Scott Evans

This slideshow requires JavaScript.


What is your name and your current occupation?
Hello. My name is Scott Evans and I am a freelance cartoon graphic designer and animator at www.lookcreativestudio.co.uk

What are some of the crazier jobs you had before getting into animation?
The animation I am working on is based on the craziest job that I had. Just after I turned 18 my Dad got me to pass exams so that I could be licensee of his new pub. I was suppose to me going to university in London, having just completed my A levels but my Dad convinced me to take a year off for work experience, to help manage his new pub in Torquay. Originally from Birmingham, the whole family moved to this seaside town that we had only ever visited once before, and Tony Dunne, now fellow Barstewards writer/composer and long time friend decided to come down for the summer with us. None of us ever returned home to Birmingham (and I never did get to university). Being in charge of a pub at 18 resulted in all the things you could probably imagine. Lots of drinking, lots of trouble and very little work. The pub last two years (though the memories live on!)

What are some of your favorite projects you’re proud to have been a part of?
I do lots of cartoon artwork for businesses all over the world and I am grateful that I get to do that every day for a living. I can’t think of any particular design job that stands out from the rest (I haven’t worked on any high profile television shows so far), but whilst friends and family moan about their work day, I just think about how I get to sit back and watch Netflix or listen to audiobooks, and eat far too many sweets whilst I do my work each day. Its a hard life Smile.  Obviously the project I am most proud of is The Barstewards. It actually began way way back in 2001. Whilst bored at work (the pub was deserted in the day time bar a couple of old solemn drinkers) I started writing a book. The book wasn’t the Bar Stewards but it did feature the characters that would go on to feature in our toon. It was a sci fi story about two brothers who worked in a pub but after an accident they ended up in a place they ‘thought’ could be the afterlife and are caught up in the middle of an impossible war. Later the sci fi part was dropped and I wrote a script just about the brothers day to day life in a crazy bar. The script was called Barstools and Locals. That script later turned into an ebook called Memoirs of a Barsteward, which was about twin brothers Jacob and Miller Cox, and how their crazy family go on the run from Birmingham and end up running a terrible pub in a desolate seaside town, filled with all the weirdest people in the world. Cut to 2012 and I am doing well at animation and it seems like the ideal subject to turn into a cartoon. Whilst the book was slightly grounded in reality, I am a believer that animations should take full advantage of the fact that they can do anything they want, and so in this animated version of The Bar Stewards, absolutely anything can happen, from Aliens, time travel, horror to God stolen powers. We’re going full crazy Smile However, story is still key, and we have a story arc in mind to keep people glued to the show.

Where are you from and how did you get into the animation business?
As I said before, I grew up in Birmingham, which is in the West Midlands of England. I was all set to go to university in London but that plan got derailed by the Continue reading

Jane Davies

This slideshow requires JavaScript.

What is your name and your current occupation?
Jane Davies – Animator, Director.

What are some of the crazier jobs you had before getting into animation?
Cleaning public toilets in the height of summer, it was truly grim.

 

What are some of your favorite projects you’re proud to have been a part of?
Animation Director on the ‘A Productions’ animated episodes of Frankenstein’s Cat (CBBC series).  Most recently I directed the song section of ‘A Liar’s Autobiography’ a film about Graham Chapman. Different animation companies made sections of that film and I was involved in the ‘A for Animation’ section. That was quite an honor. I put a lot into it and I am very proud of it. There were only 5 of us that did the majority of the work (some additional help from some animators on bits of it) and it was in Stereoscope too. I’m so pleased with the end result.  I also was very proud to be trusted with the characters of Jamie Smart on a micro short we did for fun of Looshkin. I’m doing another one but it’s taking much longer as it’s a little more complicated and I do them in my spare time (1 or 2hrs a day).

