Promote Yourself: Media Release

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MEDIA RELEASE
SLR PRODUCTIONS ANNOUNCES CREATIVE TEAM LINE-UP FOR SECOND
SEASON OF THE AWARD WINNING CLASSIC
“GUESS HOW MUCH I LOVE YOU – The Adventures of Little Nutbrown Hare”
Sydney, Australia – August 25 2014…
SLR Productions today announced the impressive creative team line-up for the second season of the award winning internationally acclaimed pre-school animated series, GUESS HOW MUCH I LOVE YOU – The Adventures of Little Nutbrown Hare. The incredibly talented SLR Productions team of Jo Boag and Melanie Alexander will return to the
series as Creative Director and Script Producer respectively. They will also be joined by returning Director, Steve Moltzen. David Evans, winner of two Australian Writers’ Guild AWGIE awards for episodes in season one (in 2012 for “Follow Me” and in 2013 for “I Promise”), will be part of the team as will Jane Schneider, 2012 and 2013 Australian Writers’ Guild AWGIE award nominee, and Lisa Hoppe, 2013 Australian Writers’ Guild AWGIE award nominee, along with David Witt and Tammy Burnstock. This season, they will be joined by four new writers, Rachel Spratt, Cleon Prineas, Charlotte Hamlyn and John Armstrong. Executive Producer and CEO of SLR Productions, Suzanne Ryan said, “The success of season one as a global pre-school favourite is testament to the show’s highly talented creative team and our dedicated co-production partners, KIKA-DerKinderkanal and HR-Hessischer Rundfunk of ARD and Australian broadcaster, ABC4Kids. I am thrilled to have the directing talent of Jo Boag and Steve Moltzen at the helm of the second series with the amazing writing team head by Melanie Alexander. Together, we will deliver more beautiful episodes of GUESS HOW MUCH I LOVE YOU –
The Adventures of Little Nutbrown Hare”. “The creative team is delighted to once again be working in this lovely meadow of sensual colour and seasonal change, designing and animating tales connecting us all to our own childhood, to the beauty of nature and reminding us of the importance of unconditional love” said Creative Director, Jo Boag. “I am thrilled to be producing the scripts for season two of GUESS HOW MUCH I LOVE YOU – The Adventures of Little Nutbrown Hare. With an amazing team of writers on board again, the stories will be just as entertaining and engaging as those in the first season and will see all our favourite timeless characters return to the meadow for even more fun, friendship, adventure and love” said Script Producer, Melanie Alexander.”I am delighted to be a part of the second season of GUESS HOW MUCH I LOVE YOU – The Adventures of Little Nutbrown Hare. I have seen first-hand what a special place the ‘Guess How Much I love You’ books and now animated series have in the lives of so many families and it is a
privilege to again be involved in bringing to life more heart-warming stories from the world of the Nutbrown Hares and their friends”, said Series Director, Steve Moltzen. The second season of GUESS HOW MUCH I LOVE YOU – The Adventures of Little Nutbrown Hare
was recently announced with KIKA-Der Kinderkanal as a co-production partner and with support from one of KIKA’s parent companies, HR-Hessischer Rundfunk of ARD as well as ABC4Kids. The newly commissioned episodes are exclusive to Australian broadcast partner, ABC4Kids and the series will be internationally distributed by 9 Story Entertainment. The series is based on the bestselling book, GUESS HOW MUCH I LOVE YOU™, published by The Walker Books Group and written by Sam McBratney and illustrated by Anita Jeram. The book, which is published in 53 languages, has sold 28 million copies globally and is celebrating its 20th anniversary later this year. The animated series relates the adventures of the Nutbrown Hares and their friends with the same endearing charm and love that has made the book a timeless story time favourite.
Always ready to play and laugh, Little Nutbrown Hare bounds through his days with a twitching curiosity. The ever patient Big Nutbrown Hare lovingly leads his son on journeys of discovery about the joys that nature holds. Inquisitive Little Field Mouse and mischievous Little Grey Squirrel often join them on adventures and not too far away they might encounter clever Little Redwood Fox or Little White Owl with her tall tales of mystery and magic. Together they explore the meadows, forests and streams, playing, laughing, and discovering the wonder that the world holds. Season Two of GUESS HOW MUCH I LOVE YOU – The Adventures of Little Nutbrown Hare will keep love as the major theme and each adventure in the series will have a particular season as its backdrop, the wildflowers of Spring, the long, lazy days of Summer, the brilliant colours of Autumn
or the frozen landscape of Winter.

