Bugs Bunny, Scooby-Doo Return in New Shows to Boost Boomerang

bugs-and-squeaks-copy

Variety is reporting that Bugs Bunny and Scooby Doo will be stars in brand new series set to premiere on Boomerang this Fall which is a new move for the network who had previously only aired reruns.

From the site:

Time Warner is banking on some of its oldest stars to breathe new life into a cable network that has aired only reruns over the course of its 15-year history.

Scooby-Doo first appeared on TV in 1969 and Bugs Bunny debuted in 1938 and 1940, but the company believes the two characters  have enough strength in their limbs to carry a retooled version of Boomerang, the kids network that is part of Time Warner’s Turner unit, to new levels in an extremely competitive arena.

Sister unit Warner Bros. will develop 450 half-hours of original programming for Boomerang, in an agreement that marks the first time original programming has been developed exclusively for the network, which was borne out of a programming block on Turner’s Cartoon Network in the 1990s. The content will appear on all Boomerang channels worldwide and on some Cartoon Network channels internationally, along with potential crossover with Turner Broadcasting outlets like Pogo, Boing, Toonami and the U.S. version of Cartoon Network.

You can read the entire Bugs Bunny article here.

Mary

MARY

Mary Blair is hired to work in Walt Disney’s gigantic and rigorously maintained garden. As he welcomes her and invites her to get to work, she starts producing plants magically. Although he is amazed, Walt cannot refrain from correcting and toning down Mary’s work behind her back…

Contact production :
GOBELINS, l’école de l’image,
Moïra Marguin : mmarguin@gobelins.fr

“10 Things No Animator Wants to Hear”

animcolor_largeRenderDigimania has a good article about the “10 Things No Animator Wants to Hear”

“I don’t have any concept art or storyboards yet, but a story outline will do, right?”
No, it won’t. You wouldn’t ask a voice actor to do the gig without a script, so why ask somebody whose job it is to bring the images to life to do so without any bloody reference materials? We will just end up blindly firing out ideas, only to watch each one shot down, as we slowly and painfully try to find out what the hell you were actually looking for in the first place. Animators can do many things, but mind-reading isn’t one of them.

You can read the full article here.

A conversation with Dan Povenmire and Swampy Marsh

150609_CBOX_DanSwampyOffice.jpg.CROP.promo-mediumlargeSlate has a great interview up with both Dan and Swampy and if you loved the series like I do, you’ll enjoy this article.

As the final episode of Disney’s Phineas and Ferb airs this weekend I am proud to have been a small part of it and none of it would have been possible without Dan Povenmire and Swampy Marsh who were actually great bosses and did a fantastic job of bring the ‘funny’ out of everyone as we wrote and boarded the shows. I only worked on 7 of the episodes and did some revisions for the Phineas and Ferb Movie (which is how I got to be on the series full time) but everyone still let me feel like a part of the team which was a great feeling considering everyone else had two seasons under their belt. It also points to why it was so successful, because Dan and Swampy really were open to any sort of joke and they say as much in this interview.

 

From the site:

Povenmire: The reason we wanted to do several stories at once is Rocky & Bullwinkle, because that was what we grew up with. But they did it as an anthology, where they’d check in on one story and come back. The formula really came from Snuffleupagus onSesame Street, and how Big Bird had this big, furry, mastodon-type character that only he would see, and then he would, like, go to try to find other people to get them to bring them back and show them the Snuffleupagus, and then the Snuffleupagus would always …

You can read the entire article here.