 

Where are you from and how did you get into the animation business?
Stevenage which is north of London. I did some animation in Foundation Art which was a defining moment for me, I had previous done a 2 yr preparatory art course exploring all areas of art trying to find what I wanted to do. When I did my first scene after reading about how to do it in the library, then showed my tutor I knew then and their that animation was what I wanted to do so I took the leap and studied animation at Glamorgan Centre of Art & Design University in Wales; which was the Continue reading

Virgil Mihailescu

This slideshow requires JavaScript.


What is your name and your current occupation?
Hi everybody, my name is Virgil Mihailescu and I’m currently a character animator at The Creative Assembly, working on Rome 2 – Total War.

 

What are some of the crazier jobs you had before getting into animation?
I had to buss tables and wait for dishes at the dish machine with my international student schoolmates (the only ones left around during the long boring summer in Bowling Green Ohio..). I then worked in catering when I was living in Chicago and had to serve the Romanian president (I’m Romanian btw) at some weird official breakfast meeting.. probably my life’s most epic achievement? :} And I worked one day in flooring but did the easier parts of this job, which is probably one of the most awful jobs invented by humans. And then I worked for a month remodeling an apartment, well.. just destroying it in fact… which included breaking a cast iron tub with a sledgehammer, which I found extremely satisfying and fun.. and a completely awful experience at the same time, if you can imagine that!

 

What are some of your favorite projects you’re proud to have been a part of?
The current one, Rome 2.. because working on the Total War series is a privilege, I think. And then I got to animate more animals than I ever animated before, and it’s such a cool project to be working on. And Tintin, which was for me my first project at Ubisoft and the first game I ever worked on, and, surprise of surprises, only 2 months into the project I was chosen team lead, or animation coordinator.. as it was officially called. Which, as you can imagine, came as an adrenaline shot and it also turned into one of the most challenging but also very exciting experiences.

 

Where are you from and how did you get into the animation business?
I was born in Brasov, Romania, I started writing ‘novels’ and drawing ‘comic books’ when I was about 7 or 8 years old.. To better understand this.. you have to imagine that, in fact, my first novel had about 30 pages and probably half of them were drawings… and my characters were mostly traveling, eating, and sleeping (when they were not dealing with savage Indian tribes in the jungles of.. India). As a visual artist I’m Continue reading

Maxwell. A. Oginni

This slideshow requires JavaScript.

What is your name and your current occupation?
My name is Maxwell. A. Oginni. I’m an animation director, animator & illustrator, working mainly in commercial advertising.

 

What are some of the crazier jobs you had before getting into animation?
Way back in my student days, when I was broke & hungry, I once took on a Summer job as a street fundraiser… That was pretty crazy. I met some very “interesting” people… I also (mistakenly) once asked a woman when she was “due”… she wasn’t pregnant.

 

 What are some of your favourite projects you’re proud to have been a part of?
Last year my good friend Gosia, who teaches at a primary school invited me to give an animation workshop/ pep talk to her graduating class of 11-12yr olds… Before my visit, I had the kids design their very own cartoon characters, as an exercise to explore their ‘personal’ creativity… The day finally came; the kids were so charming & adorable! Originally I was to choose only one winner from the bunch who’s character I would re-design & animate; but on seeing each design, I was so impressed by the effort & skill they had all put in, that I decided I’d get my industry pals involved… I made a quick announcement on my Facebook page inviting animator/ illustrator friends to help me in re-designing ALL the characters. Within two days I had over 20 artists on board! The project, which I hosted via my Facebook page, ran on for about a month or so. The re-designs were fantastic, & the response from everyone on my friends-list (artists/ non-artists) was great; people really got involved & it pretty much became it’s own thing… Anyways, I had all the re-designs sent over to the kids via their teacher as high-res images they could print & frame up as posters. According to Gosia, the kids nearly hit the roof once they saw their designs being “brought to life” by industry professionals… It was honestly one of the most rewarding experiences I’ve ever had.

 

Where are you from and how did you get into the animation business?
I live in London, but was born in Benin- Nigeria. My story into animation I’m sure is pretty much the same as most other animators, really… As an introduction, back when I was a kid in Nigeria (about 5-6yrs old, late 80’s), I remember Continue reading