SLR PRODUCTIONS
SLR Productions is one of Australia’s leading Emmy and multi award winning children’s entertainment companies, specialising in the creative development and production of world-class media content. Established in 2002 by CEO, Suzanne Ryan, SLR is recognised for creating successful brands such as Action drama Sam Fox: Extreme Adventures, the internationally acclaimed preschool property, Guess How Much I Love Youâ„¢, the hilarious cartoon series GASP!â„¢ and the Emmy Award winning animated series I Got a Rocketâ„¢. SLR’s passion is to make creative, adventurous, imaginative and exciting programmes for audiences worldwide. The company has produced more than 130 hours of content sold in more than 160 territories worldwide. With its highly experienced development and production divisions, SLR partners with major broadcasters, producers, distributors, publishers and creative both locally and internationally to create hit shows with a truly global reach.

www.slrproductions.com

Review: The new Scooby-Doo: Franken Creepy!

Scooby Doo DVD cover

Review: The new Scooby-Doo: Franken Creepy!
-by Megan Milo

The new Scooby-Doo: Franken Creepy! movie is out and turning heads. In an almost alternate universe, the gang is all whacked out of sorts. Daphne has a “bad hair day”, Shaggy goes towards the danger, Scooby isn’t hungry, Velma believes monsters are real, Fred’s Mystery Machine is gone and he can’t seem to forget it… like at all… repeatedly… in lots of exploding flashbacks. With quickly spliced flashes of scenes, we see the whole gang travel to Transylvania to find out what happened to Velma’s monster-creating ancestors; the Dr. Von Dinkenstein’s. When Velma is driven insane by a magical hypnosis wheel while attempting to revive her great-great-uncle’s monster, it’s up to everyone else to save the town and themselves from her crazy wrath. In the midst of Fred losing his Mystery Machine, the girl’s new outfits, and the boy’s new appetite’s, we have a psycho monster to worry about. When the hypnotic wheel is reversed, the gang is back up on their high horses/carriage (watch the film and you’ll get the reference) and ready to un-mask the evildoers. This is a classic Scooby-Doo cartoon that manages to bring all things full circle, beginning to end. Plenty of suspense, diversity, old characters, and crazy old towns. Scooby-Doo manages to make fun of itself and will leave you giggling like a child. Great flick to get your kids back into cartoons!

Frankencreepy Pencils

7/10 pencils, would recommend.

 

