Bruno Monteiro

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What is your name and your current occupation?
Hi there, first of all, I’m super happy to share some of my life and experience so far! My name is Bruno Monteiro and right now I’m a lot at once! I’m supervisor animator at the super cool LittleZoo Studio, I have my own small online animation school called OnFire and I’m co directing an indie short!!

What are some of the crazier jobs you had before getting into animation?
Well, I’ve been doing animation since I’m 14 so I didn’t have other job in my life. But I played basketball for 6 years and I thought I would play professionally until I broke my leg and that was the end for me. Ah, and I made some real small money playing semi pro Warcraft 3 games.

What are some of your favorite projects you’re proud to have been a part of?
I think that Rio 2096 was the paramount for me until now. Its a Brazilian feature that scored the Annecy’s Crystal Award in 2013 for best feature and the movie is about social clashes. Minority being murdered and its a mixture between Brazilian true story and syfy. Its a movie that has something to say, some important issue to touch and I think that animation, as any type of art form should address to the social needs of the people.

Where are you from and how did you get into the animation business?
I’m from Brazil, and I started my journey in animation as a clean up artist. There wasn’t much studios in Brazil back there so jobs were few and no much opportunities. Until one day a small studio got the chance to do some animation for the “Asterix and the Vikings” feature, so I jumped in and Continue reading

Jimmy Cross

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What is your name and your current occupation?
My name is Jimmy Cross I am currently a production artist and owner of Uncle Porkchop! Productions LLC.

What are some of the crazier jobs you had before getting into animation?
Crazier than animation? Well when I was around 19 I worked at the VA hospital running a snack shack and there are allot of craziness going on there. But it was fun. My favorite job around that time was delivering pizzas. Good times no worries. Just school and delivering pizzas . Always been a hard worker.

What are some of your favorite projects you’re proud to have been a part of?
So many so many. I loved the NFL RUSHZONE. Creating the world from the ground up was so much fun and I worked on it for over nine years. I didn’t really know that much about football, but when I started working with the NFL , I learn to love it. Lots of things to pull into a fantasy world in the NFL franchise. The Olympics was also a blast and creating a web experience was hard work but lots of fun. But to tell you the truth I still get giddy seeing something you’ve drawn on television. It’s still very humbling . So many things. Personal projects are the best . Nothing like creating your own projects and sending them out to the world.

Where are you from and how did you get into the animation business?
I’m was born in raised in Los Angeles so I didn’t have to go to far to be in the business. I’ve been drawing all my life and I knew at a very early age that I wanted to make cartoons. My mother enrolled me in a animation school when I was twelve . My parents were and still are very supportive of my art. I got to animate a potato coming out of the ground. It’s was a class where Continue reading

Adobe Paintcan

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Today Adobe released an interesting lil’ experiment for iOS called PaintCan and I have to say I like where Adobe is going with these ‘experiments’. Especially when they’re aimed at us artists!

From the Adobe blog:
Today we’re previewing one of our latest experiments, PaintCan (now available on the App Store). PaintCan allows anybody, regardless of skill level, to sit down with their iPad, select a picture, and create a painting within minutes. Powerful brushes adjust themselves to the underlying image, making every stroke look beautiful, so that users can create novel and expressive artworks. PaintCan explores the space between automatic photo filters (which makes pictures look cool, but isn’t all that personal or fun) and manual art tools. With PaintCan, I really am in control, I decide where to paint, where to reveal details, where to obscure them. The app makes sure that all my paint strokes look great, but I’m still the painter.

While I do not own an iOS device, you might so if you choose to download it, let us know what you  thought in the comments! You can read the full article here.

Scott T. Petersen

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What is your name and your current occupation? My name is Scott T. Petersen, and I own a production animation studio called Golden Street Animation Productions.  You can watch our latest animation reel below.

What are some of the crazier jobs you had before getting into animation?
I worked in a machine shop making tort converters and delivering them around town at machanic shops for transmissions and soon after my first job as an artist right out of high school was a silk screen artist designing T-shirts.
What are some of your favorite projects you’re proud to have been a part of?
The Iron Giant, hands down is the best movie that I’ve worked on and I’m glad to have had the opportunity to see director, Brad Bird in action during that show.   The first professional animation that I worked on was Continue reading

Adobe Webinar: The Future of Flash Animation

Listen to Ajay Shukla, Sr. Product Manager, Flash CC talk about where Flash is headed.

https://www.youtube.com/watch?v=KwezcicTlUU#t=125

Massimiliano Lucania

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What is your name and your current occupation?
My name is Massimiliano Lucania and I’m a storyboard artist, at the moment I’m working for the Irish animation studio Brown Bag Films on season two of the Disney show “Doc McStuffins” .

What are some of the crazier jobs you had before getting into animation?
Actually, to be honest, I never had “crazy” jobs before getting into animation; I’ve always been lucky enough to work in fields where I get to draw: my very first job was as a comic book artist for Disney Co. Italy, then I’ve been working as a concept designer for video games, I did some illustration, and finally, six years ago, I started doing storyboards for animation, for several animation studios, both in my country, Italy, and abroad. So, every job I did, it was about drawing. Beside storyboarding, sometimes I also do a bit of character design.

 

What are some of your favorite projects you’re proud to have been a part of?
I can say that storyboarding last year on season two of “Octonauts” was fun and challenging at the same time; it’s a preschool type of show, but it still has really a lot of action sequences. It was fun but sometimes it required a lot of thoughts in keeping everything under control in terms of composition and action. I think it’s a very nice show and I’m proud of it.

 

Where are you from and how did you get into the animation business?
I’m from the Milan area in Italy. Like almost everyone working in animation, I always loved watching cartoons since I was very little; it was the late 70s and early 80s and like a lot of people of my generation here in Italy, I grew up with a lot of Japanese anime and American cartoons ( stuff like Tom and Jerry and Hanna and Barbera).  Actually, Continue reading