https://www.youtube.com/watch?v=h04-vyDm5fg
A decent review of the Huion GT-220 Graphics tablet.
https://www.youtube.com/watch?v=h04-vyDm5fg
A decent review of the Huion GT-220 Graphics tablet.
Frankie helps Hinge Digital deliver a powerful message
Hinge Digital has amassed an impressive roster of clients since opening up shop in Portland, Oregon in 2009. In just a few short years, the team has worked on commercials, ad campaigns and other prominent content for massive brands such as Microsoft, Adidas, Electronic Arts and Dunkin Donuts, to name just a few.
However, the studio took on a very different kind of project with Suitcase, a 30-second public service announcement created for AdoptUSKids, Ad Council and the U.S. Department of Health and Human Services. It’s a powerful reminder that while parents may not be perfect in all moments, they can provide the perfect, loving home for a child in need.
Hinge conceptualized, wrote, designed, and animated the clip, but with so many partners’ hands in the mix across the country, the studio needed something to keep everyone on the same page as the project sprang to life. Frankie proved to be that essential tool, as its web-based video review functionality allowed remote parties to view the work in real-time and collaborate with ease.
Making the message
Suitcase shares a succinct yet powerful and meaningful story about the love and stability provided by an adoptive family. In the clip we see a young girl who has been bounced between foster homes growing accustomed to living out of a suitcase. But when she’s given a permanent home she finds a new use for that suitcase, and appreciates her adoptive parents even if they make silly mistakes here or there.
It’s a moving message: a half-minute cartoon tearjerker, really, and one that showcases Hinge Digital’s talents in creating an effective campaign from scratch. It was produced to mark the 10th anniversary of AdoptUSKids, an important initiative that helps place foster children into adoptive homes in the United States.
“It was important to use emotional storytelling and illustrative design to tell this story, along with the software magic of Maya and NUKE to create the dynamic visual narrative,†says director Alex Tysowsky, whose nearly 20-year career includes animation for blockbuster films such as The Matrix and Spider-Man 2. He had a team of eight focused on the PSA, which was in production for about six weeks.
“We wanted to create a spot with a uniquely engaging look that combined toon-shaded CG characters and watercolor backgrounds,†he explains. “Once the concept designs were approved, we built the 3D assets to match the look and feel of the artwork. The fun part was animating and bringing the characters to life.â€
Everyone is empowered
With approvals needed from both creative and non-creative individuals at the client companies – all of whom were in various locations across the United States – Hinge Digital needed a solution that would allow for an effective review process. Hinge had previously used cineSync, and “enjoyed the power and flexibilityâ€. However, this time the clients needed something that was slightly more accessible.
That’s where Frankie came in. Tysowsky calls Frankie “the perfect blend of cineSync’s power with web-based ease of use,†and says it allowed his team to overcome the distance between themselves and the client companies. With Frankie, remote parties can be easily invited into the review session, and everyone can quickly share their comments and notes. It makes everyone feel like part of the active process.
“Once we had everyone on a conference line and connected to Frankie, they were all looking at the same thing,†Tysowsky explains. “With five people in five different locations, communication about something visual can be a bit of a challenge. But with the markup tools Frankie provides, everyone can see what we’re talking about.â€
As with any advertisement, there’s a level of care involved, and a need for client approval and guidance. But particularly with a project like this, which is focused on the welfare of children and a very sensitive, emotional subject, it’s crucial that everyone is on point when it comes to honing the message and the work. “We feel the investment in Frankie far outweighs the lost time of miscommunication with a client,†says Tysowsky.
Bringing people together
Among the studio’s favorite features in Frankie are the real-time markup tool and the ability to export notes into a PDF file. Additionally, being able to see when a client has logged into the session – whether before or during the conference call – has been a helpful function.
But the biggest benefit proved to be bringing everyone together and allowing them to feel like they have a say. “Frankie’s unique real-time viewing and annotation tools allow us to successfully communicate both our vision and our process to our clients,†asserts Tysowsky. “The two-way control of the playback and tools gives everyone a sense of empowerment, and allowed us to collaborate completely in sync.â€
Hinge Digital now has 12 people using Frankie daily for reviews across all sorts of projects. Tysowsky finds that its web-based reviews, accessibility and easy approach to remote collaboration make Frankie the perfect tool for Hinge Digital’s style of work. “Frankie is specific to our needs and client needs,†he explains. “There are a lot of tools out there, but Frankie combines all the good things out in the market and rolls it into one cohesive package.â€
What is your name and your current occupation?