AI Spotlight: Witches Night Out and The Gift of Winter

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AI-spotlight logo 200x100Today we’re going a bit old school as our AI Spotlight shines on some old films that have been restored and brought back to life by my good friend Jimmy Cross, who breathed new life into two of his favorite films from childhood. Interestingly enough the first film “The Gift of Winter” marks SNL Alumni Dan Aykroyd and Gild Radner’s first professional acting gig.
AI: Well let’s start off by having you introduce yourself.
Jimmy: Hi, my name is Jimmy Cross and my partner is the very talented Jonathan Rogers.
AI: So lets talk a little about these two pieces. They truly mark a bit of animation history. Can you tell us a bit of what each film is about?
Jimmy: The first film is called “The Gift of Winter” starring SNL alum Gilda Radner and Dan Aykroyd  and it was made by my partner Jonathan Rogers in 1974. Gift of Winter begins in a place called Anytown and people rise up in protest to stage an exhausting march through sub zero wilderness to confront the Ministry of Winter himself to demand change. Along the way they all learn the true meaning of winter and the gift of winter is born.
Witch’s Night Out is the a continuation of the first film starring Gilda Radner as the Witch and it was made back in 1978.  It’s a spooky surprise when a witch’s magic wand falls into the wrong hands in this nostalgic Halloween special! A treat for the whole family, this magical animated adventure returns to you just in time to celebrate this spooktacular season!When a witch hears of a party being held at her haunted mansion, she decides to bring on the fun! Showing off her magical tricks by turning the kids into whatever they want to be for Halloween. However, when her wand disappears the town is turned upside down!
AI: What led you to make it?
Jimmy: I can’t take credit for making these two wonderful cartoons. But it all started back in 1978 when I was 7 years old. I fell in love with the shows and was blessed to one day become partners with the creator.
AI: Who worked on the film?
Jimmy: Both shows were made by John Leach (now known as Joanthan Rogers) and Jean Rankin of Leach/Rankin Productions back in the 70’s. Both films were independent and I guess in a way they still are.
AI: What technology was used in it’s creation?
Jimmy: Traditional animation but with a twist. Both cartoons were animated straight on cels and straight ahead animation.
AI: Wait, wait, animated directly on cells? That’s insane!
Jimmy: Crazy but true. Also no key frames just free straight ahead animation and drawn directly onto the acetate. Witch’s Night Out was filmed on 35mm film and Gift was 16mm.
AI:  How was it funded?
Jimmy: The CBC (Canadian Broadcast Company)  funded The Gift of Winter and then NBC funded the Witches Night Out. The restoration was independently funded through Semaj Entertainment.
AI: What is the end result for the film?
Jimmy: Well, both films are now for the first time on DVD and digital distribution in North America. They have both been fully restored and we are now looking to do new projects using our casts in both films. Together we have formed Cross/Rogers and are very excited on what the future holds for these stories and where we will take them together. It is truly a wonderful humbling story and a dream come true.
AI: Thanks Jimmy for sharing these truly unique little blasts from the pas. If you’d like to learn more about either of these films there are sites set up for both.

News: Doctor Who’s back as a Saturday morning cartoon

Creative Bloq.com is reporting that we’re only two weeks away form the premiere of Dr. Who as an animated cartoon. I had no idea it had even been greenlit! It DOES look an awful lot like Gravity Falls but then, the creator does site it as a main influence so I guess that makes sense.

From the site:

The Animated Adventures of Doctor Who is a captivating take on the series by Seattle-based art director and newspaper cartoonist, Stephen Byrne, which takes the Doctor Who we all know and love and brilliantly reboots it as a Saturday Morning cartoon. Byrne describes it as the same as regular Doctor Who, “with the silliness amped up and the darkness dialed down”.

 

From the title sequence, it’s very clear it’s done in Flash and to me that takes a way from it a bit but I understand the need to keep costs down. Anyway, it’s coming but honestly from the artile I can’t figure out to where!?!?!?

Byrne spent two long weekends and a few long evenings making the video, using Photoshop, Flash and Premiere. “I haven’t done animation in a few years,” he explains, “and so it was a little self-motivated project to relearn the principles of animation and the subtleties of the software. It was also an experiment to see if I could produce something half-decent in a reasonably limited time frame.”

You can read more about the new Animated Adventures of Dr. Who by clicking the link.

 

 

RIP Liz Holzman

Liz tribute

So sorry to hear this news. Our producer on Pinky and the Brain and a friend of mine Liz Holzman passed away yesterday. Liz was like a mother hen to us all. She mentored me during my first real directing job, she taught me how to make a shot epic, and she taught me how to be a good boss to my crew. She used to make waffles for us in her office if you can believe that! She was a really nice lady and although I didn’t stay in touch with her lately I will miss her. It’s weird to think it I know but it’s almost like both mom and dad are gone from Pinky and the Brain since Rusty Mills passed away as well ALSO from Cancer and we’re all left orphans. Rest in peace Liz Holzman. Narf. Narf.

We interviewed Liz early last year.

AI Spotlight: Mike and Wayne

http://youtu.be/3fC21lf585Q

Today’s Spotlight comes to us from Florida in the form of a film called Mike and Wayne  about two guys who attempt to rob a liquor store to no avail. It’s well animated, well designed and it’s choice of palette colors is particularly refreshing.

