Tag Archives: Looney Tunes

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Steve LeCouilliard

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What is your name and your current occupation?

My name is Steve LeCouilliard and I am a freelance story board artist from Vancouver, Canada.
What are some of the crazier jobs you had before getting into animation?
I took basic training in the Canadian Forces one summer and I also performed as a pirate at childrens’ parties for a little while.
What are some of your favorite projects you’re proud to have been a part of?
Ed, Edd n’ Eddy was a well-made show with a big following. I worked on the under-rated but terrific The Mighty B! for one board and I had fun on George of the Jungle and League Of Super Evil. I also boarded some fun cinematic sequences for the sadly cancelled Pirates of the Caribbean: Armada of the Damned console game. It would have been awesome.
How did you become interested in animation?
By watching Looney Tunes on TV and Disney movies. More than animation though, my inspiration to become a professional cartoonist comes from comic strips like Calvin and Hobbes and Pogo. I also
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John K. Lei

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What is your name and your current occupation?
Hey there, my name is John K. Lei. I am an animation director and artist. I recently finished up Assistant Directing on Johnny Test, season 5. Currently I am freelancing design and development, and working on my website and blog.
What are some of the crazier jobs you had before getting into animation?
Well, I worked as a graphic designer for a small company in Toronto. Of course, there were the long hours (my first day there was 15 hours) and crazy expectations (I had 3 days to conceive, create and put together all the art and signage for a fashion show). However, the craziest thing about that job were the unrelated skills I developed (fixing computers and photocopiers, painting the office, being the delivery boy and my favourite – fixing the phones). I’m surprised I got any of the design work done.

What are some of your favorite projects you’re proud to have been a part of?
I really like funny, zany shows like Johnny Test because our crew can have lots of fun. Also, working on features like Curious George is nice because we can afford time to create some beautiful artwork. I also liked illustrating the black and white art for some of the Franklin the Turtle books – it’s a nice break away from the typical animation production.

How did you become interested in animation?
Naturally, I got into animation by watching a lot of cartoons on television when I was a young kid. Some of my favourite shows were The Flintstones, Looney Tunes and Merry Melodies, Battle of the Planets (Science Ninja Team Gatchaman) and Starblazers (Space Cruiser Yamato). I was intrigued by Continue reading

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Warren Leonhardt

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What is your name and your current occupation?
Warren Leonhardt, story artist at Blue Sky Studios

 

What are some of the crazier jobs you had before getting into animation?
Worked as a logger, prep cook at a truck stop, janitor at a hospital and a shoe repairman for a day. I thought about going into amateur kickboxing in 1993 or 94 after being invited by my coach to train in Thailand, but I’m too darn lazy when it comes right down to it.

 

What are some of your favorite projects you’re proud to have been a part of?
It’s not so much the gig as the folks I’ve been lucky enough to work with. I’ve been on great crews such as the one we had at Red Rover studios up in Toronto in the early ’00s. We had a blast making Puma, Mexican Gerber commercials, and concert videos for R. Kelly when he was just on the cusp of going completely bonkers. I had to draw his recently deceased mother as an angel who talked to him, which was awkward, to say the least. As far as movies or recognizable credits go, I’d have to say those guys at Sony who made ‘Cloudy With a Chance of Meatballs’ were really awesome for the short time I was on that movie. Still pals with a few of em. But there were fun crews in Ottawa, Copenhagen, LA, or Toronto that I’d like to gather together in a room again anytime, regardless of the job.  Of course I have high hopes for the movie that I’m working on right now. The crew at Blue Sky has some really bright and eccentric people here, which is always awesome to be around. Makes for good comedy bits.

 

How did you become interested in animation?
Same as anyone else, I guess. Television reruns of classic Looney Tunes and Disney shorts, mostly. There was one Disney special every Sunday evening when I was a kid. I was also a “Saturday Morning” kid, but I really liked waking up really early weekday mornings and watching original Tom & Jerry cartoons, Looney Tunes on Saturday morning and these Disney specials on Sundays. On one of those behind the scenes things, Walt Disney revealed that real live people made these cartoons with pencils and paper! I decided to try to become one of those guys even if it meant I had to figure it out myself. I’d have made a crappy chemical analyst anyway. My dad’s job was not for me. I got my hands on Preston Blair’s book and copied stuff from that and comic books.  And there was this other thing, too Continue reading
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Johnny Ortiz

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What is your name and your current occupation?
My name is Juan Ortiz, but sometimes I go as Johnny Ortiz because I share the same name with a well known comic book artist from the ’80s that isn’t me. Right now I am freelancing as a designer/illustrator. Most of the work is either for Disney or Warner Bros., but when I have the time I am also creating and publishing my own comic books. I recently created 80 Star Trek posters of the original series for CBS.

What are some of the crazier jobs you had before getting into animation?
My first job was working for Disney, so I really don’t have an answer for this question. Although at times we did get a little nuts.

What are some of your favorite projects you’re proud to have been a part of?
In 1989, I was fortunate enough to illustrate covers for “Looney Tunes” and “Tiny Toons” magazines, published by DC Comics. The magazines were edited by Joey Cavaleiri and the late Joe Orlando. I did that for about four years before working for the WB Studio Store. The stores had just started up and WB was about to open their flagship store in NYC. That was an exciting and fun experience that I am proud to say I was a part of. At least during 1993 and 1994.

Where are you from and how did you get into the animation business?
I was born in Puerto Rico and raised in “Hell’s Kitchen” on the west side of NYC. I did take some animation courses and dabbled in story-boarding but I never Continue reading

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Mike Perez

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What is your name and your current occupation?
Mike Perez, Freelance Illustrator & 3D Generalist.

 

What are some of the crazier jobs you had before getting into animation?
Probably has to be delivering newspapers before dawn or selling fireworks in one of those huge tents.

 

What are some of your favorite projects you’re proud to have been a part of?
Last year, I oversaw Character Rendering for The Adventures of Big Bird and Kami. It was a great project with a great team!

 

How did you become interested in animation?
As far back as I can remember, I have been interested in cartoons. I had a lot of VHS tapes as a kid. Things like the Fleischer Superman, Looney Tunes and Silly Symphonies.

 

Where are you from and how did you get into the animation business?
I’m from Miami, and in South Florida there is some game development and VFX work, but Continue reading

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Chris Battle

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What is your name and your current occupation?
Chris Battle, and I’m a Character Design Artist, currently working on “Dan Vs.” at Film Roman.

What are some of the crazier jobs you had before getting into animation?
Assistant Manager of one of the short-lived Hana-Barbera Retail Stores.  A bit of a zoo, but it was run by the studio itself, so it allowed me to meet all of the studio artists, which led to me getting my start in the biz.

What are some of your favorite projects you’re proud to have been a part of?
Without a doubt, my 7-year stretch at Hanna-Barbera/Cartoon Network, where I worked on DEXTER’S LABORATORY, POWERPUFF GIRLS, and SAMURAI JACK.  Truly amazing shows that I’m personally very proud to have been a part of, working alongside some of the greatest talent this industry has to offer.

How did you become interested in animation?
 I was lucky enough to grow up during the 80’s, which was a perfect storm of kid pop culture:  The best of the old (Looney Tunes, Hanna-Barbera, Classic Disney, Marvel & DC comics) and the best of the new (Star Wars, Muppets, Nintendo, Robotech, etc)  You can’t help but Continue reading