John Serpentelli – I am an independent animator and an Associate Adjunct Professor at the University of the Arts in Philadelphia.
What are some of the crazier jobs you had before getting into animation?
I was the world’s clumsiest caterer. I once knocked several boxes of glass soda bottles down a flight of marble steps. Fizzy explosions everywhere.
What are some of your favorite projects you’re proud to have been a part of?
I made two short films for UNICEF for their Child’s Rights campaign and I was feature in a documentary called ‘Animating Autism’ where I taught a dozen kids with Autism to collaborate on an animated film.
Where are you from and how did you get into the animation business?
I’m from Toms River, New Jersey and I got into animation as a career while Continue reading
Froggy Heart Animation Studio is Moldova’s fastest growing animation company with long term projects related to high end 3D animation series “A Little Frog’s Heart†written by Emmy Award-winning screenwriter Jeffrey Scott (www.jeffreyscott.tv).
Our young, talented, motivated and international team of experts and newcomers forms the basis of our successful animation project.
If you are passionate about animation and want to become a part of our successful story then apply now!
POSITION: STORYBOARD ARTIST
POSITION LOCATION: Republic of Moldova, Chisinau
REPORTS TO: Director
CLASSIFICATION: Full Time
Summary
Storyboard Artists illustrate the narrative, plan shots, and draw panels to demonstrate action and maintain continuity between scenes. They will work closely with the Storyboard Supervisor and, possibly, with the Scriptwriter, Producer, client or Director, to visualize and tell the story.
They will prepare the storyboards for production, including indications for dialogue, character performance and camera moves. At different levels of production Storyboard Artist will produce rough and cleaned-up images of shots defining the locations, characters and props.
They may need to revise their work to reflect a changing script or comments from the Director, Producer or client.
Responsibilities
• be able to tell a good story
• be highly film literate, with a good understanding of layout, composition, sequential drawing and editing
• have excellent drawing skills and the ability to adapt to a wide range of styles
• be able to work either independently or as part of a team
• be able to take direction, and be prepared to make changes to your work in response to constructive feedback
• be able to follow established designs and produce consistent work, drawn on model
• have good communication and presentation skills
• have good computer literacy
• be familiar with relevant storyboard, graphics and editing software
• be conscious of any relevant technical or budgetary restrictions
• be able to work calmly and efficiently to tight deadlines
Qualifications
There are no formal qualifications required to be a storyboard artist, although an academic background in Animation, Art and Design can be beneficial. This could be art, design or media production. The demand is for storyboard artists who can convey themes, concept and “blocking†(practical pre-planning of producible scenes) in an easy-to-understand way.
Skills
• An ability to understand complex or ambiguous production instructions given to the artist in the initial meeting
• A creative mind which can conjure new perspectives
• A sympathetic approach to the time constraints of media production
• Strong artistic ability, and knowledge of how to present visuals in a convincing way
• Willingness to consider and learn different/new artistic styles outside the “comfort zoneâ€
• Strong understanding of computer design software suites, where appropriate
ADDITIONAL INFO:
• The base monthly salary is 600$
• The Company will cover the transport and accommodation expenses to/in Moldova
Please be advised that Moldova is a lovely small country from the south-eastern of Europe, with very warm and welcoming people who will make you feel almost as home.
Should you feel confident about your competency for this role and should you be interested in this position, please send your resumes and portfolios, links/reels directly to: hr@froggyheart.com.
Thank you for your interest and please be advised that only selected candidates will be contacted.
We need about 20 backgrounds done. It could start immediately and then after an initial test, work around your schedule for the next couple months. Pay is $2k.
We’d do it in two parts – super-short term as a test for the first background, and then the rest all together.
For style, think Peppa Pig – clean, quick and colorful.
Please submit a link to your website, three background images you’ve made that are indicative of the quality level you can create for this budget, and you’re availability. Use the subject line: Background Artist: [Your Name]
I’m at jeremy@g-dcast.com