disney outings.

Nuts and Bolts

It took a while to download this Beauty of a Beast, which with a 1.78 gig size, you might have to dump a few things to make space.  Also make sure to hook the mini output to a stereo or at least a good set of headphones. The sound design on the application is superb.

Bottom Line:

At $13.99 this is a must have for Disney fanatics.  More than just an homage to the art of Disney, this is a breathing, talking animation school at your fingertips.

Disney Animation app $13.99 at the App Store

Matthew Malach
got his start as a writer and dialogue director on the 80’s pop sensation, Thundercats. 

Kevin Sullivan

What is your name and your current occupation?
Kevin Sullivan Staff Writer for Fairly Oddparents & TUFF Puppy.

 
What are some of the crazier jobs you had before getting into animation?
I worked at Walt Disney Imagineering for years. I started as an assistant. On my first day, the show producer I was working for asked me to get him a helicopter. He was making a film for one of the parks, but he didn’t want the helicopter for that; he wanted it to take him home to Saugus so he could skip the traffic on the 5 freeway. Before that, I was a Production Assistant on the Academy Awards, and spent Oscar night in a tux in the green room, hanging with celebrities and holding their Oscars. That was a super fun job.

 

What are some of your favorite projects you’re proud to have been a part of?
I am super proud of everything – I think all of Butch Hartman’s shows for Nick are a blast and I am proud to have been a part of them. For me, I’d say I’m most proud of TUFF Puppy. I think it’s not only funny, but really clever and smart, too. But FOP and Danny Phantom were where I really learned to write animation so I’ll always hold a special place for both shows. FOP has a zaniness I never get tired of. And I’d never written action before Danny Phantom, so that was a learning curve. I went from writing too vague sequences like “Danny and the Box Ghost fight” to descriptive paragraphs so overwritten I hold the record for the longest single script of Danny Phantom ever written. (And yes, I’m proud of that, too…)

 

Where are you from and how did you get into the animation business?
I grew up in Connecticut, and studied communications at Gannon University in Erie, PA. I moved to LA with my college roommate. He got here two months before I did, but Continue reading

Jesse Aclin

What is your name and your current occupation?
Jesse Aclin. Freelance Character designer currently working on a project with Reel FX.

 

What are some of the crazier jobs you had before getting into animation?
Crazy ey? well, working in the toy design field was a bit crazy for me.. I also had a gig where it was my job to create label art by moving around existing images and changing the layout based on where a certain stores price tag and logo go. That was fun!

 

What are some of your favorite projects you’re proud to have been a part of?
Working with Reel FX on “Turkeys”, as a character designer. It was my first real gig doing character design, so it was sort of like a dream come true for me and I got to design a lot of characters! Right now I’m fortunate enough to be working with them again on “Book of Life”. I’ve worked on some fun TV commercial spots with Nathan Love, designing characters. Those are cool because I get to have a heavy influence on the style. Working with Titmouse was a heck of a lotta fun and an amazing learning experience as it was my first animation gig. I was hired to work as a character layout artist on Disney’s Motor City. I ended up working on a bunch of projects there. Good folks there, and I learned what it is to be a professional working in the biz.

Where are you from and how did you get into the animation business?
I’m from a town called Goshen, NY. It’s about 1.5 hours outside of city. My path into the animation biz is a bit of a strange and round about one. I always drew sort of well and I knew I wanted a career in the arts. So, taking my fathers advice I went into college for advertising because Continue reading

Syed Waqar Alam

What is your name and your current occupation?

My name is Syed Waqar Alam. I’m doing the best job in the world, Animation!

What are some of the crazier jobs you had before getting into animation?

None. My first job is animation.

What are some of your favorite projects you’re proud to have been a part of?

I’ve worked on the upcoming hollywood movie “Mega Spider”, It was so much fun to animate 8 legged, freakishly big spider. Recently, I’m working on an Abu Dhabi cartoon TV series “The Adventures of Mansour”.

Where are you from and how did you get into the animation business?

I’m from Pakistan. My childhood is full of Chuck Jones cartoons and Disney movies. I’m a big fan of Pixar movies! Once, I saw the making of Aladdin, Glen Keane flipping his Continue reading