Mmm, I don’t know if its crazy haha, but I was a sweeper at the local fair during the summer, griller/cook at a restaurant and burrito maker 🙂
Some of my favourite projects are most recently Frozen and Wreck-it Ralph. Â I feel very fortunate to be able to work on such compelling stories and characters. Â Hotel T and the Smurfs were also something I loved working on. Â oh, and Harry Potter and the goblet of fire, because I’m such a fan of the books!
Where are you from and how did you get into the animation business?
I was born and raised in Vancouver, BC. Â When I was starting to do research on Animation, Capliano College just opened up a Commerical Animation program in North Vancouver. Â I remember seeing a clip of it on the local news. I was so excited, so I got my portfolio together and applied after high school. Unfortunately I didn’t get in, so I ended up getting a job, while working on my art skills after work and applied the following year and was (to my surprise) accepted!
What’s a typical day like for you with regards to your job?
My typical day, I get into work, get my scenes set up to work. Â Then I take a look at some inspiring work, whether its animation, film/video, something to get the juices going. Then I dive into my work, thumbnailing, getting out of my desk to act out what I’m trying to animate. show the supervisors and co-workers to get notes, then go back to work. I try to take a break from time to time, whether to chat with co-workers, get some air, then come back with some fresh eyes on my scene.
What part of your job do you like least? Why?
The hours can be tough, but I understand thats how production works, so as long as its not too long, I’m fine with that! I feel when you are in a crunch, you also tend to bond with each other more, cause you are all on the same boat, trying to do the best that you can in a short amount of time.
What kind of technology do you work with on a daily basis, how has technology changed in the last few years in your field and how has that impacted you in your job?
I work in Maya on a daily basis, I sometimes use Photoshop as well. Â I believe animators are pretty lucky that when its comes to updates with software technology, the animation tools don’t change a whole lot, compare to other departments where you have to keep catching up on whats the next tool. Â Sometimes studios have their own proprietary animation software, then you would have to learn it, but in the end, its just a tool.
Â The most difficult would be having to uproot and move locations and look for the next gig. Its really unfortunate that most of the work we do tends to be really short contracts. Â Especially if you have families/partners. Â Its not like that for every studio though. Â Some studios have artists thats been there for a long time, and thats really something I love seeing. Â On the upside of that, it gives you an opportunity to travel and see the world! Â Thats not something everyone can do.
If you could change the way the business works and is run how wouldÂ you do it?
Mm longer contracts for everybody! haha. Â More stability would be nice, but I wouldn’t know how to change that.
In your travels, have you had any brushes with animation greatness?
Yes, currently at Disney everybody is of greatness. I’m would go into Mark Henn’s office (Jasmine, Mulan, Simba) and he would go over my scene and do draw overs! Â Sometimes I still can’t believe it. Â I would walk down the hall and see Eric Goldberg (The Genie in Aladdin, Get a Horse), John Musker and Ron Clements (The little mermaid) and many many more. Â I also was fortunate to meet Glen Keane. I also had a chance to work briefly with Adam Valdez (Lord of the Rings trilogy) at MPC in London, England. Â That was pretty cool.
Describe a tough situation you had in life.Â