Leo Antolini

This slideshow requires JavaScript.


What is your name and your current occupation?
My name is Leo Antolini, and I´m currently an illustrator and character designer.

What are some of the crazier jobs you had before getting into animation?
I´ve been very lucky that I went straight to working in animation after I graduated (although it took a while) I actually got one of my first illustration gigs while applying for a telemarketer job: the company found out I was an artist and they asked me to do some character design proposals for their new website.

 

What are some of your favorite projects you’re proud to have been a part of?
I´ve done a lot of projects for Leapfrog, and since I love what they do (educational children´s books and toys), I´ve been proud of pretty much everything I´ve done for them, but I´d single out Sing Along Read-Along (a really fun, cool project) and the “If I Were…” book, which was the first time I got to do an entire book by myself. As far as animation goes, I was super proud of all the work I did (character designs, storyboarding and directing!) on the “Brock O´Lee” shorts for PepperMelon studios: it was a big learning experience to wear all those hats, and the final product turned out awesome, I thought.

 

How did you become interested in animation?
I´ve been obsessed with cartoons since I can remember. I watched everything (and I mean everything) I could all throughout my childhood, from toy-centric 80´s tv shows and Disney movies to weird, artsy European animation. I loved to draw and create my own characters. When I got to the age where people usually stop caring about cartoons and move on to other interests, I pretty much just kept going. I was really into Continue reading

Dave Merritt

This slideshow requires JavaScript.

What is your name and your current occupation?
My Name is Dave Merritt and I am an Art Director at Mercury Filmworks.

What are some of the crazier jobs you had before getting into animation?
Washing concrete off of tanker trucks.

What are some of your favorite projects you’re proud to have been a part of?
Probably Toot and Puddle. For adults you need to turn down the sound, but the visuals are stimulating. We had a great team of designers and our director Christian Larocque was always pushing us creatively. I remember our character designer Allan Stuart, Prop master Tom Pajdlhauser and myself were always in early to work. I guess the hard work paid off; I received an Emmy for Location design on that show.

 

How did you become interested in animation?
Like most of us, as a kid watching animation on TV. My favourite shows were: Continue reading

Mark O’Hare

This slideshow requires JavaScript.

What is your name and your current occupation?
Mark O’Hare, story artist, Illumination Entertainment.

What are some of the crazier jobs you had before getting into animation?
Served coffee, cleaned dorms rooms, bused tables, stocked shoes. No crazy here. All average.

 

What are some of your favorite projects you’re proud to have been a part of?
Citizen Dog comic strip, Rocko’s Modern Life, Spongebob, Dexter, Powerpuff Girls, Despicable Me, Lorax – I’ve enjoyed all of these.

How did you become interested in animation?
A classmate of mine at Purdue University gave me a Continue reading

Christopher Hicks

This slideshow requires JavaScript.

What is your name and your current occupation?
Christopher Hicks, freelance writer/illustrator/toy designer.

What are some of the crazier jobs you had before getting into animation?
In college, one of the admins would pay me to watch her desk and phone while she ran off for quikies with one of the professors. I don’t think I was an Accessory to Home-wrecking, because at the time I was too dense to realize what was going on (not that I am any less dense now.)

What are some of your favorite projects you’re proud to have been a part of?
A lot of stuff that has never seen the light of day, but I will always be proud of my comic book series Mister Blank, and the Mighty Muggs toy line I designed for Hasbro.

Where are you from and how did you get into the animation business?
Rocky Point a crap stain of a town on the north shore of Long Island.  Comics (see above) exposed me to Continue reading