News: TV Boss.org will supposedly help protect kids

tv_lock_arsThe TV and film industries are launching a broad campaign to educate parents so they can better manage their kids’ media. A response to the widespread call to curb violent behavior, the MPAA, NAB, NCTA, National Assn. of Theater Owners and American Cable Assn. will begin a campaign to distribute information about the ratings system and parental blocking technologies through public service announcements, social media, informational web sites, in-theater messaging and other media. The newly redesigned web site TheTVBoss.org will serve as the nexus for information on ratings, technology and media literacy.

You can read more here.

News: The Visual Effects War

 

daywithoutvfxYou may have noticed that Facebook has changed color of late in the form of a green square. That’s been held up as a protest against the unfair treatment of the visual effects artists today. It all came to a head Sunday night when Ang Lee won an Academy Award for best director of Life of Pi. I am told it’s a visually stunning film  and while I have not seen it yet, it doesn’t take a genius to see that the film could not be made without visual effects artists.

Take a look at the example below…

 

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The film wouldn’t be so compelling if it were done in like the first panel would it? Certainly not! Here’s another example. See if you’d prefer to watch the film like the first panel.

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Yeah didn’t think so.

Yet studios as a whole do not respect the visual effects artists. Case in point:  Rhythm and Hues, the studio that brought you the award winning effects in Life of Pi, recently filed chapter 11 bankruptcy and laid off a slew of talented artists despite the fact that the film recently passed it’s billion dollar mark in profits. Where’s all that money going? Not in the pockets of the vfx artists who spend day and night in dark rooms staring at screens and getting paid wages that in L.A. are impossible to live on. Add to that te fact that when the film is done they have to start all over looking for another gig that will do exactly the same to them. It’s a sad state of affairs. Sunday night, the visual effects community staged a protest outside the Oscars but it more or less went unnoticed. Small wonder when the networks are either owned outright or caught up with the studios themselves. When Life of Pi won for Best Visual Effects, winner Bill Westenhofer attempted to bring attention to the fact that his company is facing bankruptcy… and was cut off by the theme from Jaws.

It’s sad to think that studios would be so disrespectful of  the hard work that goes into creating the amazing films we see every year. But in truth animators across the world experience this every day. people love what we do and networks could not exist without our talents and yet they cry when we want to be paid a fair wage for our services.

I’m honestly not sure how to remedy it but I for one am sick of it.

You can read about this ongoing visual effects war on The Visual Effects Soldier.

News: Guacamole is the shortest film ever nominated for an Oscar

Fresh GuacamoleThe BBC is reporting that a Commercial Director who goes by the name of “Pez” has made Oscar history for having the shortest film ever nominated for an Oscar. At 1 minute and 40 seconds the film “Fresh Guacamole” is about aptly enough, making a bowl of guacamole. Done with stop motion and object replacement, Pez films himself opening up grenades and scooping out guacamole from them as well as slicing baseballs and having them turn into dice. A strange little film and I’m not sure why it’s been nominated above being clever. I thought all Oscar worthy films had to be about crack babys, homeless people or the plight of the common man. This is just… cooking. You learn something every day.

You can read more on the site here.

 

News: DreamWorks producing Netflix kids show

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MSN Money is reporting that DreamWorks is partnering with Netflix to bring a new animated series to the site which I hope will continue to bring DreamWorks back into television above and beyond their fare on Nickelodeon. If you remember Dreamworks once had big plans to get into television when they first began and were ultimately thwarted by the rivalry between Eisner and Katzenberg. The only show to make it to tv was a more or less forgotten show called Toonsylvania created by Bill Kopp and Chris Otsuki. It had a star studded animation team and some great designs to boot. Sadly it never really hit the limelight as Disney effectively blocked further forays into television by buying the network ABC who was showing the series. The rest as they say is history. Whether or not it was on purpose, who knows but many insiders claim it was just that.. A block by Eisner to stop Katzenbergs’s success.

 

Obviously Dreamworks has come back to television in the form of Kung Fu Panda, How To Train Your Dragon and Penguins of Madagascar, but this is a breakaway from the networks and might mean big things for animators down the road.

You can find out more about this deal here.

News: DreamWorks set to lay an undefined amount of staff off

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Sad news out of Glendale this morning but it’s been rumored for a while now. The Hollywood reporter is reporting that there are layoffs coming fro DreamWorks since the Rise of The Guardians failed to do well a the box office.

From their site:

DreamWorks Animation will lay off staff in the wake of the weaker-than-expected performance of the studio’s Rise of the Guardians and its announcement Tuesday that it will release two films in 2013 rather than three, sources tell The Hollywood Reporter.

 

You can read the full article here.