Arthur Loftis

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What is your name and your current occupation?
Arthur Loftis, Background Design/Painter and Prop Design at Six Point Harness
What are some of the crazier jobs you had before getting into animation?
Axe murderer.  Next question.What are some of your favorite projects you’re proud to have been a part of?
My first job out of college was BG clean-up artist on The Goode Family.  It was a Mike Judge show on ABC that few people seem to remember, but it was genuinely funny and I learned a lot while I was there.  Way more than I did from the murdering.
How did you become interested in animation? 
Like a lot of guys my age, I grew up watching The Simpsons.  I think we all know someone who can seemingly recite any quote from the first nine seasons of that show from memory.  In my group of friends, I’m that guy.  Getting to actually work in.. Continue reading

Ron Russell

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What is your name and your current occupation?

My name is Ron Russell and I am a background painter for Adventure Time at Cartoon Network.

What are some of the crazier jobs you had before getting into animation?
Probably the craziest one was Hamburger Taster. When I was in my early 20s, I worked for a market research company for a (very) short time. It was my job to rate the food at different Carl’s Jr.’s. Each day they would give me  a stack of cash, a list of locations, and some survey forms. I was supposed to order the same thing at each restaurant and rate the food. At the end of the day I would give them the surveys and receipts. After the first day, I stopped tasting the food and took it all home to my roommate at the time, who was unemployed.They called the position “Mystery Shopper,” but I called it “Hamburger Taster.” I haven’t eaten at Carl’s Jr. since.I also worked at a record store and a couple of bookstores before I went to art school.

What are some of your favorite projects you’re proud to have been a part of?
The two that stand out for me are Mighty B! and Adventure Time. The crews on both of these projects are/were full of incredibly talented people. and fun. and nice.

How did you become interested in animation?
Well, like almost everyone I know, I grew up watching a lot of cartoons. I really loved them, but never considered it to be a real thing that you could do (or that I could, anyway.) So, I just watched and read about them and admired the art. My favorites were, Continue reading

Jennifer Patton

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What is your name and your current occupation?
I’m Jennifer Patton – currently painting backgrounds on Scooby Doo Mystery, Incorporated.

 

What are some of the crazier jobs you had before getting into animation?
I was a telephone tech support person for a mom n’ pop internet service provider (back when there was such a thing).  I was a repo-girl for a Kirby Vacuum Cleaner Sales and Distributorship – I wore wigs to work because my hair was dyed pink and they let me drive the company van to repossess vacuums even though my license was suspended.  I owned and operated a retail skate clothing store in Fresno.  Cashier at a Foster’s Freeze.  Crew member on a sailboat in Mexico.  Counter service/cashier at La Brea Bakery.  Intern at Epitaph records.  Telemarketer for The Shriner Circus in La Porte, Indiana.  10-key operator/inventory taker in New York State…

 

What are some of your favorite projects you’re proud to have been a part of?
I loved working on Lil’ Pimp -  the first (?) animated feature done completely in Flash – written and directed by Mark Brooks and Peter Gilstrap. Those guys are funny. The crew was so fun on that one too. We had crazy parties and underwater beer bongs. Icebox.com was an excellent gig with a load of talented people.  The X’s for Nickelodeon – created by the ever-enthusiastic and highly talented Carlos Ramos. That was a good show. Great crew.  The Mighty B! also for Nickelodeon; one of the best shows ever. Awesome writing and boarding. Great art. An all-star crew and every last one of them a pleasure to work with; Seonna Hong, Bill Wray, Bryan Arnett, Alex Kirwan, Carey Yost, Chris Hacker, Cynthia McIntosh, Fran Giglio, Rae McCarson, Shawn Holt, Larry Murphy, and many, many more who I can’t think of right now.  Scooby Doo, Mystery Inc. which I’m on now is a fine television production, with a great Art Director Steve Nicodemus, and another highly talented crew that are loads of fun to have lunch with.  I am also proud to have been a member of the original ‘Sony Color Room’ circa ’96-’97 and all it’s legendary shenaniganery.

 

How did you become interested in animation?
Not sure that I can really say I ever Continue reading

Gerald de Jesus

What is your name and your current occupation?

My name is Gerald de Jesus (pronounced “dee HAY-soos” instead of like “Jesus Christ”) and my current occupation is a Painter on “Teenage Mutant Ninja Turtles”.

What are some of the crazier jobs you had before getting into animation?
Before I got into Animation, I did a lot of editorial illustrations for places like “Entertainment Weekly”, “Capitol Records” and “The Village Voice”, as well as gallery work for my personal stuff.  Then things started drying up and I got really broke, so I helped my friend make floral arrangements at his flower shop.  Removing the thorns off roses really sucked.  I also had to do these really awful drawings of kids in wheel chairs or carrying crutches for this educational pamphlet…it was pretty demoralizing copying an art style I thought was atrocious.  Hey, whatever it took to pay the bills!

What are some of your favorite projects you’re proud to have been a part of?
One of my favorite animation projects to work on was Nickelodeon’s “El Tigre: The Adventures of Manny Rivera”.  Not only was it a great looking show, the crew was just awesome to work with.  Jorge Gutierrez and Sandra Equihua (the creators of “El Tigre”) had such passion for the show, it infected everyone and we worked our hardest to make it look great.  It was sad that it was cancelled before its time, but we were recognized (post-humously) with a bunch of awards, including my first Emmy!

How did you become interested in animation?
It was kind of a fluke… as I mentioned before, I was struggling with finding freelance illustration work, when out of nowhere, my friend Tony Mora, whom I have known from going to Art Center with Continue reading