Mike&Wayne_01AI: So let’s start out by having you introduce yourself and tell us a little about where you’ve come from to get you to this make this film.
Esteban: Hey! My name is Esteban Valdez, I’m the Founder of Echo Bridge Pictures and we’re an animation production company based in St Petersburg, Fla. and since our start we’ve worked on some incredibly high profile projects and respected names in the business like FOX, FXX, CBBeeies, UMG and Edelman. We’re focused on 2D production for music videos, commercials, corporate and educational videos, short and feature films, documentaries and episodic shows for television and the web.
I started back in 2000 working at small shops in and around Boston, MA. In late 2010 I planted some roots in St Pete and founded the studio. Since then Echo Bridge has grown to be an artist driven studio where we work pretty damn hard everyday to do what many other people thought was only possible in LA and NYC.

Mike&Wayne_02

AI: Some good credits! So tell us what “Mike and Wayne” is about and who are these little blue guys?
Esteban: It’s about these two dumbasses named Mike & Wayne. They’re the titular characters of our new short film who are not the sharpest knives in the proverbial drawer. Their mission is simple: get rich quick by robbin’ and stealin’. Their target: the local liquor store. What our fearless (anti)heroes don’t know is that the Cornah Store has the best defenses imagination can provide. Follow Mike & Wayne as they strive to make their dreams come true and are met with spectacular failure. All for your enjoyment.

Mike&Wayne_03

AI: Sounds like an interesting concept. I particularly liked the style and your choice of color. The backgrounds are beautiful too!
Esteban:
 Thanks! Well, a lot of the inspiration came from indie comics and zines and when it came to color I felt it only best to keep with that feel. What was challenging about it too was that it’s both easy to see mistakes cause there’s no place to hide those mishaps and the work can also disappear if the values aren’t probably separated.  And with everything packed with detail as it is it pushed us artistically.

Maybe we’re just artistic masochists because we’re always looking to do something we haven’t done and that challenges us.  We don’t do easy around these parts.

AI: So how did the idea for the film come about?
Esteban: The idea had been swimming around in my head/sketchbook for a few years, mostly inspired by the classic Tom & Jerry cartoons and the styling of Daniel Clowes and Robert Crumb. To make something simple and in your face without having to be so overly developed and processed… I like to think of Mike & Wayne as a punk rock tune. Edgy, fast paced, no bullshit, and raw. And much like punk, it wasn’t about satisfying others ­ it’s about making something that we liked, that made us laugh. Art’s so subjective and if you’re trying to please every demographic you’re going to end up with something you don’t enjoy looking at or love doing.

Mike&Wayne_04

AI: Who worked on the film?
Esteban: I wrote the original premise and provided art and animation direction, however for this project we really took a different approach than we normally do on client work. We got everyone together and pitched ideas around for scenarios. The ideas that made us laugh the most is what made it into the film so all in all there’s a little bit of each of us throughout the film. When it came to the audio portion that was done mostly by my good friend and former band mate, Mark Mniece. He and I had some serious back and forth trying to get things just right. Then Mark did what he did best and mixed us his best work on that track.

AI: What technology was used in it’s creation?
Esteban: We used Storyboard Pro 4 for storyboards and animatics, Flash CS5 for preproduction and production, Premiere CS5 for post, Reason and ProTools for audio production using a Fender Highway One Bass, Gibson SG Guitar through an Apogee Ensemble and Korg Keyboard for additional instruments. All our planning, coordinating, scheduling, tracking and file management was done through Basecamp and all things finance wise was handled via Quickbooks by myself and our accountant.

AI: How was it funded?
Esteban: The film was financed by the studio (Echo Bridge). It was expensive, but the end result is something we’re all really happy with.

AI: What is the end result for the film as in will you put it in festivals or was it just a personal piece you did for fun?
Esteban: The short film has been submitted to roughly 20 festivals worldwide and we’re really hoping it does well. In the meantime the next 5 episodes are already in pre­production, and we’ve recently signed on with the Channel Frederator Network to produce a 12 episode season of Mike & Wayne. A couple of broadcast networks have also shown high interest in Mike & Wayne, but we feel that the nature of the project is best suited for the net.
We’re really working hard to make sure that each cartoon is constantly raising the bar, getting crazier and out ­there. So far, the reviews we’ve been getting from people we’ve shown this too has been nothing short of awesome and we’re really pumped to be producing something of our own.
Stay tuned!

Facebook: www.facebook.com/EchoBridge