Caue Zunchini

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What is your name and your current occupation?
My name is Caue Zunchini, I’m a Freelance Animation Artist (Background Design and Painter, Character Design, Storyboard, 2D Digital Animation, Clean Up and Illustrator). And an art collector lover (action figures, books, dvds, posters and etc).

 

What are some of the crazier jobs you had before getting into animation?
Just one. When I was young I used to work in a gift company testing pens like an assembling line, checking the ink and testing on a paper. I used to test more than 1000 pens per day, It was really exaustive and boring hahahahah.

 

What are some of your favorite projects you’re proud to have been a part of?
All these shows are from Brazil, so probably many people from other countries don’t know Fudencio e Seus Amigos season 6 – MTV Brazil (2009  Popota – pilot (2010) Gui e Estopa season 3 (2011-2012)

 

Where are you from and how did you get into the animation business?
I’m from São Paulo (Brazil), I always breathed animation since my childhood. I grew up watching cartoons and movies specially Continue reading

Mucci Fassett

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What is your name and your current occupation?
Mucci Fassett, that is to say, I am Mucci Fassett, and I’m currently Directing ZHU ZHU PETS, a low-budgeCGI ANIMATED dvd movie for Moonscoop Productions.
What are some of the crazier jobs you had before getting into animation?
Well, when i was 16 years old, I was a busboy at The Old Spaghetti Factory in downtown San Diego. I had a secret-affair with the head waitress. The boss found out, he had the hots for her too, so he fired me.
What are some of your favorite projects you’re proud to have been a part of?
As far as the one thing that I’mproud of?  I suppose I am proud of a little DVD movie I made for MGA calledDesert Jewel. It was a ”Bratz” movie, and yes everyone vomits when they hear the word Bratz! that’s because they immediately think of those bawdy little dolls in their hoochie-coochie hot-pink skirts, and I really can’t blame them, I feel the same way too, but the films I did for the Bratz Brand aren’t of that content at all, and this little ”Bratz Desert Jewel” film is mighty for what it is: we had 9 months to make it (and that’s from script-premise all the way to the final Mix) so we really had to haul ass, as that’s a tight little hustle for a 3-act 72 minute film. But we did, we pulled it off, me and my superb crew of Joe Scott, Vill Cruz, Javier Secaduras, Clay Christman and my editor at the time Michael Bradley who made some real great contributions. The design-look of the characters was not my thing at all, I couldn’t do anything about elevating that, (as that is the brand of the dolls, etc.) but the Storytelling is very cinematic, the editing, the mood, the score, even the Continue reading